Nordvest - Der Nordwesten

Casper, our main character earns a living by skillfully breaking into peoples homes and sell the stolen goods to the local receiver (Jamal).

He doesn´t get any respect from Jamal and his men, he is humiliated and it seems that he doesn´t get fair prizes for the goods he has stolen. So one day he is approached by a stranger, that makes a proposition. You get the feeling that Casper senses danger, as well as we does for that matter, as he does not accept the proposition in the first place but later he changes his mind and then the real drama can begin.

The stranger is a guy named Bjørn who is involved in organized crime. He has a brothel (this is usually Hells Angels in Denmark) and needs somebody to handle transport, security and economy and slowly, no, very fast as a matter of fact, is Casper in charge of these assignments. Casper wants to be involved but at the same time we get a very clear notion, that at a certain point he cannot pull out without problems. He is slowly losing control over his own life.

When the old receiver sends out his guys to get Casper back into his old business a conflict of interests has started that can only be ended in one way...... Casper is together with his kid brother brought out into a forest and taught how to use a gun. By the instructions given you get a very, very clear notion that an execution is going to take place.

It´s rare to watch social drama wherein everybody doesn´t stand out on some pathology scale. Casper and the rest of his family doesn´t stand out as sociopaths or having a drug/alcohol addiction. Casper is very affectionate towards his little sister and really seems resourceful here. The mother isn´t introduced much but there is nothing that stand out as suspicious.

So the big question - why does Casper and his brother get involved in criminal activities? Well, the explanation cannot be found within the family so instead....? Its the simple fact of growing up in Northvest - or a ghetto for that matter. Its a society within the society governed by its own laws. The mother knows what is going on - suddenly he wears a Rolex watch and it is as if she wants to have a conversation about this but in the same moment gives up. Alone she cannot fight and win the battle to get Casper back on track.

The pace of the story, the portrait of the characters and the description of the milieu in "nortvest" is put very well together in this movie.

A small masterpiece....

/Simon

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I saw this at Pifan 2013 in Bucheon, South Korea, and while I've seen several Danish movies that were so-so to lackluster, this one was entertaining.

Caspar is a young man who has a single mother and two siblings in Copenhagen. He burglarizes homes and sells the stuff he steals to an Arab thug, Jamal, who cheats him all the time. Caspar is later offered a job with a pimp named Bjorn and starts to earn good money. But Jamal is angry that Caspar is working for someone else and seeks revenge.

The movie was interesting and the characters seemed real, though I don't know much about Denmark. I'd say this was worth a watch, though the ending seemed a bit flat.

I saw this movie at the Rotterdam film festival 2013 (IFFR), where it was part of the Bright Future section. It is a story around 18 year old Caspar, who starts modestly as a burglar stealing valuables or electronic equipment on demand. He has a fixed "contract" with Jamal, who buys the loot from him. However, Caspar has plans to scale up, and gradually comes to terms with tough guy Björn. He gets accepted in those circles, and assigned more and more responsible tasks. All is going well and according to plan, until the moment that Jamal decides to have his revenge. This gets out of hand very soon, and you hardly can expect a smooth escape out of this situation, and thus assume a not so very happy end.

The film is named after Northwest, a suburb district of Copenhagen (Denmark). Not only because of a strong reputation of youth crime, this area was also chosen for a simple practical reason: it was open enough to let the film makers in and to cooperate with them. Much knowledge about the neighborhood was acquired by asking around and talking with locals living there. The director made documentaries before, and this was the usual method of operations for him. Moreover, they really tried to blend in while shooting, by living in the apartment (together with mom and kids) that was used in the film as decor.

The information in the previous paragraph was gathered from a final Q&A with the film makers, a considerable subset of them present with the screening. It was the 2nd screening ever, on the day immediately following the world premiere in Sweden. Some of the crew were still recuperating from a hangover, but answered as best as possible on questions from moderator and audience. From the Q&A we also learned that none of the actors is educated as such, but most of them played before in movies or TV series. The way this director makes movies is working without a detailed script, leaving much improvised. The scene and setting is rehearsed before the shooting, but what actually happens after the camera switches on, is merely ad-hoc and left to the actors.

All in all, an interesting plot, giving some insight in how the criminal mind works, and opening lots of opportunities for even so interesting developments. Maybe also a bit about second generation immigrant Jamal versus native Björn, and upholding respect from their respective gangs?? Apart from portraying street violence and youth gangs, the story is also about the impact that this dangerous way of living can have on family relationships. It is really a "way of living" to survive in such circumstances, and not always easy to keep your family out of it, be it to repair the damages when you come home wounded, or when people are waiting for you outside to collect money or have an argument. And it gets easily from bad to ugly by throwing things through the window, or even threatening to set the house on fire.

The festival visitors gave an average score of 4.268 (out of 5), thereby ranking it 21st (out of 178) for the audience award. As far as I'm concerned, this film maker shows indeed a Bright Future, deservedly put in the festival section with that name.

Even in the welfare society, it is difficult for a single mother to raise 3 children, particularly if two are teens whose need for money and approval is high. And less decent neighborhood includes several lures difficult to resist... Such is the background where two brothers Casper and Andy - leading characters of the film - have to cope. Surroundings is ugly and hard, with lots of gangs and violence, and outside help is scarcely available (incl. police or special organisations) - apart from adult criminals (such as Bjørn or Jamal) eager to use the youngsters' unshaped personality. But sooner or later, you have to make choices, and in such a way living, it is usually between bad and worse... The ending scenes are logical, although the very end could have been less brusque; well, it was intentional, I guess, for viewers pondering on and over.

The cast is rather uneven, the real brothers Dyekjær Gieses depict Casper and Andy well and in a realistic manner, but all the others were uninviting to me. The plot seemed unsteady, floating as well, some scenes remained incomplete or provided no additional meaning to the film. Or I am just unable to see more values because I have been "spoiled" by distinguishable acting (e.g. Mikkelsens, Bodnia, Lie Kaas) and more sophisticated plots (e.g. Vinterberg, Vinding Refn) visible in Danish films.

'Nordvest' is a Danish film about a young criminal. Casper is a house burglar who sells what he steals to an Arab gang. But when one of the Arabs steals Casper's watch, Casper - completely missing the irony that he himself had stolen the watch in the first place - starts working for a rival gang, eventually getting his younger (and dimmer) brother involved also.

So far, so predictable - and the film largely is, even down to Casper's tender relationship with his toddler sister - hey, he's a thug with a heart! But a thug is still a thug and so it is difficult to feel any sympathy for him as events spiral beyond his control. In the lead role, Gustav Dyekjær Giese does a nice line in cool, and the film is definitely worth watching once - but only once.