Elsbeth

I've watched Columbo and he definitely wears down the bad guy, I see some of that "spark" with this series but ...The overall crimes are interesting, the storytelling I hope will improve. I watched about 6 episodes. Carrie /Elsbeth toned down the quirk in latter episodes TY. I do not appreciate the derogatory "boomer" references and it turns me off; nope not a boomer, but show some respect because writers who came before, can write circles around those today. Officer Blanke is actually my fav character, she seems the most authentic, realistic of all: young but smart and observant, open-minded, respectfully defiant and helpful. The actress is capturing that. I will give the show a few more episodes before deciding.

Robert & Michelle King are the talented writing duo responsible for some of the best network TV shows in recent years, including "The Good Wife" and "Evil." After ending "The Good Fight," 2024 brings us yet another such spinoff of "The Good Wife," one named for that show's kooky lawyer character named "Elsbeth." The Leap Day pilot episode sets up the show's clever premise: that her title character has been designated an impartial observer of the NYPD in a formal legal consent decree to hopefully ferret out any police corruption in the ranks. But in the meantime she cannot help but help those hapless officers solve their trickiest cases. Like Columbo's classic show, we are privy to the perpetrator's machinations, but get pleasure from observing the observer, Elsbeth, investigate and determine those guilty of the crime(s). Carrie Preston is outstanding in the lead role, and Wendell Pierce excels in the role of the NY Police Captain, who may or may not be on the straight and narrow himself. I'll revisit my rating of 8/10 stars as we proceed.

I am a big fan of the Kings, and when the character Elsbeth was introduced in The Good Wife and reappeared in The Good Fight, she was entertaining and refreshing. She had an off-the-wall courtroom presence. When you first saw her on a case, you figured her defence was doomed to fail. But then she came up with a twist or re-interpretation of the facts that made all the difference. She was not in every episode of either series, and that kept her from becoming cloying.

But now the Kings feel that she merits a show of her own, and that is becoming too much of what was a good thing in smaller doses. The episodes are feeling repetitive, and things are not helped by portraying the crime (and the criminal) in the initial minutes. The rest of the show just becomes filler - how does this wacky person figure out what we already know?

Sorry, but this just doesn't measure up to the expectations that were created by Elsbeth's earlier (and occasional) appearances.

I WANTED to love Elsbeth, I loved her in The Good Wife/Fight and loved Carrie Preston in everything from True Blood to Claws and this show wastes her talent and sullies her character. The writing/plotlines are so unbelievable, they're insulting. As an attorney, Elsbeth would gather little snippets of info and file away things that people said and look at things several different ways. As a second-rate Columbo, she meets the killer and apparently just gets a feeling that they are the killer and it's so clumsily done, it makes me miss a 50 year old show like Columbo. Do better guys...Carrie Preston, Wendell Pierce and Elsbeth deserve it!

We were all pleasantly surprised by the fresh take on the Columbo (1971) "reverse mystery" formula with Poker Face (2023), and here we have CBS's attempt at that sub-genre with mixed feelings.

For those unaware, the "reverse mystery" is not a "whodunnit" but a "howcatchem." In this format, the crime is depicted first in full view of the audience. There is no doubt "who did it." The fun them comes when the detective comes in and finds all the "little" things the killer gets wrong, and we get to watch as the "perfect crime" slowly unravels. Peter Falk as Columbo did this to great affect - with his little questions, constant "one more thing" jibes, and the reveal - that point where the killer know's the game is up - is more often than not very satisfying. Not so much here.

Now introduce Elsbeth Tascioni ( Carrie Preston ) who is well-known to those who follow the Good Wife (2009) franchise. She's a quirky somewhat "neruodiverse" lawyer who has a special point of view of the world, and has a talent for seeing the little things.

Now Elsbeth is "on loan" to monitor the NYPD, and manages to ease her way into leading an investigation into a murdered actress. I have no love of New York or the NYPD, but I do take exception with law enforcement being depicted as out-right incompetent. There's a perfect crime scene, where the killer has covered all the bases to make the murder appear a suicide. Open and shut - where's the donuts. Only Elsbeth comes in and finds three or four completely obvious clues that suggest that the suicide might be murder. Of course, the cops are all bothered and unimpressed by her insights. "Wait in the hall," she's repeatedly told. But she's having none of it, and continues to poke-and-prod and even does a "one more thing" bit.

While I'm overall happy with this show - shot beautifully to make you believe that every day is sunny in New York (it's not) - the writing is extremely weak and it shows. No spoilers here, but - come on - the mystery is so shallow that it almost seems the killer didn't have to work so hard. The "little things" that Elsbeth notices are so obvious and in plain sight, a trained police detective would have to be completely incompetent not to notice them.

This show is almost-but-not-quite family friendly. The violence is subdued, and the killer goes (in classic Columbo fashion) with calm and grace, even asking "where did I slip up?" So, no fist fights, no car chases, no shouting matches. Only disdain for Elsbeth to go "wait in the hall."

I have overall hopes for this show that it will improve. This installment was weaker than the weakest of Columbo episodes. Here's hoping the mysteries can get deeper and the "howcatchem" can be satisfying again.