Madeline Matlock arbeitet wieder in einer renommierten Anwaltskanzlei, wo sie mit ihrer gerissenen Taktik Fälle gewinnt und Missstände aufdeckt.Madeline Matlock arbeitet wieder in einer renommierten Anwaltskanzlei, wo sie mit ihrer gerissenen Taktik Fälle gewinnt und Missstände aufdeckt.Madeline Matlock arbeitet wieder in einer renommierten Anwaltskanzlei, wo sie mit ihrer gerissenen Taktik Fälle gewinnt und Missstände aufdeckt.
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- 6 Gewinne & 11 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'Matlock' receives mixed feedback, highlighting Kathy Bates' strong performance and the compelling premise. Criticisms include disconnect from the original series, weak writing, and unrealistic plots. Some viewers find characters and storylines unengaging, while others enjoy the fresh approach and clever twists. The show's treatment of social issues and diversity sparks debate, with opinions varying on its effectiveness and authenticity. Overall, 'Matlock' is viewed as an uneven reboot, benefiting from Bates' talent but hindered by inconsistent writing.
Empfohlene Bewertungen
I was looking to try a Kathy Bates program with a largely overly sentimental but I discovered I was wrong. It took until the last ten minutes to know what this wonderful show was about under the surface. I hope it last well beyond Mattie getting the information she is looking for. Many new faces and some old favorites in different style roles. I'm sorry that this initial showing is a one off but I'm glad not all the good new stuff is on Sunday CBS during football season. I will be looking forward to more episodes on Thursday nights. I'm just glad that it's not on opposite my 911. Kathy Bates deserves to make the full ten episode run no matter what. I look forward to the final resolution of Mattys background espionage.
It's pure entertainment. Finally. Good stories Good dialogue. Great to see Kathy bates and Beau bridges in better than Ever form I hope the series continue for sometime. It might bring back network watching.
The cleverness of Matlock perceiving personalities and possibilities really drives the story forward and keeps the viewer engaged. I'm looking forward to next episodes.
Beau Bridges, as head of the law family firm is a good guy, but tough as nails when it comes to winning every case. The new "kids" in the firm add just the right touch of the present generation trying to show their stuff while getting into the big time.
The cleverness of Matlock perceiving personalities and possibilities really drives the story forward and keeps the viewer engaged. I'm looking forward to next episodes.
Beau Bridges, as head of the law family firm is a good guy, but tough as nails when it comes to winning every case. The new "kids" in the firm add just the right touch of the present generation trying to show their stuff while getting into the big time.
I really want to like this show but it really needs more meat to it. I would say first problem is the writing. The weekly episode is glossed over and not very deep just so they can spend the final moments reminding the audience the reason for the whole deception to begin with. Second is the direction of the other two females. Their characters come off as cartoonish. Always loud and high strung and lacking any real emotion. This isn't against the actress themselves but I am assuming this is the direction they are given. Some of the sets seem exactly that ..sets. The lighting is flat. Overall not a very rich feel to it. I tune in each week for one reason and one reason only but I don't know if I can keep it up. I think Kathy Bates deserves better than this.
This is a charming and interesting take on a legal series. Casting of Kathy Bates and Beau Bridges is classic CBS, and while this doesn't ask much of you, it's a fun and easy watch. Yes, there's a twist at the end, which will give the series some sorely needed depth.
Kathy Bates plays the titular character, Matlock, a post-midlife lawyer who hasn't practiced since 1991. She boldly maneuvers her way into a trial period with a law firm, and set out to make herself useful in order to gain employment. Obviously, everyone doubts her abilities and thinks she's too old, and she seeks to prove them wrong.
Kathy Bates plays the titular character, Matlock, a post-midlife lawyer who hasn't practiced since 1991. She boldly maneuvers her way into a trial period with a law firm, and set out to make herself useful in order to gain employment. Obviously, everyone doubts her abilities and thinks she's too old, and she seeks to prove them wrong.
In my opinion, Kathy Bates's fantastic performance and scenic presence are not enough to catapult this show to the podium among the 'best of the year', as some reviews seem to consider.
The supporting cast simply does not work at all. They are completely lacking in nuances and they turn their roles into cartoonish, thick-stroke annoying characters. (The Asian young lawyer, probably the worst of all).
The plotline gets tangled in a confusing medley between realistic legal cases, poor comedic gags, some red herrings which seem unconvincing and a general light comedy tone sustained by the music, the trivial shallow resolution of tension and some Disney-like performances. This, plus the inclusion of sensitive «serious themes» and dramatic moments (as drug addictions, corporate involvement, loss and bereavement) which deserve and demand a deeper context. So either you feel that it is a comedy turning preachy and loaded, or you feel that issues deserving a serious treatment become trivialized and deprived of substance.
This unstable mix of comedy, suspense, legal and drama, which seems to be in fashion lately in entertainment industry (see Elsbeth, which has also derailed), is simply not my thing. Or, at least, it needs to be done in a better way. Very sorry for Kathy Bates, which is immense and a delight to watch, but she cannot rescue the show on her own and by herself.
The supporting cast simply does not work at all. They are completely lacking in nuances and they turn their roles into cartoonish, thick-stroke annoying characters. (The Asian young lawyer, probably the worst of all).
The plotline gets tangled in a confusing medley between realistic legal cases, poor comedic gags, some red herrings which seem unconvincing and a general light comedy tone sustained by the music, the trivial shallow resolution of tension and some Disney-like performances. This, plus the inclusion of sensitive «serious themes» and dramatic moments (as drug addictions, corporate involvement, loss and bereavement) which deserve and demand a deeper context. So either you feel that it is a comedy turning preachy and loaded, or you feel that issues deserving a serious treatment become trivialized and deprived of substance.
This unstable mix of comedy, suspense, legal and drama, which seems to be in fashion lately in entertainment industry (see Elsbeth, which has also derailed), is simply not my thing. Or, at least, it needs to be done in a better way. Very sorry for Kathy Bates, which is immense and a delight to watch, but she cannot rescue the show on her own and by herself.
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- WissenswertesKathy Bates has said " At my age, I didn't know that I would have an opportunity to do something like this, and I sort of had one foot out the door because I've played a lot of supporting roles over the years."
- PatzerThe previous claim that there are factual errors was posted too soon. All of the asserted "factual errors" are not errors. They are explained in episode 17; thereby making the assertion erroneous .
For Madeline to be hired by a New York law firm, they would have had to have checked her law license status through one of three official mechanisms, each of which is carefully managed by the state. This would have verified identity, address, current license status, disciplinary actions, etc.
- VerbindungenRemake of Matlock (1986)
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