IMDb-BEWERTUNG
6,7/10
8404
IHRE BEWERTUNG
Dulce ist Mutter von zwei Kindern, die erschreckende Begegnungen mit Erscheinungen in ihrem alten Haus erlebt, einem Ort, an dem sich eine Tragödie ereignet.Dulce ist Mutter von zwei Kindern, die erschreckende Begegnungen mit Erscheinungen in ihrem alten Haus erlebt, einem Ort, an dem sich eine Tragödie ereignet.Dulce ist Mutter von zwei Kindern, die erschreckende Begegnungen mit Erscheinungen in ihrem alten Haus erlebt, einem Ort, an dem sich eine Tragödie ereignet.
- Auszeichnungen
- 18 Gewinne & 3 Nominierungen insgesamt
Guillermo García Alvarado
- Priest
- (as Guillermo García)
Empfohlene Bewertungen
This movie was quite surprising. Surprisingly good, as I would not have thought of such refreshing ideas in a horror movie, for this has become a true rarity in this genre. And it offers some really good and surprising twists, another rarity in the horror genre. There are some plotholes, sure, (who will cast the first stone?) but all in all this is a good and effective horror movie that focuses more on the characters than on jump scares and has a (most of the time) well-thought-out story. Its spirit positively reminded me of "El orfanato" and "El espinazo del diablo".
I read on the forum that the reviews for this film are suspiciously alike and might even come from the same source close to the production. So, I'm here to tell you that doesn't really matter, because the movie is good and it is very much worth watching.
I went into it completely unarmed. The only thing I knew was the title and the fact that they spoke Spanish. The genre hit me on the head pretty much off the bat and I was happy with it. (Films from Spanish spoken countries have a good tradition in that respect.) I strapped in for the ride and boy was it a thrilling one! I found the movie to be refreshingly good. Not wanting to give away anything (I wish everyone the experience I had), I'll just say that for me it was the engrossing story and the flawless direction that did it. I was completely sucked into the narrative, but as usual I thought I had it all figured out pretty early on. And then I was forced to piece together a new explanation basically every 10 minutes. Which was in itself awesome. Looking back I now see they had me right where they wanted me all the way through the film and right until the very end, hit every cue, killed every mark.
As mentioned, the directing is perfection. (Which means I am now very eager to see more from this Mr. Alejandro Hidalgo!) It's hard to avoid the cliché moves, once within the confines of the specific genre and we've all got pretty much desensitized to those ever-repeating scenes. Well, prepare to change your mind! This will make you see that, if done by a skilled hand, they have not lost their power at all. In fact they work better than ever...
The acting was good too. I especially liked the mother (Ruddy Rodríguez) and the children. There were some scenes where I found it to be a bit telenovela-ish (over the top) - mostly scenes involving the Priest -, but, to be fair, I am very prejudice in that respect.
So, to sum up - and not say anything at all - I enjoyed this movie very much and I highly recommend it. I also strongly recommend finding out why on your own - you'll be grateful for the gift!
I went into it completely unarmed. The only thing I knew was the title and the fact that they spoke Spanish. The genre hit me on the head pretty much off the bat and I was happy with it. (Films from Spanish spoken countries have a good tradition in that respect.) I strapped in for the ride and boy was it a thrilling one! I found the movie to be refreshingly good. Not wanting to give away anything (I wish everyone the experience I had), I'll just say that for me it was the engrossing story and the flawless direction that did it. I was completely sucked into the narrative, but as usual I thought I had it all figured out pretty early on. And then I was forced to piece together a new explanation basically every 10 minutes. Which was in itself awesome. Looking back I now see they had me right where they wanted me all the way through the film and right until the very end, hit every cue, killed every mark.
As mentioned, the directing is perfection. (Which means I am now very eager to see more from this Mr. Alejandro Hidalgo!) It's hard to avoid the cliché moves, once within the confines of the specific genre and we've all got pretty much desensitized to those ever-repeating scenes. Well, prepare to change your mind! This will make you see that, if done by a skilled hand, they have not lost their power at all. In fact they work better than ever...
The acting was good too. I especially liked the mother (Ruddy Rodríguez) and the children. There were some scenes where I found it to be a bit telenovela-ish (over the top) - mostly scenes involving the Priest -, but, to be fair, I am very prejudice in that respect.
So, to sum up - and not say anything at all - I enjoyed this movie very much and I highly recommend it. I also strongly recommend finding out why on your own - you'll be grateful for the gift!
The House At The End Of Time is touted as being the first feature length horror-thriller from Venezuela...and it is that country's highest grossing film of all time.
It tells the story of a woman named Dulce, based on the experiences she has after moving into a house with a dark history.
Basically, the house had sat abandoned for years, only to see the government seize it and offer to a family in need.
Enter Dulce and her family.
They move into the house, only to start experiencing eerie phenomenon.
Then, one night, they are attacked by ghosts: an old man carrying a knife, and a young boy, at least.
We follow from the perspective of Dulce, who wakes up bleeding on the ground...only to find her husband stabbed...and watch her son be seized away into the darkness.
For this, she is arrested. Because there is no evidence that anyone else was ever in the house...and she can't explain the dead body and missing boy.
Fast forward 30 years later, and Dulce (now an elderly woman) has been released from prison and returned to her home.
She is under protective custody, but is adamant that she wants to find her child. So she illicits the help of the local priest.
He is able to offer her moral and psychological support, but the police won't let him hang around long enough to help otherwise. So, she is left to deal with things on her own.
And this is where it starts to get trippy.
She begins to experience the events from that fateful day in her past again...but from the other side.
Effectively making her the ghost that has been haunting her past self.
And as the story continues, you slowly start to realize...that her and her family have become lost souls...trapped in time...living out their torment cyclically, forever.
Which might seem horrific, if there wasn't a couple of light-hearted- and extremely clever- twists at the end.
This film is expertly constructed in a circular fashion. And the second half acts as a mirror image of the first (in reverse).
In this sense, it works a lot like Oculus. In that it is an engaging puzzler, whose direction shifts drastically, as you get deeper into the film and are provided with more context.
And that is what makes this film so damn enjoyable.
It's not too complex either. It's really easy to follow, which leaves it accessible to more mainstream audiences.
This is a great film that you should definitely check out.
Not only does it scare you...it establishes Hidalgo as a master manipulator.
Definitely see this...and don't wait for the remake.
7.5 out of 10.
It tells the story of a woman named Dulce, based on the experiences she has after moving into a house with a dark history.
Basically, the house had sat abandoned for years, only to see the government seize it and offer to a family in need.
Enter Dulce and her family.
They move into the house, only to start experiencing eerie phenomenon.
Then, one night, they are attacked by ghosts: an old man carrying a knife, and a young boy, at least.
We follow from the perspective of Dulce, who wakes up bleeding on the ground...only to find her husband stabbed...and watch her son be seized away into the darkness.
For this, she is arrested. Because there is no evidence that anyone else was ever in the house...and she can't explain the dead body and missing boy.
Fast forward 30 years later, and Dulce (now an elderly woman) has been released from prison and returned to her home.
She is under protective custody, but is adamant that she wants to find her child. So she illicits the help of the local priest.
He is able to offer her moral and psychological support, but the police won't let him hang around long enough to help otherwise. So, she is left to deal with things on her own.
And this is where it starts to get trippy.
She begins to experience the events from that fateful day in her past again...but from the other side.
Effectively making her the ghost that has been haunting her past self.
And as the story continues, you slowly start to realize...that her and her family have become lost souls...trapped in time...living out their torment cyclically, forever.
Which might seem horrific, if there wasn't a couple of light-hearted- and extremely clever- twists at the end.
This film is expertly constructed in a circular fashion. And the second half acts as a mirror image of the first (in reverse).
In this sense, it works a lot like Oculus. In that it is an engaging puzzler, whose direction shifts drastically, as you get deeper into the film and are provided with more context.
And that is what makes this film so damn enjoyable.
It's not too complex either. It's really easy to follow, which leaves it accessible to more mainstream audiences.
This is a great film that you should definitely check out.
Not only does it scare you...it establishes Hidalgo as a master manipulator.
Definitely see this...and don't wait for the remake.
7.5 out of 10.
Okay, I'm no part Venezuelan.
It's a good film. American audiences, take it for what it is, a low budget film from a small film industry. Yes, it has weakpoints, but also strengths.
Pros: innovative plot twists, well filmed. Cons: Slow starter, overdramatizing music gives away some surprises, a few connections are contrived. Overall: A good twist on a psychological pensive ghost story.
Who might like this? It's a little old school, like Gaslight, with some of the Spanish style, like Del Toro's Devil's Backbone. A touch of The Others, not as polished, but if you like those films, and are looking for something else, this would be a good one to watch.
ps.
To reviewers & commenters : Don't knock countries. Americans love European & Mexican movies. We're not latinophobes. Key? Subtlety. It's much more powerful if a twist happens and we almost miss it, and then wham, it's there. Just like some day noticing "oh, huh, they're from Venezuela."
This needed saying because of the number of comments on the topic comments and reviews. I know funding is hard to come by for major projects in Venezuela, so kudos, keep it up. I look forward to future results.
It's a good film. American audiences, take it for what it is, a low budget film from a small film industry. Yes, it has weakpoints, but also strengths.
Pros: innovative plot twists, well filmed. Cons: Slow starter, overdramatizing music gives away some surprises, a few connections are contrived. Overall: A good twist on a psychological pensive ghost story.
Who might like this? It's a little old school, like Gaslight, with some of the Spanish style, like Del Toro's Devil's Backbone. A touch of The Others, not as polished, but if you like those films, and are looking for something else, this would be a good one to watch.
ps.
To reviewers & commenters : Don't knock countries. Americans love European & Mexican movies. We're not latinophobes. Key? Subtlety. It's much more powerful if a twist happens and we almost miss it, and then wham, it's there. Just like some day noticing "oh, huh, they're from Venezuela."
This needed saying because of the number of comments on the topic comments and reviews. I know funding is hard to come by for major projects in Venezuela, so kudos, keep it up. I look forward to future results.
Well, I am going to start by saying that I'm Venezuelan and I usually hate venezuelan movies, they are too violent and pointless and I refused to waste my time with those kinds of films. "La Casa del fin de los tiempos" is just amazing, it's a well made thriller with a pinch of horror, but the story is just awesome. The cast is one of the best you can find in the country but the story.. oh the story. It starts with a lot of "action" and you might assume it's just a regular horror movie but while the minutes go by you realize that not everything is what it seems to be. The only negative aspect would be in my opinion the make up but Rudy Rodriguez's performance makes you forget about it. I am proud of this film and I am glad I gave venezuelan movies another chance.
Wusstest du schon
- WissenswertesIt is the most famous Venezuelan film in the world, after its distribution in more than 33 countries.
- PatzerIn the beginning, when Dulce goes down into the basement, she carries an oil lamp. The lamp, which is the only source of light, casts a clear shadow on the wall, indicating that another light source is creating the light.
- VerbindungenFeatured in Cine Invisible (2023)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ngôi Nhà Của Cái Chết
- Drehorte
- Caracas, Venezuela(location of the Estrada mansion)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 300.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 4.588.899 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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