IMDb-BEWERTUNG
6,6/10
85.783
IHRE BEWERTUNG
Ein Vater und dessen Sohn befinden sich auf der Flucht vor den Behörden und einer Sekte, die sich von den außergewöhnliche Fähigkeiten des Jungen angezogen fühlt.Ein Vater und dessen Sohn befinden sich auf der Flucht vor den Behörden und einer Sekte, die sich von den außergewöhnliche Fähigkeiten des Jungen angezogen fühlt.Ein Vater und dessen Sohn befinden sich auf der Flucht vor den Behörden und einer Sekte, die sich von den außergewöhnliche Fähigkeiten des Jungen angezogen fühlt.
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
Jaeden Martell
- Alton
- (as Jaeden Lieberher)
Allison Gabriel
- Hannah (Ranch Member)
- (as Allison King)
Empfohlene Bewertungen
A beautiful, touching story. Nice performances. Fascinating subject. And a seductive theory, Enough for a real good film about parenthood and special child, interest of secret services fabulous truth and happiness. A film for a real precise target.
I really enjoyed most of the movie thanks to the mystery factor, the actors who all play well - may it be the main or the supporting roles or the almost flawless production.
But there's so much build-up for something minor. Potential is definitely there, but disappointing in total.
But there's so much build-up for something minor. Potential is definitely there, but disappointing in total.
This movie has many strong facets:
The movie is set up well in the first 1/3. It keeps it hanging at 2/3. It convinces you that a profound message / reveal is imminent.
But then the final 3/3 fails to achieve that in the way that 'Arrival' or 'Signs' did. I know those are great movies and it's unfair to make a comparison. But when such an emphasis is placed on a reveal, you better think of something good. And it's in this area that the writers are guilty of laziness and/or lack of imagination.
Would give it a 6.5 if I could.
- Good performances from all the actors
- Beautifully shot
- Decent pace
- Interesting them/plot
- Brilliant soundtrack
The movie is set up well in the first 1/3. It keeps it hanging at 2/3. It convinces you that a profound message / reveal is imminent.
But then the final 3/3 fails to achieve that in the way that 'Arrival' or 'Signs' did. I know those are great movies and it's unfair to make a comparison. But when such an emphasis is placed on a reveal, you better think of something good. And it's in this area that the writers are guilty of laziness and/or lack of imagination.
Would give it a 6.5 if I could.
And I can say with some certainty that Jeff Nichols has a heck of a career ahead of him.
To be frank, after your first 1000 or so IMDb reviews, you get a bit cynical. You start to understand that, in spite of the hype, movies are not as good as they used to be -- more like production-line white-bread, all mapped out and pre-sold into the appropriate distribution channels before the first viewer ever even gets a look -- and that in the same time period, TV has come to surpass film in terms of quality and entertainment value.
And then every now and then you get a film like Midnight Special and for a brief moment you start to think this medium might someday recapture its glory days.
I am not going to tell the story or do anything which will diminish your experience, should you choose to see this film.
I will simply say that, if you believe the primary goal of a movie is to hold your interest and entertain, this one does the job from the first frame to the closing credits.
Boy is that refreshing!
The actors -- not name actors -- were excellent.
The special effects were mind-boggling, especially for an indie.
The script breaks (or bends) some rules of conventional narrative but otherwise is so tight you could use it for a drum solo.
Highly recommended.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
To be frank, after your first 1000 or so IMDb reviews, you get a bit cynical. You start to understand that, in spite of the hype, movies are not as good as they used to be -- more like production-line white-bread, all mapped out and pre-sold into the appropriate distribution channels before the first viewer ever even gets a look -- and that in the same time period, TV has come to surpass film in terms of quality and entertainment value.
And then every now and then you get a film like Midnight Special and for a brief moment you start to think this medium might someday recapture its glory days.
I am not going to tell the story or do anything which will diminish your experience, should you choose to see this film.
I will simply say that, if you believe the primary goal of a movie is to hold your interest and entertain, this one does the job from the first frame to the closing credits.
Boy is that refreshing!
The actors -- not name actors -- were excellent.
The special effects were mind-boggling, especially for an indie.
The script breaks (or bends) some rules of conventional narrative but otherwise is so tight you could use it for a drum solo.
Highly recommended.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
Since finding out who was involved, I was definitely excited to see the trailer. I may have only seen one of Jeff Nichols' previous work (Mud), but that was enough for me to the potential in where he could go next.
With a stellar cast also announced, this intriguing sci-fi showed me a trailer with a lot of potential.
Nichols has yet to do sci-fi. But I felt this was a genre that I feel he could succeed in. But maybe not in the mainstream fashion.
A striking opening definitely shows the look that Nichols is going for. We seem to have jumped right in the middle of the story and it is the job of the film-makers to give us subtle bits of info for us to catch-up with the history of why our characters have ended up at this point in time.
As the film goes on there are moments of surrealism that is never over-blown and does not de-tract from the pacing and tone. Whilst trying to work everything out, there was a particular scene about two-thirds of the way through that got me completely hooked. Then we get a pleasing conclusion for every character involved that also leaves some questions opened to our interpretation.
Firstly, it pays wonderful homage to those sci-fi's of the late 70's and 80's. You can see similarities from Close Encounters Of The Third Kind, E.T. The Extra-Terrestrial, Starman and even FLight Of The Navigator and Cocoon. Nichols and his team even show moments of mixing in religion and sci-fi. When done well, it gives us very interesting ideas and theories and this done it in spades.
Nichols regular leading man Michael Shannon captures his character so well and gives us powerfully subtle performance. Partnering with Joel Edgerton, it was a strong on-screen partnership and made me confident that we were in safe hands for these two to carry this film. A big bonus was the wonderful acting from Jaeden Liberher. The 12- year old child actor gave us great moments throughout and is certainly a big draw. It was also nice to see Kirsten Dunst. After being busy with TV work over the last couple of years, her solid supportive role keeps me interested in any of her future projects. The only other notable performance worth mention was Adam Driver. For the short time he was on screen, the fitted the tone perfectly and also gave nice moments of comedy relief.
The general look of the film was gorgeous to look at. The use of lighting in the night scenes felt soothing and the cinematography made the most of those moments. The action scenes are well made, especially in the final act.
It is an entertaining slow burning sci-fi that leaves us wanting to know more about it. Nichols gave us a great ideas driven story whilst still managing to feel like it is done on a small scale. I loved it that it began in the middle of the story, and that we're catching as the films goes a long, and most importantly they are not spoon feeding us the info along the way. I also liked the execution of mixing in religion with sci-fi that felt so real. The performances in every department were spot on, the score is wonderful and it really does take you back the 70's and 80's with those similarities to sci-fi's that were released back then.
I was really unsure whether to give it a 7 or an 8. But I think the main reason why I eventually gave it a 7 was the pacing. It was too slow for my liking. I like a lot of slow burners. But there were too many moments that lingered too much in my opinion. I think this did not quite work enough for me in this type of film to give it an 8. However, this is an entertaining watch and goes into ideas that we do not see enough.
With a stellar cast also announced, this intriguing sci-fi showed me a trailer with a lot of potential.
Nichols has yet to do sci-fi. But I felt this was a genre that I feel he could succeed in. But maybe not in the mainstream fashion.
A striking opening definitely shows the look that Nichols is going for. We seem to have jumped right in the middle of the story and it is the job of the film-makers to give us subtle bits of info for us to catch-up with the history of why our characters have ended up at this point in time.
As the film goes on there are moments of surrealism that is never over-blown and does not de-tract from the pacing and tone. Whilst trying to work everything out, there was a particular scene about two-thirds of the way through that got me completely hooked. Then we get a pleasing conclusion for every character involved that also leaves some questions opened to our interpretation.
Firstly, it pays wonderful homage to those sci-fi's of the late 70's and 80's. You can see similarities from Close Encounters Of The Third Kind, E.T. The Extra-Terrestrial, Starman and even FLight Of The Navigator and Cocoon. Nichols and his team even show moments of mixing in religion and sci-fi. When done well, it gives us very interesting ideas and theories and this done it in spades.
Nichols regular leading man Michael Shannon captures his character so well and gives us powerfully subtle performance. Partnering with Joel Edgerton, it was a strong on-screen partnership and made me confident that we were in safe hands for these two to carry this film. A big bonus was the wonderful acting from Jaeden Liberher. The 12- year old child actor gave us great moments throughout and is certainly a big draw. It was also nice to see Kirsten Dunst. After being busy with TV work over the last couple of years, her solid supportive role keeps me interested in any of her future projects. The only other notable performance worth mention was Adam Driver. For the short time he was on screen, the fitted the tone perfectly and also gave nice moments of comedy relief.
The general look of the film was gorgeous to look at. The use of lighting in the night scenes felt soothing and the cinematography made the most of those moments. The action scenes are well made, especially in the final act.
It is an entertaining slow burning sci-fi that leaves us wanting to know more about it. Nichols gave us a great ideas driven story whilst still managing to feel like it is done on a small scale. I loved it that it began in the middle of the story, and that we're catching as the films goes a long, and most importantly they are not spoon feeding us the info along the way. I also liked the execution of mixing in religion with sci-fi that felt so real. The performances in every department were spot on, the score is wonderful and it really does take you back the 70's and 80's with those similarities to sci-fi's that were released back then.
I was really unsure whether to give it a 7 or an 8. But I think the main reason why I eventually gave it a 7 was the pacing. It was too slow for my liking. I like a lot of slow burners. But there were too many moments that lingered too much in my opinion. I think this did not quite work enough for me in this type of film to give it an 8. However, this is an entertaining watch and goes into ideas that we do not see enough.
Wusstest du schon
- WissenswertesBecause he wanted final cut, Jeff Nichols originally considered making the film with an independent film studio, rather than at Warner Bros Pictures. It wasn't until his last meeting with Warner Bros that he informed them of this requirement. However, the producers at the company still agreed to make the film, due to its relatively small budget.
- PatzerNear the end of the movie, after Roy breaks through the road blockade, the air bags are engaged. However, seconds later the vehicle is able to drive away without any sign of them. Air bags are designed to instantly inflate to cushion the people in the car against impact, but then to deflate straight away. Although there are many shots in which you cannot see the air bags, when the car flips over, it can be seen in its deflated state.
- Zitate
Alton Meyer: Dad?
Roy: Yeah?
Alton Meyer: Are you scared?
Roy: Yes.
Alton Meyer: You don't have to worry about me.
Roy: I like worrying about you.
Alton Meyer: You don't have to anymore.
Roy: I'll always worry about you Alton. That's the deal.
- SoundtracksSunrise Mass
Written by Ola Gjeilo
Performed by Majorstua Chamber Choir / Kammerkoret Nova with String Orchestra
Conducted by Tore Erik Mohn
Courtesy of GIA Publications, Inc.
Top-Auswahl
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- How long is Midnight Special?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Untitled Jeff Nichols/Sci-Fi Project
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.712.282 $
- Eröffnungswochenende in den USA und in Kanada
- 190.012 $
- 20. März 2016
- Weltweiter Bruttoertrag
- 7.112.282 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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