Moonflower Murders

A pleasant, albeit complicated, murder mystery that juggles three timelines, three murders, and unnecessary personal drama of the protagonist, "Moonflower Murders" is a show that lays the plot(s) on thick, to the detriment of developing characters that are fleshed out, dimensional, or likeable. The plot drags halfway through the season, and I found myself forgetting what the characters' motivations were (and, frankly, who everybody was) thanks to excessive time jumping and the sheer amount of characters we're supposed to keep track of. Susan's personal drama was annoying this time around. And I found the Atticus Pund storyline much more interesting than the present day one. Wish they had time to develop that world a bit more. Great acting, but I expect nothing less from the Brits (and why I enjoy consuming so much British television even though I'm American). I hear Horowitz is releasing a third Ryland/Pund novel this spring, so we'll surely get another one of these seasons in due course. Let's just hope it's less overwrought than this one.

I loved Magpie Murders but was concerned that a similarly complicated mystery involving two timelines and the fictional murder associated with them might prove too difficult to bring to the small screen. I was wrong.

The acting is superb; all the characters seem to be even more at home with their characters than in Magpie Murders.

The set designs are astounding considering the difficulties of the nature of the story. One in the hotel eight years earlier, one current, and one in the fictional hotel.

The cinematography is likewise excellent, and the music is supportive rather than obtrusive.

The story is, as mentioned, exceptionally complicated but was handled very well. I was particularly pleased with the Conway character knowing who murdered Parris and putting clues in his novel. Despite his general unpleasant nature, he did his best to expose the real murderer. His final scene with Susan where he insists on keeping the seemingly superfluous clues is masterful.

One of the things that annoys me in mysteries is too much time spent on character drama outside of the mystery. I thought they did a good job of keeping that to a minimum and tying it to the story.

The various mysteries were logical and reasonably solved without all sorts of twisting events into knots to achieve the ends. A common problem with most mysteries I watch these days.

Just a delight all around. Highly recommend for mystery fans.

I don't agree with the couple of negative reviews here. I found the story and writing very good (Anthony Horowitz adapting his own novel). The plot was twisty and engaging, and the 'story in a story' keeps you on your toes.

If you liked Magpie Murders, you'll very probably like Moonflower Murders. It's once again a well-written recreation of the 'golden age' whodunnit.

The interaction between Susan and Pünd is always enjoyable. Susan's personal drama does not get too much in the way of the murder mystery, and the mingling of the two feels relevant.

I hear the third Susan Ryeland novel is coming out in March 2025 and I'm hoping it will also be adapted to TV. This is very competent and enjoyable television and a treat for murder mystery fans.

I enjoyed Moonflower Murders even more than the PBS production of Magpie Murders, probably because I've been to all the locales where the film was made. Both are mysteries-within-mysteries but the Moonflower series had so many enjoyable features I love: excellent cast, beautiful settings, glorious Greek Islands, 3 hotels (wonderful armchair getaways), clever plotting, even humor. I watched the first 4 of 6 episodes in all seriousness but I started laughing during Ep 5 and 6; sorry! I'm reading the novel now, very nice. I especially enjoy author Horowitz's comments on PBS after each episode - aspiring novelists would do well to listen to what he has to say. I detected one of two killers in record time: the first scene in which that character appeared; also, I detected a flaw that would never happen in real life, but I can't include those details without spoiling the conclusion for you. Moonflower is escapist fun, with clever puzzles, endearing Atticus Pund and a 2d charming "detective" - OPA!

I really enjoyed this, but I'm glad I watched it on BBC iPlayer, as it meant I could stop, start and go back a bit to check things I might have missed. You really need your wits about you with the different timelines and actors playing two roles. That was a fun aspect of the series. What wasn't so much fun was Susan's private life and her completely irrelevant sister and nephew. Crete provided some pretty pictures and it meant they got some funding from the Greek government, but it was also unnecessary. This should really have been a four-part serial. There was no need for six episodes. Horowitz is a clever man and the plot - while not totally convincing (others have spotted holes) is full of interesting touches. On a more mundane level, there are some anachronisms, such as "gotten" in the mouth of an 1950s' character. Also the fact that Ireland was used to stand in for England shows through at times - most crassly in the form of a bright yellow "road narrows" sign (Ireland has American-style road signs). The fact that it was Ireland was probably the reason that Susan was mostly seen driving down unmarked single-track roads. Other roads would have had markings and street furniture that gave away the true location.