Force of Execution

I can't agree more with the review from this user Mike S from NY. He summarized everything quite well. Just when I thought I've seen the worst of Steven Seagal throughout the years, he shocked me again with this "masterpiece(of-crap)". He should not even call himself an actor or martial artist.

It's amazing that Seagal can get this low at the end of his career. Come-on? Haven't you made enough money in these many years to stop insulting viewers with this kind of trash?

What more shocking to me was who could finance this kind of movie and hope for a return for their money? Why don't you start watching some of the Korean movies? I won't be surprised that they will take a huge bite out of Hollywood market-share in the future.

Movies like this should never be made in the first place. It is absolutely garbage.

This movie is another glimmering piece of art from the great Steven Seagal. Once again he has broken down the walls of racial discrimination by performing his non- offensive, non-pigment related rendition of black face.

In this movie mister Seagal plays a middle aged black man who is the head of the crime syndicate somewhere in Florida. As usual his otherworldly BA persona fills the screen and delivers in true SS fashion. This time his limp wrist-ed karate domination is accentuated by his knowledge of black magic. Only in a legendary Seagal film could the worlds most lethal scorpions combine to become a healing power that nearly rivals the power of Steven's karate chop. He feasts on the lesser endowed rival gangsters in a way only he could make believable.

One scene in particular demonstrates his skill in pure acting. When sitting at a table talking with "ice man", he says something with such a heavy slur that it is only intelligible when re-winded and viewed multiple times. I anticipate the following 2 movies in this trilogy with bates breath.

Sadly this site only allows 1000 words per movie review. I feel that my review is not capable of doing this movie justice, no matter how elegant. In a thousand lifetimes I could not adequately pay tribute to this work of borderline inappropriate genius.

When I picture heaven I imagine a place where we all wake up in the morning, pull our pony tails back and are blessed with the talents of Steven Seagal. Also, if you have not had the chance to watch his music videos online, you are sorely missing out.

Long live Seagal! (Although that's a moot point considering there isn't anything deadly enough to conquer him)

This movie doesn't even have gratuitous violence - just stupidity. I'm sad that Ving Rhames and Steven Seagal have sunk so far from their heyday performances.

There's no pre-story, no explanations of what's going on in the beginning. It seems that the director wanted to have a movie with lots of fight scenes to hide the lack of story. They even ruined that, as Steven Seagal can't fight anymore, and that's noticeable. Also, the other kid may be able to move, but the fights look like they were scripted by a 5 year old.

Oh, and I'm tired of the "whisper voice" that Seagal has done for way too many years. Boring.

I may have only spent $1.20 to rent it at Redbox, but that was a complete waste of money.

Continuing my plan to watch every Steven Seagal movie in order, i come to Force of Execution (2013)

When I seen the cast I hoped for so much more. Ving Rhames is much too fine of an actor to be trapped in such rubbish, Danny Trejo also has a role as a cook. It had the potential to at least work out as an enjoyable, fun, simple, straightforward action flick, as the plot is surprisingly ok, but it is handled so badly, that it's hard to be interested, let alone care. In fact, it is really hard to care for any of the characters in this, since none of them are sympathetic enough (I think it is Bren Foster's Hurst we are meant to root for) and they are not really given a decent enough background. Apathy is the worst thing you want your audience to feel.

For his part, Seagal (now sporting the jet black goatee) is the head of a New Mexico criminal empire, but because he is Seagal, he has to be an ex something, so he is an ex government agent with high level military training!! He plays the kind of underworld boss that spouts zen wisdom, but will still have his protegé beaten to within an inch of his life. Once again, Seagal had to be the omnipotent leader, and he had to be a good guy despite being a crime boss, and he couldn't let anyone, especially not Bren Foster, get over on him, even if he was playing a bad guy.

There isn't really much more to say heare.

Seagal's best days are now far behind him, but he's made a niche for himself in the DTV market. FORCE OF EXECUTION, while not one of the better movies he's made, is at least watchable and has some good action to boot. This time around, Seagal is Alexander, a crime boss with a past in government special ops. He runs a southwestern town with an iron fist, to be sure, but backed up with a code of honor. Martial artist Bren Foster plays Hurst, Alexander's chief hit-man and a protégé of sorts. They are joined in the cast by Ving Rhames, an up-and-coming gangster and Danny Trejo as a bar owner with a few tricks up his sleeve. The event that sets the plot in motion is a hit that goes bad, resulting in Hurst's "retirement," and the severe injury of his hands. Meanwhile, Iceman (Rhames) maneuvers around Alexander in order to take control of his territory, climaxing in a showdown between the two gangs. First, the good parts. Seagal is playing a type of character that he doesn't usually play, an antihero of sorts in a movie populated solely with lowlifes. There is also some decent martial arts on display, but mostly from Bren Foster. Seagal is relegated to doing his usual chops and take-downs when he isn't just using firearms. Finally, Ving Rhames gives the best performance in the movie as Iceman, lending credibility to his role as a gangster and delivering some great improvised dialogue. The rest is mediocre at best. The basic plot is paper thin, and not enough time is spent developing the three main characters. Most of the dialogue scenes are corny discussions about honor and respect, tough talking without any purpose other than to make the characters seem tougher. As far as the technical aspects go, director Keoni Waxman opts for the currently in-vogue shaky-cam, and some of the editing choices obscure the action. While this was most likely to conceal stunt doubles in some shots, it makes the action hard to follow in places, especially with Seagal. Fortunately for Bren Foster, they pulled back the camera a little bit so you can see him work. Overall this should be enough to placate Seagal fans, but everyone else should just stay away.