Eine Gebärmutter mit Aussicht, das peinliche Erwachsensein, die nicht ganz so goldenen Jahre. Eine Reise durch die Stationen des Lebens mit Jamie Demetriou in einem musikalischen Sketch-Come... Alles lesenEine Gebärmutter mit Aussicht, das peinliche Erwachsensein, die nicht ganz so goldenen Jahre. Eine Reise durch die Stationen des Lebens mit Jamie Demetriou in einem musikalischen Sketch-Comedy-Special.Eine Gebärmutter mit Aussicht, das peinliche Erwachsensein, die nicht ganz so goldenen Jahre. Eine Reise durch die Stationen des Lebens mit Jamie Demetriou in einem musikalischen Sketch-Comedy-Special.
- Nominiert für 2 BAFTA Awards
- 2 Nominierungen insgesamt
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Was wanting so much better from this as I know he's a funny comedian, but this seems like a cheap version of Bo Burnham songs lacking the good writing. There isn't the storyline and writing to match similar things like Toast either that also includes occasional songs. A neat idea and collection of stories through life which might have been better as five minute sketches put out on YouTube like baby cow does. This seems like a bunch of sixth formers have written it and put it together , or maybe I'm not the right audience and some will fall about themselves. For those who've seen Woody Allen you'll expect more . Shame.
Really interesting and refreshing look at comedy, not for boomers I guess. Not perfect but got lots of potential for a follow up. If you like ITYSL I think you'd like this.
Nice observations of social anxiety, crap TV, vulnerable people and parenting. The slapstick in it is great, and Demetriou is a natural at it. He uses his low vocal range in great comedic ways too.
Definitely not perfect, some of it falls flat (some of the music is beyond so-bad-it's good) and it's not quite as deep as the sketches could have been. It's definitely too weird for some people, but really, that's a good thing.
Nice observations of social anxiety, crap TV, vulnerable people and parenting. The slapstick in it is great, and Demetriou is a natural at it. He uses his low vocal range in great comedic ways too.
Definitely not perfect, some of it falls flat (some of the music is beyond so-bad-it's good) and it's not quite as deep as the sketches could have been. It's definitely too weird for some people, but really, that's a good thing.
Jamie Demetriou had me in stitches in the wonderful "Stath Lets Flats" but here he barely raised a few smiles amid periods of sheer unfunniness. Some of the ideas were potentially funny and just misfired, others didn't seem to have much purpose at all, and, irritatingly, just once in a while something looked like it might really gel but usually didn't. In other words, this was a big disappointment and I'm wondering why. Maybe it was the format, maybe it was the lack of a truly sympathetic supporting cast (in marked contrast to the spot-on ensemble in "Stath"), maybe it was a result of trying to squeeze too many ideas into too short a time frame. Regardless, this is not the place to see the best of Demetriou.
So disappointed in this, I am a massive Stath let's Flats fan and had high hopes for more character comedy genius but was left completely disappointed. The whole thing is a messy mish mash of quite frankly nonsense. The comedy doesn't root itself in anything relatable or funny. It's not even weird in a kooky out there comedy genius way it's just boring predictable nonsense! Jamie is however a brilliant comedy actor and he can pull off such varied characters so well and this showcased his brilliant diversity in acting but really none of his comedic writing skills. I guess it will always be hard to follow up a hit show but sometimes as in this case it's best not to try. I really hope he can find his comedy again and come back with a well put together quirky and most importantly FUNNY show. Sorry Jamie this wasn't it.
Sadly, A Whole Lifetime is a really disappointing sketch show. There is only a single funny sketch, Kiss Villa, with the rest being utterly forgettable. Perhaps with a bit more exposure these sketches could develop into something better, but they all feel one-and-done.
The success of Demetriou's previous work comes from the brilliantly developed and instantly endearing characters. Given 5 minutes each, that is not created here. It's silly, no doubting that, but just not enjoyable. Musical elements are thrown in to no great avail, and despite a roster of recognisable actors from the creator's previous shows, no one particularly shines here.
The success of Demetriou's previous work comes from the brilliantly developed and instantly endearing characters. Given 5 minutes each, that is not created here. It's silly, no doubting that, but just not enjoyable. Musical elements are thrown in to no great avail, and despite a roster of recognisable actors from the creator's previous shows, no one particularly shines here.
Wusstest du schon
- WissenswertesThe final dance scene was filmed in Hemel Hempstead old town which is the same location Ricky Gevais used for After Life.
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Details
- Laufzeit
- 53 Min.
- Farbe
- Seitenverhältnis
- 16:9 HD
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