Füge eine Handlung in deiner Sprache hinzuA throwback to the genre films of the '50s, Hellmouth is about a grave-keeper who is drawn into a hell dimension to save the soul of a beautiful woman.A throwback to the genre films of the '50s, Hellmouth is about a grave-keeper who is drawn into a hell dimension to save the soul of a beautiful woman.A throwback to the genre films of the '50s, Hellmouth is about a grave-keeper who is drawn into a hell dimension to save the soul of a beautiful woman.
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Camille Jones-Burgess
- Graveyard Kid 3
- (as Camile Burgess)
Griffin Jones-Burgess
- Graveyard Kid 4
- (as Griffin Burgess)
Jason Deline
- The Bargeman
- (Synchronisation)
- …
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I knew within the first five minutes of watching this move that it was something really unique. Not really a horror movie, which the name and poster suggest. First of all there is Stephen McHattie, who is a seriously underrated actor. Second, the visuals and filming of the movie are really quite unique. It wanders a bit as the movie progresses, but is well wroth watching. Fantastic.
McHattie! Always a whynot movie.
Put in your favorite music mix and play this on mute. People won't stop asking you what this movie is. It's beautifully cheesy/cheap. Cant go wrong. You're welcome.
Put in your favorite music mix and play this on mute. People won't stop asking you what this movie is. It's beautifully cheesy/cheap. Cant go wrong. You're welcome.
Hellmouth (2014) is a film I stumbled upon on Tubi. The storyline follows a graveyard groundskeeper, played by Stephen McHattie, who's about to retire but is drawn into a journey to hell to save the soul of a young woman.
Directed by John Geddes (Creep Nation), the movie stars Stephen McHattie (Pontypool), Siobhan Murphy (The Sisterhood), Boyd Banks (Dawn of the Dead), Julian Richings (Man of Steel), and Bruce McDonald (Pontypool).
The film is shot in a Sin City-style format, which is visually captivating and engaging throughout. While the storyline and character development are a bit uneven, the striking cinematography and unique setting more than make up for it. McHattie's character is easy to root for, and as a mortician on the verge of retirement, the plot keeps you guessing where things will lead. There are some clever twists and turns, and an unconventional "love story" woven into the narrative. It's a refreshing take on the horror hero genre. Though far from perfect, Hellmouth is a visually distinctive film that's definitely worth checking out. I'd give it a 6/10.
Directed by John Geddes (Creep Nation), the movie stars Stephen McHattie (Pontypool), Siobhan Murphy (The Sisterhood), Boyd Banks (Dawn of the Dead), Julian Richings (Man of Steel), and Bruce McDonald (Pontypool).
The film is shot in a Sin City-style format, which is visually captivating and engaging throughout. While the storyline and character development are a bit uneven, the striking cinematography and unique setting more than make up for it. McHattie's character is easy to root for, and as a mortician on the verge of retirement, the plot keeps you guessing where things will lead. There are some clever twists and turns, and an unconventional "love story" woven into the narrative. It's a refreshing take on the horror hero genre. Though far from perfect, Hellmouth is a visually distinctive film that's definitely worth checking out. I'd give it a 6/10.
Underrated actors... I was not sure about trying this movie at first and it was mainly due to him that I did but I am glad that I did! This was a great little find! As others have said, if you were not a fan how movies like Sin City were done then you may not be fond of this. I actually find that I like this style a lot, and found this movie to be visually stimulating as well as entertaining. Watched it late at night and was glued to it until the end. Yes, the overall story outline was simple but that doesn't mean it wasn't good. I would definitely watch this again and would suggest it to others that can appreciate it as a visually artistic piece of entertainment. The acting was excellent all the way around, they nailed that 50's film noir feel completely! Loved it!
I expected to dislike this movie after the first ten minutes and almost bailed. I'm glad I did not. I am not a fan of the "Sin City" brand of cinematography (short depth-of-field actor shots combined with post-production film noir digitization), and originally was turned-off to see it here. However, the story won me over.
Really, this film is a rather traditional fairy tale or allegory set within a digital landscape: that of the Seeker, a man who does not quite know who he is but has been given one last task--here, the order to fill in for another caretaker at another cemetery--that allows him to journey to find himself. Along the way he meets what he thinks is his real purpose--the saving of a ghostly damsel in distress--only to find by the end of the movie that his purpose is much more complicated than that.
The last twenty minutes or so reminded me quite a bit of Bergman's work--"Wild Strawberries" especially--and were well-done in making their philosophical or allegorical "point." Having said all that, I do think this is a movie that could be hard to follow if you just "watch." The post-production digitization is impressive at times, but can also distract from the story-line. I almost feel that this film could be easily adapted for the stage where it would be even more impressive. It really takes place in only four "locations," and would be easier to follow from a dialogue point-of-view.
At any rate, I highly recommend this movie and am considering a purchase for my collection. Stephen McHattie is simply excellent in the title role. As he is the "straight man" to the otherwise purposely "flat" or characterized acting of the others, his was the role that truly mattered. And he was simply excellent.
Really, this film is a rather traditional fairy tale or allegory set within a digital landscape: that of the Seeker, a man who does not quite know who he is but has been given one last task--here, the order to fill in for another caretaker at another cemetery--that allows him to journey to find himself. Along the way he meets what he thinks is his real purpose--the saving of a ghostly damsel in distress--only to find by the end of the movie that his purpose is much more complicated than that.
The last twenty minutes or so reminded me quite a bit of Bergman's work--"Wild Strawberries" especially--and were well-done in making their philosophical or allegorical "point." Having said all that, I do think this is a movie that could be hard to follow if you just "watch." The post-production digitization is impressive at times, but can also distract from the story-line. I almost feel that this film could be easily adapted for the stage where it would be even more impressive. It really takes place in only four "locations," and would be easier to follow from a dialogue point-of-view.
At any rate, I highly recommend this movie and am considering a purchase for my collection. Stephen McHattie is simply excellent in the title role. As he is the "straight man" to the otherwise purposely "flat" or characterized acting of the others, his was the role that truly mattered. And he was simply excellent.
Wusstest du schon
- WissenswertesGraveyard Kids 1 and 2 are played by Stephen McHattie's children: Tessa McHattie and Duncan McHattie.
- Crazy Credits"Imagination will get you everywhere." - For Harvey Wyatt Geddes
- VerbindungenFeatured in Todesengel - The Hexecutioners (2015)
- SoundtracksAbyssus Portos (Fay's Song)
Written by Steph Copeland
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