Warte, bis es dunkel wird

A remake of a film that acknowledges the original's existence (and even implies it what an insensitive film to make) - now there's an interesting idea. Or at least a bold idea. It's not the first film to have done it, I know 'The Human Centipede II (Full Sequence)' in 2011 played around with the same concept and I'm certain it would have been done before that. For some reason though it just leaves a bit of a sour taste in my mouth. It's like a different form of breaking the fourth wall. If you acknowledge the existence of film inside a film that's fine, it obviously happens all the time. But to directly acknowledge the series of films you are currently making just cheapens the whole experience and makes me wonder why I should care. To be fair though the film itself didn't really make me care anyway.

The whole thing is a bit of a mess. The victims are stupid, the cops are possibly even dumber and the kills feel rushed and never go on long enough to build any real suspense. Numerous times we are introduced to characters only moments before their imminent death. There are two flaws with this, one being that we can be certain that they are going to be victims because suddenly out of nowhere they have been awkwardly brought into the film like lambs to the slaughter, and secondly because we couldn't care less for the characters. We have no connection with them. Similar films like 'Scream' at least put some time and effort into the one scene their victim may have in an attempt to make us feel compassion for the character. That one scene can be enough if done right, but it certainly wasn't here.

The 'whodunnit' side of things is done well enough, I certainly didn't pick it. That's really about all this has going for it though. They really kept the runtime short at 86 minutes. I feel even another five minutes could have done the world of good just to extend some of the kill scenes and build characters a fraction more. It's certainly not unwatchable, but in a genre that has been quite stale for a while now is this adding anything new? I wouldn't have thought so.

Hate to tell the truth but whether or not you personally "liked" a film does not necessarily qualify you to review it.

This reviewer was hosting horror festivals when the original NIGHT OF THE LIVING DEAD came out, and the hardest thing to do in a horror flick is be subtle.

But this director has mad skills. And can do subtle.

The framing in many of the scenes is incredible, there are times you almost feel the characters on-screen are the only people left on the face of the earth.

And Gomez-Rejon also is shrewd enough to get more mileage out of Addison Timlin's face than a Prius.

And a nice face it is. I counted over 50 closeups and then stopped counting. Her character is the glue, the connection, for this story and she is set up as a shy girl who (quote) never gets asked out.

Which is why this story is fiction and not a documentary.

And you the viewer get to watch the whole story through her eyes.

The juxtaposition of the new movie and the "old movie" only makes my point -- putting this film alongside Whedon's Cabin in the Woods for cleverly deconstructing a tale from within the story arc itself.

Well they sure managed to keep that old image from back then, thus giving this movie a more realistic look, helping the viewer connect easily with the story. I for one got to say that I enjoyed it!

Am surprised to see a hand bunch of good actors gathered here, just check out the list, you'll see what I'm talking about, so you can expect good acting. They kept a very realistic portrait of the town, the people, the church, pretty much everything looks old, older than everything else because it is a tired town, one that has been through a lot of terror already and it barely healed properly. The story moves slow, but the killings go on and on, no gore, a little nudity, still powerful images come with every kill. Those looked indeed like authentic psychopath murders with psychopath reason behind them.

I think I said enough, I don't wanna tip you off on anything so I'll just recommend you to try it. It's a good homage of the classic cinema. I haven't seen the original, I hear it is also quite brutal, probably I'll try that one too, soon enough I hope. So without comparing them, my opinion is that The Town That Dreaded Sundown stands tall for a horror/slasher remake.

Cheers!

Post-modern take on the 1976 film of the same title, which was based on a series of murders that occurred in Texarkana on the Texas/Arkansas border a few decades earlier. The first film is frequently referenced but setting the story aside, the two have little in common. The original could sit comfortably in the video nasty genre, while the 'remake' is a stylistic tour-De-force with sound and photography that give off an art film vibe. The acting is solid in part thanks to veteran character actors Ed Lauter Gary Cole (the arms expert in The Good Wife). Although using a few genre tropes, this is not your average slasher flick. It's a scary movie but not a Scary Movie.

The original TTTDS was one of the earliest slasher films in the genre that even came before (in 1976) popular franchises like Halloween & Friday the 13th and I've always been a fan of that flick for its humor, suspense & docu-drama like narration style & last but not the least the haunting ending. So when I first heard about there will be a new TTTDS, I thought it'd be another pointless, some cash-in effort but last night after watching this new take on T3DS, I'd like to admit...I was pleasantly surprised!!

Directed by Alfonso Gomez-Rejon (the most frequent director of American Horror Story), this new film is a strange version to categorize as a remake, reboot or a sequel; actually it's neither a straightforward remake or sequel...I'm not sure but I think REQUEL (a sequel-ish remake!) can be a more appropriate term for it. After more than half a century of the actual events of The Moonlight Murders that resulted the very making of 1976 original film, this new story is set on present day at the same town, Texarkana that once again begins to plagued by "The Phantom" murders. Interestingly, the 1976 original film is also very much alive in this movie as a film that we know in our 'reality', as in the film the town now maintains a tradition in every Halloween to show a drive in screening of the original film. So, as the film progress we see a fine blend between this version & the original film where some scenes from the original brought back through a kind of flashback style while also creating some copycat murder sequence in this new one. I liked this approach of providing homage to the original; bring it to an entirely new generation. This new & refreshing kind of take & treatment to this already known & filmed story is the most appreciating part of this version. And overall the film is beautifully shot, liked the camera works, the character development was fine for a slasher flick, but still as a slasher it's not above the clichés as well as it comes with a routine ending & weak motive for the killer which I couldn't find much point to it. And lastly there's another strange part of it and that's the Town itself! It looks like the town hasn't really age after all this years!! May be for the homage issue but though the film is set on late 2013, it still got the 70s vibe almost all over it.

Anyway, there's not much masked killer-slasher flick comes out this days with good or decent budget & film making like this one and still despite some clichés & the ending, as a slasher flick it's pretty good one, IMO.