IMDb-BEWERTUNG
7,2/10
3800
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young boy whose dog has recently died moves to the house where Der Schneemann (1982) was built.A young boy whose dog has recently died moves to the house where Der Schneemann (1982) was built.A young boy whose dog has recently died moves to the house where Der Schneemann (1982) was built.
- Nominiert für 1 BAFTA Award
- 1 Nominierung insgesamt
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I don't care if it causes traffic misery, we need a white Xmas every year or it just ain't right. Can you imagine how dreary this would look if it were pissing with rain instead? The Snowman, and this sequel, are representations of the Xmases we wish we could have, regardless of age.
A young boy moves into the house seen in the previous cartoon where he soon finds a box beneath the floorboards containing The Snowman's hat and scarf. Since his little dog just died he decides to rebuild the Snowman as well as a Snowdog. Xmas magic happens, the tubby dude comes to life, and he whisks the boy away to the North Pole to take part in some winter games with a gathering of other snowmen and meet Santa.
The music is nice enough, but it's not as memorable as Walking in the Air. The animation and landscape are gorgeous, as expected, though. It treads pretty much the same ground as the first, and comes across as a modern remake rather than a sequel (did we really need the exact same sad ending again?), and I can't see it becoming a classic, but it's a very nice way to spend 25 minutes.
A young boy moves into the house seen in the previous cartoon where he soon finds a box beneath the floorboards containing The Snowman's hat and scarf. Since his little dog just died he decides to rebuild the Snowman as well as a Snowdog. Xmas magic happens, the tubby dude comes to life, and he whisks the boy away to the North Pole to take part in some winter games with a gathering of other snowmen and meet Santa.
The music is nice enough, but it's not as memorable as Walking in the Air. The animation and landscape are gorgeous, as expected, though. It treads pretty much the same ground as the first, and comes across as a modern remake rather than a sequel (did we really need the exact same sad ending again?), and I can't see it becoming a classic, but it's a very nice way to spend 25 minutes.
After Raymond Briggs' silent Christmas classic, The Snowman (1982) came to channel 4 in London, fans of the short film never expected to see a sequel to it. As were I just as surprised. I knew it was the 30th anniversary this year but I was not expecting a sequel. Not to mention that I only heard a few days before that it was supposed to air on television! What a surprise that was!
The title of this sequel is fairly self-explanatory of what characters will be involved with the plot. However, the back-story may be a little different than what it was expected to be. The character of the snowdog was added because this particular boy once had a dog and it passed away. So along with the time capsule that he found in his house with a picture of the boy (James) from 1982 and the snowman he built, this new boy decides to build that same snowman along with a snowdog that resembled his friend from years past. Cute right? Well it gets cuter.
However, I can't give away much else because I'll ruin the surprise. I also can not give this film a full ten stars just because it's a sequel and any fan of any franchise should know that it takes a lot for a sequel to surpass or even match its predecessor. I do give credit to the animators. They kept the animation and art all the same as the 1982 version and for 99% of the time it was silent (just like the first). Plus the animation looked more crisp and vivid.
But like any film, if the score changes, then the feeling changes. Howard Blake (although he is now old) did not return to score this film which disappoints me. Ilan Eshkeri scored the film this time and although it had emotions flowing through it, it just didn't hit the high mark like Blake's score. Plus, just like the flying sequence, the vocals in this song weren't as resounding either. The film will still pluck at your heartstrings but unfortunately it won't match the original classic of 1982.
The sequel to Raymond Briggs' 1982 classic gives a sweet twist and a nod to the original. It may not have the same musical score but it's still a great holiday film.
The title of this sequel is fairly self-explanatory of what characters will be involved with the plot. However, the back-story may be a little different than what it was expected to be. The character of the snowdog was added because this particular boy once had a dog and it passed away. So along with the time capsule that he found in his house with a picture of the boy (James) from 1982 and the snowman he built, this new boy decides to build that same snowman along with a snowdog that resembled his friend from years past. Cute right? Well it gets cuter.
However, I can't give away much else because I'll ruin the surprise. I also can not give this film a full ten stars just because it's a sequel and any fan of any franchise should know that it takes a lot for a sequel to surpass or even match its predecessor. I do give credit to the animators. They kept the animation and art all the same as the 1982 version and for 99% of the time it was silent (just like the first). Plus the animation looked more crisp and vivid.
But like any film, if the score changes, then the feeling changes. Howard Blake (although he is now old) did not return to score this film which disappoints me. Ilan Eshkeri scored the film this time and although it had emotions flowing through it, it just didn't hit the high mark like Blake's score. Plus, just like the flying sequence, the vocals in this song weren't as resounding either. The film will still pluck at your heartstrings but unfortunately it won't match the original classic of 1982.
The sequel to Raymond Briggs' 1982 classic gives a sweet twist and a nod to the original. It may not have the same musical score but it's still a great holiday film.
The 1982 animation 'The Snowman' has always been a Christmas must in my house for as long as I can remember so I was delighted to hear that, after thirty years, a sequel was being produced.
'The Snowman and the Snowdog' starts with a mother and son moving into a new house with their old dog in the summer. But as summer turns to autumn, we see the heartbroken family burying their beloved dog. Then winter arrives bringing snow and it is then that the boy discovers a box under the floorboards of his bedroom containing the hat, scarf and coal as well as a photo of James and the Snowman. And so the boy decides he will rebuild the Snowman and, with the leftover snow, he also builds a little snowdog too. I will not ruin how the story ends but it is complete with a journey to the North Pole to visit Santa Claus.
There is no way any sequel could ever match the originality and enchantment of 'The Snowman'. It is a classic that will remain unequalled in the hearts of millions. However, this is a delightful little sequel that does charm, particularly anyone who has ever owned a dog. Only a pet-lover with a heart of stone would not feel tearful at the first scenes. And there is no denying that the Snowdog is absolutely adorable! The music is not as memorable as 'Walking in the Air', and it's actually a bit jarring at first to not hear the expected soundtrack of 'The Snowman', the musical score is not terrible either. And the artwork is, of course, perfect and clearly drawn lovingly with the traditional scenes of a snowy white British landscape (far removed from the damp, rainy rubbish that we are being forced to endure in reality!).
I certainly hope to see this animated film shown every year after 'The Snowman' as it nicely compliments the classic and is a great Christmas film.
'The Snowman and the Snowdog' starts with a mother and son moving into a new house with their old dog in the summer. But as summer turns to autumn, we see the heartbroken family burying their beloved dog. Then winter arrives bringing snow and it is then that the boy discovers a box under the floorboards of his bedroom containing the hat, scarf and coal as well as a photo of James and the Snowman. And so the boy decides he will rebuild the Snowman and, with the leftover snow, he also builds a little snowdog too. I will not ruin how the story ends but it is complete with a journey to the North Pole to visit Santa Claus.
There is no way any sequel could ever match the originality and enchantment of 'The Snowman'. It is a classic that will remain unequalled in the hearts of millions. However, this is a delightful little sequel that does charm, particularly anyone who has ever owned a dog. Only a pet-lover with a heart of stone would not feel tearful at the first scenes. And there is no denying that the Snowdog is absolutely adorable! The music is not as memorable as 'Walking in the Air', and it's actually a bit jarring at first to not hear the expected soundtrack of 'The Snowman', the musical score is not terrible either. And the artwork is, of course, perfect and clearly drawn lovingly with the traditional scenes of a snowy white British landscape (far removed from the damp, rainy rubbish that we are being forced to endure in reality!).
I certainly hope to see this animated film shown every year after 'The Snowman' as it nicely compliments the classic and is a great Christmas film.
I was all ready to dismiss this film before I'd even watching it; the critics were lukewarm and it didn't feel like there was much excitement for the film compared to some of the more modern family fare – but it was Christmas and nostalgia and tradition has a place and it is this place that this short film made sure it settled. The film does work but it must be said that it almost works despite itself and it shows how good the construct of the original film was by virtue of the fact that this is what still stands up even with a different façade plastered over it.
The film starts with a rather obvious device of a dog's pet dying – it is sudden and sentimental and it jarred me by its simplicity. When the dog finds the snowman's gear you already know where it is going and it follows this path all the way to end which doesn't quite have the impact of joy and sadness that the film wanted to have. Along the way though the film works by virtue of doing the same as it did before but with some details changed. We get the soaring flight and North Pole meeting all playing out under some reasonably effective music – it is cheering and warming and it helps that it is animated in the same way as the original film. That said, it also hinders it a little because it is so close to the original in tone and style that it really brings nothing of note to the table of its own – apart from the dog of the title (I wish I had a dollar for every household that made the joke "snow dog is better than no dog" when this was on).
The ending plays out the same way as the original and, just like the original film, the credits pile in on top of the moment like it is trying to beat the traffic; it would have had more impact if left to breathe for a minute first. Despite the negatives though, I still really liked it and had a bit of a lump in the throat at one point and found the music and animation and delivery to work on a level that was high enough to be met halfway by my nostalgia. It does need to be met there though, because it doesn't bring much new to the film and it does feel like it is afraid to take even a step away from the original film – and for good reason.
It isn't brilliant and it won't replace the original film, but it is warming and mostly works – expect it to become a fixture every year just like the original Snowman.
The film starts with a rather obvious device of a dog's pet dying – it is sudden and sentimental and it jarred me by its simplicity. When the dog finds the snowman's gear you already know where it is going and it follows this path all the way to end which doesn't quite have the impact of joy and sadness that the film wanted to have. Along the way though the film works by virtue of doing the same as it did before but with some details changed. We get the soaring flight and North Pole meeting all playing out under some reasonably effective music – it is cheering and warming and it helps that it is animated in the same way as the original film. That said, it also hinders it a little because it is so close to the original in tone and style that it really brings nothing of note to the table of its own – apart from the dog of the title (I wish I had a dollar for every household that made the joke "snow dog is better than no dog" when this was on).
The ending plays out the same way as the original and, just like the original film, the credits pile in on top of the moment like it is trying to beat the traffic; it would have had more impact if left to breathe for a minute first. Despite the negatives though, I still really liked it and had a bit of a lump in the throat at one point and found the music and animation and delivery to work on a level that was high enough to be met halfway by my nostalgia. It does need to be met there though, because it doesn't bring much new to the film and it does feel like it is afraid to take even a step away from the original film – and for good reason.
It isn't brilliant and it won't replace the original film, but it is warming and mostly works – expect it to become a fixture every year just like the original Snowman.
I have to disagree with the negative reviews:
This short film captured perfectly well the magic and wonder from the original short.
I found it to be quite wonderful from beginning to end.
Granted, the pop song used here is nowhere comparable with "Walking in the Air", but The Snowman and the Snowdog is still an admirable work of love.
Granted, the pop song used here is nowhere comparable with "Walking in the Air", but The Snowman and the Snowdog is still an admirable work of love.
Wusstest du schon
- WissenswertesBilly lives in the same house that James once lived in. (the boy from The Snowman (1982))
- VerbindungenFeatured in Greatest Ever Christmas Movies (2013)
- SoundtracksLight The Night
Composed by Andy Burrows
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