IMDb-BEWERTUNG
4,9/10
7083
IHRE BEWERTUNG
Simon Templar ist "The Saint", ein moderner Robin Hood, der das Geld von den Reichen nimmt und es, zusammen mit seiner wunderschönen Partnerin, an die Armen verteilt. Doch in seinem jüngsten... Alles lesenSimon Templar ist "The Saint", ein moderner Robin Hood, der das Geld von den Reichen nimmt und es, zusammen mit seiner wunderschönen Partnerin, an die Armen verteilt. Doch in seinem jüngsten Coup ist der Einsatz ungleich höher!Simon Templar ist "The Saint", ein moderner Robin Hood, der das Geld von den Reichen nimmt und es, zusammen mit seiner wunderschönen Partnerin, an die Armen verteilt. Doch in seinem jüngsten Coup ist der Einsatz ungleich höher!
- Regie
- Drehbuch
- Hauptbesetzung
Roger Moore
- Jasper
- (as Sir Roger Moore)
Samantha Hanratty
- Zoe Valecross
- (as Sammi Hanratty)
Empfohlene Bewertungen
It's quite frustrating to see a such a good movie idea as The Saint go to waste again and again since the original. Past that, this version is OK to watch if one has nothing else to watch, at a time when one MUST watch something...
It has here and there some bits of good humor, action and acting ,but all in all it cannot shake off the B movie feel.
Well, I take that back. I wasn't crazy about Val Kilmer.
I loved George Sanders, Louis Hayward, Ian Ogilvy and Roger Moore as The Saint. Since this version featured two ex-saints, Ogilvy and Moore, I wanted to see it.
Yikes.
This is a TV movie, and if you've been having trouble sleeping, this is just the thing. What a slow-moving bore replete with flashbacks of little Simon and the past life of his assistant (Eliza Dushku). And next to no plot.
Ian Ogilvy looked awful -- someone said here Moore looked awful - give the man a break - he was in his mid-'80s (this was made in 2013 as a TV pilot and was not picked up - what a shock). No one is dazzling forever.
Lots of karate-type moves. That's about it. At an hour and a half, it felt like Birth of a Nation.
Simon Rayner didn't excite me, although I'm sure he's very good in other films. But what could one expect from him, no doubt trying to stay awake.
I loved George Sanders, Louis Hayward, Ian Ogilvy and Roger Moore as The Saint. Since this version featured two ex-saints, Ogilvy and Moore, I wanted to see it.
Yikes.
This is a TV movie, and if you've been having trouble sleeping, this is just the thing. What a slow-moving bore replete with flashbacks of little Simon and the past life of his assistant (Eliza Dushku). And next to no plot.
Ian Ogilvy looked awful -- someone said here Moore looked awful - give the man a break - he was in his mid-'80s (this was made in 2013 as a TV pilot and was not picked up - what a shock). No one is dazzling forever.
Lots of karate-type moves. That's about it. At an hour and a half, it felt like Birth of a Nation.
Simon Rayner didn't excite me, although I'm sure he's very good in other films. But what could one expect from him, no doubt trying to stay awake.
I love The Saint and often watch several episodes at a time. From the 1962 black & white and into the colour versions finishing 1969. I enjoy them all but there is no way you could make a new version of this show because it was of it's time. Today you can't go around saving ladies from danger and being a Gentleman Adventurer, it is just not believable in today's world so he required a purpose. It is stylishly shot but does lack the glamour of the original, probably down to the fact it started as a TV show then made into a movie.. They even sort of had a slight update on the theme tune occasionally playing in scenes. One of the reviewers said the years haven't been kind to Roger Moore, he was 89 and I would like to know if any of us are going to weather that many years as well.
As a stand alone 2017 update it is OK and I will leave it at that.
RIP Roger and thanks for all the marvellous entertainment you have given me and my Dad over the years.
As a stand alone 2017 update it is OK and I will leave it at that.
RIP Roger and thanks for all the marvellous entertainment you have given me and my Dad over the years.
Accept this for what it is- a failed television pilot with added scenes added to pad it out to movie length.
The main reason this never made it to series has to be Eliza Dushku. She is a "black hole" that causes all action to stop any time she is on camera. She behaves as if she is heavily medicated -- delivering each and every line with the same flat monotone. I wonder why any performer with such a severely limited range can have a career even in Hollywood.
The other major failing here is with the basic plot. It is about as generic as possible, Absolutely nothing in this film is even remotely new or fresh -- it all has a "seen this all before many many times" aspect to it.
The main reason this never made it to series has to be Eliza Dushku. She is a "black hole" that causes all action to stop any time she is on camera. She behaves as if she is heavily medicated -- delivering each and every line with the same flat monotone. I wonder why any performer with such a severely limited range can have a career even in Hollywood.
The other major failing here is with the basic plot. It is about as generic as possible, Absolutely nothing in this film is even remotely new or fresh -- it all has a "seen this all before many many times" aspect to it.
The Saint was intended to be a relaunched television series starring Adam Rayner as Simon Templar. A few years after the initial pilot, there were some additional footage shot to turn it into a feature length direct to pay TV release.
Simon Templar also known as The Saint is called on by a man who has robbed billions for the shadowy organisation he works from a poor African nation. The man works for the Fixer (Ian Ogilvy) who is most unhappy that his right hand man has grown a conscious, he wants the money back and so he has kidnapped his daughter.
Templar has to find his daughter as well as evading an FBI agent who is determined to track him down. However when Templar sees a certain ring, it brings back memories of the past and a betrayal by someone he was once close to.
Ever since the interminably dull Simon Dutton television movies from 1989, the reputation of The Saint on screen has suffered. The viewer wants something more than just a posh gentleman but slightly shady adventurer who comes to the rescue of a damsel in distress in some exotic location.
This film has extensive location shooting and still at times looks cheap with green screen. Rayner seems to get there as Templar at the end, it helps that he seems comfortable with some of the action footage. However the story is just workmanlike and generic.
The film has the gimmick of actually having the Three Saints. Ogilvy plays the villain with some links to the Knights Templar and he certainly seems to be enjoying himself. The late Sir Roger Moore pops up as well giving his successor, Ogilvy a telling off.
Simon Templar also known as The Saint is called on by a man who has robbed billions for the shadowy organisation he works from a poor African nation. The man works for the Fixer (Ian Ogilvy) who is most unhappy that his right hand man has grown a conscious, he wants the money back and so he has kidnapped his daughter.
Templar has to find his daughter as well as evading an FBI agent who is determined to track him down. However when Templar sees a certain ring, it brings back memories of the past and a betrayal by someone he was once close to.
Ever since the interminably dull Simon Dutton television movies from 1989, the reputation of The Saint on screen has suffered. The viewer wants something more than just a posh gentleman but slightly shady adventurer who comes to the rescue of a damsel in distress in some exotic location.
This film has extensive location shooting and still at times looks cheap with green screen. Rayner seems to get there as Templar at the end, it helps that he seems comfortable with some of the action footage. However the story is just workmanlike and generic.
The film has the gimmick of actually having the Three Saints. Ogilvy plays the villain with some links to the Knights Templar and he certainly seems to be enjoying himself. The late Sir Roger Moore pops up as well giving his successor, Ogilvy a telling off.
Wusstest du schon
- WissenswertesFilmed in 2013, it was not picked up for a series.
- PatzerThe gold bricks featured near the start are clearly nothing like the real weight of gold. They should have gone with gold-painted lead.
- VerbindungenRemake of Simon Templar (1962)
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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