Alice im Wunderland: Hinter den Spiegeln
Originaltitel: Alice Through the Looking Glass
Alice kehrt ins Reich von Unterland zurück und reist in die Vergangenheit, um dem verrückten Hutmacher zu helfen.Alice kehrt ins Reich von Unterland zurück und reist in die Vergangenheit, um dem verrückten Hutmacher zu helfen.Alice kehrt ins Reich von Unterland zurück und reist in die Vergangenheit, um dem verrückten Hutmacher zu helfen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 20 Nominierungen insgesamt
Alan Rickman
- Absolem
- (Synchronisation)
Timothy Spall
- Bayard
- (Synchronisation)
Paul Whitehouse
- Thackery
- (Synchronisation)
Stephen Fry
- Cheshire Cat
- (Synchronisation)
Barbara Windsor
- Mallymkun
- (Synchronisation)
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I couldn't have been less interested in this franchise, completely dumbfounded as to why they were trying to make sense out of an intentionally non-sensical world. This sequel continues that journey into unneeded clarity, though with better results. Maybe I was just more prepared for what was to come, but I also think it has decent emotional arcs and cool visual ideas, despite Depp's lazy performance and way too much plot.
Don't believe any of The negative reviews. This Is a GOOD Movie! I was amazed to see so many negative reviews about a really good movie. My comment is about not believing comments on IMDb. There has been times when I've read positive reviews about a movie, and the move sucked major ass. Now I read negative reviews about a movie that was really good from beginning to end, and it simply amazes me. That's why I've decided to pay no attention to reviews too much and just watch the film and make my own decision on whether its good or not. There are just too many critics and you just can't rely on what you read. Don't get me wrong, some of the reviews are spot on and I find myself in total agreement with some reviews, but this movie was really awesome. I like when a movie keeps my interest the way Alice through the looking glass did. So for anyone looking for a nice escape from reality, don't go by the negative reviews, give this one look. I promise you will not be disappointed.
I liked the fact that the script of the movie is full of puns and rhymes taken from the original work. This makes the movie as interesting as the original Through the Looking Glass since Lewiss Carroll was famous with riddles and hidden messages in his works and he was known to include mathematical wonders in the writing such as the case of Alice in Wonderland. Maybe the plot was not greasy enough but overall it was a nice movie. The character that I liked most is Hatter( Johnny Depp) who has again striken me with his ability to wear different hats of roles and to impersonate himself in the character he's given. Also, the character of Alice was a fit with her angelic smile that reflects an innocent adult.
This film is quite zany compared to the first one. It has some new additions - the queens and the time travel - that make it quite fresh. However, showing the backstory of the queens can also make them feel too grounded and not surreal enough. The whole "saving the world" feel is also a bit too typical for Hollywood. The visual imagination is good as always though.
Alice travels into the past on an adventure to save the Mad Hatter from the grief that is poisoning him.
Set in 1875, it brings up albeit only briefly explores the misogyny of patriarchy, where mediocre men take away everything from extraordinary women through the limitations they put on them. It seems more comfortable examining problems between family members; Tarrant feels rejected by his father, mostly because he has been. And this is of course a much safer thing for a mainstream film to go into, and Disney prefers taking the well trodden path to profit to taking risks. Just like the Tim Burton original, this is nowhere near as creative and imaginative as the 1951 original, or, from what I hear, the novels. This does take a few steps in the right direction, though both of these definitely lose something in trying to make Wonderland a real, physical place that operates on some continuity and logic, when part of the appeal was that this was not the case. I appreciate that this is something that has been done with a lot of adaptations in recent years, and a lot, perhaps even most, of the time that is the right approach; however, like any rule, it has exceptions, and this is one. This is essentially Back to the Future in a fantasy setting; if you altered various aesthetic aspects, and a handful of lines of dialog, you would never get that it was related to the work of Lewis Carroll, which should never be the case with this sort of thing. The third Men in Black movie has a similar issue.
It is very much one of those sequels that expects you to have watched and remember the predecessor; it doesn't particularly reintroduce the recurring characters. The action is exciting, especially in the effective climax. This is filmed and edited well, capturing the sometimes epic scope. The special effects are convincing, and the design of sets, creatures, makeup and costumes is impressive and provides a very high number of memorable, unique sights and sounds. These include traversing the face of a massive clock, living chess pieces, seconds becoming minutes(you'll know it when you reach it), talking animals, bipedal vegetables, loops and a seemingly non-stop barrage of time puns. The cast are clearly having a ball, in particular the always deeply engaging to watch Helena Bonham Carter.
I recommend this only to the biggest fans of those involved. 7/10.
Set in 1875, it brings up albeit only briefly explores the misogyny of patriarchy, where mediocre men take away everything from extraordinary women through the limitations they put on them. It seems more comfortable examining problems between family members; Tarrant feels rejected by his father, mostly because he has been. And this is of course a much safer thing for a mainstream film to go into, and Disney prefers taking the well trodden path to profit to taking risks. Just like the Tim Burton original, this is nowhere near as creative and imaginative as the 1951 original, or, from what I hear, the novels. This does take a few steps in the right direction, though both of these definitely lose something in trying to make Wonderland a real, physical place that operates on some continuity and logic, when part of the appeal was that this was not the case. I appreciate that this is something that has been done with a lot of adaptations in recent years, and a lot, perhaps even most, of the time that is the right approach; however, like any rule, it has exceptions, and this is one. This is essentially Back to the Future in a fantasy setting; if you altered various aesthetic aspects, and a handful of lines of dialog, you would never get that it was related to the work of Lewis Carroll, which should never be the case with this sort of thing. The third Men in Black movie has a similar issue.
It is very much one of those sequels that expects you to have watched and remember the predecessor; it doesn't particularly reintroduce the recurring characters. The action is exciting, especially in the effective climax. This is filmed and edited well, capturing the sometimes epic scope. The special effects are convincing, and the design of sets, creatures, makeup and costumes is impressive and provides a very high number of memorable, unique sights and sounds. These include traversing the face of a massive clock, living chess pieces, seconds becoming minutes(you'll know it when you reach it), talking animals, bipedal vegetables, loops and a seemingly non-stop barrage of time puns. The cast are clearly having a ball, in particular the always deeply engaging to watch Helena Bonham Carter.
I recommend this only to the biggest fans of those involved. 7/10.
Wusstest du schon
- WissenswertesAlan Rickman's last movie. He died four months before the release. This movie is dedicated to his memory. His final non-voice acting role was in Eye in the Sky (2015), which was released before he died.
- PatzerEarly in the movie Alice directs her crew to heel to port. Visually, the ship heels to starboard.
- Zitate
Cheshire Cat: [from trailer]
Cheshire Cat: When the day becomes the night and the sky becomes the sea, When the clock strikes heavy and there's no time for tea. And in our darkest hour, before my final rhyme, she will come back home to Wonderland and turn back the hands of time.
- Crazy CreditsA dedication to the late Alan Rickman appears right when the first part of the end credits finish.
- VerbindungenFeatured in AniMat's Reviews: The Jungle Book (2016) (2016)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Alicia a través del espejo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 170.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 77.041.381 $
- Eröffnungswochenende in den USA und in Kanada
- 26.858.726 $
- 29. Mai 2016
- Weltweiter Bruttoertrag
- 299.820.798 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Hindi language plot outline for Alice im Wunderland: Hinter den Spiegeln (2016)?
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