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Television

  • 2012
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
8,2/10
6073
IHRE BEWERTUNG
Mosharraf Karim, Nusrat Imrose Tisha, and Chanchal Chowdhury in Television (2012)
DramaFamilieKomödieRomanze

Füge eine Handlung in deiner Sprache hinzuAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it ... Alles lesenAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a despera... Alles lesenAs a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this tradi... Alles lesen

  • Regie
    • Mostofa Sarwar Farooki
  • Drehbuch
    • Mostofa Sarwar Farooki
    • Anisul Hoque
  • Hauptbesetzung
    • Shahir Huda Rumi
    • Chanchal Chowdhury
    • Nusrat Imrose Tisha
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,2/10
    6073
    IHRE BEWERTUNG
    • Regie
      • Mostofa Sarwar Farooki
    • Drehbuch
      • Mostofa Sarwar Farooki
      • Anisul Hoque
    • Hauptbesetzung
      • Shahir Huda Rumi
      • Chanchal Chowdhury
      • Nusrat Imrose Tisha
    • 14Benutzerrezensionen
    • 7Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 6 Nominierungen insgesamt

    Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung25

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    Shahir Huda Rumi
    • Amin Chairman
    • (as Kazi Shahir Huda Rumi)
    Chanchal Chowdhury
    Chanchal Chowdhury
    • Solaiman
    • (as Suchinta Chowdhury Chanchal)
    Nusrat Imrose Tisha
    Nusrat Imrose Tisha
    • Kohinoor
    Mosharraf Karim
    Mosharraf Karim
    • Mojnu
    Imam Lee
    • Jabbar
    Mukit Zakaria
    • Kumar Babu
    Shamim Shahed
    Shamim Shahed
    • Jahangir
    Robena Reza Jui
    • Munni Shaha
    Abdus Sattar Farooki
    • Sattar Kaka
    Mahbuba Rezanur
    • Kohinoor's Mother
    Yousufa Akter
    • Jamila Begum
    Maqbul Hossain Palk
    • Visa Officer
    Md. Mostofa
    • Imam Saheb
    Monir Hossain
    • Hall Manager
    Noor Imran Mithu
    • News Reporter
    Alamin Sabuz
    • Alamin
    Solaiman Kaka
    • Hazi
    Salim
    • Villager
    • Regie
      • Mostofa Sarwar Farooki
    • Drehbuch
      • Mostofa Sarwar Farooki
      • Anisul Hoque
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen14

    8,26K
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    Empfohlene Bewertungen

    10Nobin

    The most refreshing cinema from Bangladesh

    After launching a quite promising festival run, Mostofa Farooki's Television finally got released at home. Like other Farooki film, this film also got a grand reception from the youth. And why not? The film is so refreshing in style, content, and treatment. Farooki handled a very delicate subject with a great cinematic sensitivity which took audience to a roller-coaster journey of humor and emotion. Generally, films with this much of depth in the content tends to end up looking very airy, too idealistic, and drab. But Television delivers a quite entertaining journey thanks to a very solid story-telling, well thought-out shot-divisions, and brilliant performance by actors. Shahir Kazi Huda, Mosharof Karim, Chanchal Chowdhury, and Nusrat Imrose Tisha's name should be mentioned specially. Like many other audiences, I am totally blown away by the film! One strange allegation caught my eyes that needs to be replied! I don't know who invented this but a kind of connection between Television and a Turkish film Vizontele has been invented by a small group of Bangladeshi over-enthusiastic people! This allegation made me and my film-buff friends so sad. Then we collected and watched Vizontele and found no similarity in the storyline, concept, style, or treatment! Two films have two different plots, two different intentions, and two different philosophy. If just 'in both the films, a TV set is brought to a remote village and that stirs lot of incident and both are humorous and both have a stunning ending'- this makes two films similar then I am very sorry to say- you will not find a single original film in the world. This is such a poor and unfounded allegation. I would wrap this review with a single line- this is the most refreshing cinema from Bangladesh.
    10david-scott-wadley

    Fantastic Film - See It!

    As an American I'm getting completely bored with US TV & Film. I find Asian cinema to be really refreshing and interesting. I'm late to the party with this film Television and am so glad to have seen it. Beautifully shot in Bangladesh (the country just pops with color), authentic characters, wonderful script, with an absolute killer plot twist in the end. Can't say enough about this film. SEE IT!
    9BadhonCR

    Bridging Tradition and Modernity: A Thought-Provoking Journey in Television (2012)

    Television, directed by Mostofa Sarwar Farooki, is a thought-provoking Bangladeshi film that explores the impact of modern media on rural life and cultural traditions. Set in a small village, the story centers around the character of Apu, a simple man who becomes embroiled in a local controversy after a television set is introduced to the community.

    The film brilliantly juxtaposes tradition and modernity, highlighting the transformative power of television. It showcases how the arrival of a TV can change social dynamics, bringing both excitement and conflict to the village. Apu, played convincingly by the talented Chanchal Chowdhury, is portrayed as a reluctant yet relatable protagonist, caught between his conservative upbringing and the allure of the new media. His internal struggles and eventual decisions form the emotional core of the film.

    Farooki's direction is commendable, balancing humor with serious social commentary. The screenplay effectively blends satire with drama, providing sharp insights into the clash of values and the complexities of human relationships in a changing society. The dialogues are witty and engaging, adding to the film's appeal.

    The cinematography captures the essence of rural Bangladesh beautifully, with vibrant visuals that enhance the storytelling. The music, featuring a blend of folk and contemporary styles, complements the narrative and adds to the film's overall charm.

    One of the film's strengths is its ability to provoke thought without being overly didactic. It encourages viewers to reflect on their own relationships with technology and the media, while also addressing broader themes of identity and cultural preservation.

    However, some viewers may find the pacing uneven, with certain scenes feeling prolonged. Nevertheless, the film's engaging narrative and relatable characters keep the audience invested throughout.

    In conclusion, Television is a captivating film that successfully merges entertainment with meaningful commentary on the effects of modern media on traditional values. It is a must-watch for anyone interested in the evolving cultural landscape of Bangladesh and the ways in which technology shapes our lives.
    8loveyourlife

    Mostofa Sarwar Farooki's best film so far...

    I'd waited well over a year to see this much hyped film and Mostofa Sarwar Farooki yet again doesn't disappoint; in my opinion this is probably his best work and a much more polished effort than 'Third Person Singular Number'. The fact the narrative is set in a village in Bangladesh is irrelevant because the story of its people is a universal one and the message transcends cultures. This is the story of how close mindedness and the winds of change clash in a rapidly changing world. Bangladesh's official submission to 2014's Oscars, in what was a very strong 12 months for world cinema, didn't make the final list of nominees but it doesn't really matter because this is an accomplished film that has been praised both in its home country and at the select film festivals its played at. With the exception of 'Monpura', this is the best piece of cinema to come out of Dhaka's growing film industry in the last 10 years. If I could bet on one filmmaker from Bangladesh really cracking the international film festival circuit in a big way in the future, my money's definitely on Farooki. A recommended film.
    8shreekara-1995

    Fine work by the talented team

    "Acceptance of something new in the system is good, but completely denying the thing just on its predictable negative impacts is the foolish act, it is depended upon us, how we use it so it results'', everything has its limitations but with proper usage it could turn to be the boon and the same thing may cause the negative impact if it crosses its limitation.

    2012's Bangladesh movie ''Television'' has something interesting story to know about, it's the story that revolves around the old village chairman's orthodox traditional restrictions and changing modern mind of that community youngsters, that old village chairman has some negative stereotypes regarding the changing trends and the advent of technology which may mislead its community members and about posing threat to their tradition, in order to avoid its impact he imposes various rules and bans the use of various modern gadgets like mobile and television, but the question is until what extent such practices prevails to be in action? At the end of the movie the same old village chairman who unfortunately misses the chance of visiting the pilgrim place witnesses the same pilgrim place in the television and reaches the state of euphoria and finally realising that every thing in this world has its own pros and cons, but its consequence is depended on how we use them.

    The entire casting is so good that each and every artist had provided full justice to their respective roles, the story has been neatly narrated and no doubt it reaches the mind of people and evoke their emotions, very fine and incredible work done by the young Bangladesh film maker Mostofa Sarwar Farooki.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Official submission of Bangladesh to the Oscars 2014 best foreign language film category.
    • Verbindungen
      Features Tees Maar Khan (2010)

    Top-Auswahl

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    FAQ14

    • How long is Television?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 25. Januar 2013 (Bangladesch)
    • Herkunftsland
      • Bangladesch
    • Offizielle Standorte
      • Official Facebook
      • Official YouTube
    • Sprache
      • Bengalisch
    • Auch bekannt als
      • Телевидение
    • Produktionsfirmen
      • Chabial
      • Mogador Film
      • Star Cineplex
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 36.000.000 BDT (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 46 Min.(106 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital

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