Ein plötzlicher Todesfall

Fantastic look into human nature and the way we British are with one another. Living in a rural town myself I have met a few people like those in this mini-series.

I would thoroughly recommend this to everyone. The story is originally by J.K. Rowling so of course it's going to be brilliant. She once again blew me away with her detailed and thrilling story. The BBC did a fantastic job with adapting it too. Really well written. And they had an incredible cast from Michael Gambon to Keeley Hawkes (a particular favourite of mine).

What nailed it for me was the ending. A true look into how unlucky you can be (or how lucky) and to know who your real friends are. Moreover, the little things can create a domino effect and become bigger than you thought. I was in emotional shock in the end. I love it when a film or TV series is SO good that I don't see it coming.

Now stop reading this and go watch it!

Good but not great BBC/HBO series, should appeal to fans of Penguin Classics—there's a bit of Trollope (many pairs of knickers in a twist over a parish council election), Dickens (broad social satire, mostly aimed at the snobbish, hypocritical bourgeoisie), all the way up through Margaret Drabble and Jane Gardam (class conflict and social pathology in a microcosmic village).

The script has the usual problems of a long, populous novel that's been sliced and diced for television. The first two eps were quite involving, the third kind of rushed; prob'ly should have had a fourth to fill out the backstory and tie up some loose ends. I felt sorry for some of the minor characters, like Gaia and Sukhvinder, who had to hang around forever waiting for their one or two tiny scenes.

Good work by the usual suspects—Michael Gambon, Keeley Hawes, Rory Kinnear as the goodhearted lawyer whose death creates the casual vacancy (on the local council—it's complicated…), Julia McKenzie as a real-life Miss Marple (i.e. sneaky Thatcherite grandma). Abigail Lawrie is amazing, in her first professional role, as the series's secret heroine, a tough girl called Krystal. Haven't read the book, but I agree that what another reviewer called the "water downed" ending was not very satisfying.

Written and produced by ...JK Rowling, of Potter films inc. It's a three part mini-series. We're ten minutes into part one, and nothing yet. But, it gets going fast! Turns out a couple of richers want to turn the community center land into a "wellness retreat", which should make someone a lot of money. But the board of Pagford has a responsibility to keep the center open, helping the locals. It's all very ethereal... when the lead supporter of the council can't do it any more, they want to fill the spot with someone who will back the new wellness center. But... some of the locals who depend on the community center step in.. in various ways. The vote is approaching... who will fill the vacant spot? And who is uncovering secrets that need to be uncovered? It's pretty interesting. Sense of drama and suspense. Directed by Jonny Campbell. Had directed the remakes of Dracula and Westworld.

This series made me want to weep - at the senseless waste of acting talent and script material. For this is not a TV dramatization of "The Casual Vacancy" by J. K. Rowling. It's a TV dramatization of the Reader's Digest Condensed Version of The Casual Vacancy. What's more, it appears that slashing it down from a full series to a 3 part synopsis was done after filming already started, probably by the director tearing pages out on the set, rather than by intelligent script writers. How else to explain the presence of all the characters from the book, yet no role - not even dialog - for some of them? How else to explain all the setups in Episode 1 that are just left hanging with no follow-up? What does remain is excellent, completely capturing Rowling's characterizations and the petty snobbery of English village life, but the ruthless editing leaves too much out and too many loose ends. There's no exploration of the interaction between children and parents that is core to the book. There's no hint of who is behind the "ghost", a major plot device. Sukhvinder, who has a life-changing experience in the original, is literally seen but not heard. There's no resolution for the dysfunctional Price family. I don't know why the scriptwriters even bothered telling us Gaia's name, since she's reduced to a walk-on extra.

What's left, basically, is an excellent performance from Michael Gambon and Julia McKenzie as the Mollisons. It's worth watching just for that. But that's the tragedy of this series - these are the canonical Morrisons, nobody will ever do it better. And that means the series will never be remade, and the full story will never be told.

I saw this series when it first aired and it has impacted me still, four years later.

I have never seen so much story packed tightly into 3 episodes before. There are layers upon layers showing the many different lives people live and how the characters interact alone and in a group.

This series has a very powerful "before you judge others, consider what they are going through" message without slapping you in the face with it. I even felt shame for making an early assumption about one chatacter that I inevitably adored and admired greatly.

You know those "How are you feeling today?" forms with every emotion possible listed? I felt nearly all of them through each episode.

The most impactful scene that brings emotion just thinking about it even four years later was paired perfectly with the song "Choir to the Wild" by Solomon Grey. There has not been a better song matched to a scene in any move I have ever seen. I discovered Solomon Grey through this series and love all of their music.

The acting was outstanding and the scenery was lovely.

It's not a light, happy series at all, but it is a fascinating look at life from many different perspectives and will certainly cause you to look at things differently.