Ein Dokumentarfilm über die umstrittene Gefangenschaft von Killerwalen und ihre Gefahren für Mensch und Wal.Ein Dokumentarfilm über die umstrittene Gefangenschaft von Killerwalen und ihre Gefahren für Mensch und Wal.Ein Dokumentarfilm über die umstrittene Gefangenschaft von Killerwalen und ihre Gefahren für Mensch und Wal.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 6 Gewinne & 41 Nominierungen insgesamt
Tilikum
- Self - Killer Whale
- (Archivfilmmaterial)
James Earl Jones
- Self - SeaWorld Commercial Actor
- (Archivfilmmaterial)
Shamu
- Self - Killer Whale
- (Archivfilmmaterial)
Dawn Brancheau
- Self - SeaWorld Senior Trainer & Victim
- (Archivfilmmaterial)
Thomas Tobin
- Self - SeaWorld Paramedic
- (Synchronisation)
Jim Payne
- Self - Local TV Reporter
- (Archivfilmmaterial)
Martha Sugalski
- Self - Local TV Reporter
- (Archivfilmmaterial)
Whoopi Goldberg
- Self
- (Archivfilmmaterial)
David Kirby
- Self - Author 'Death at SeaWorld'
- (Archivfilmmaterial)
Empfohlene Bewertungen
This is a thought-provoking documentary on Tilikum, an Orca that has been at Sea World since 1983 and who is responsible for the death of 3 people (2 of his trainers, and 1 man who snuck into his tank). This is a film about the horrors that these animals go through being kept in captivity for our pleasure and the latest film to showcase how horrible Sea World can be for the very animals it claims to protect, oh the irony.
If you thought watching 'The Cove' was difficult, I suggest you take tissues if you plan on seeing this. 2 days later and I still can't stop thinking about this movie or get rid of some of the images and sounds shown.
I highly recommend this doc. Go see it with an open mind, I guarantee that you will never see captivity the same way again.
"If you were in a bathtub for 25 years, don't you think you'd get a little psychotic?!"
If you thought watching 'The Cove' was difficult, I suggest you take tissues if you plan on seeing this. 2 days later and I still can't stop thinking about this movie or get rid of some of the images and sounds shown.
I highly recommend this doc. Go see it with an open mind, I guarantee that you will never see captivity the same way again.
"If you were in a bathtub for 25 years, don't you think you'd get a little psychotic?!"
I had heard about this film long before I got to seeing it; there are a couple of very liberal media outlets that I use and this film was very much promoted on them – so I had heard good things but was conscious that it was maybe from an easy audience sector. Anyway, I knew enough about it to be pretty sure that we wouldn't be hearing much from Seaworld in the film itself and indeed at the end it is confirmed that they refused to be interviewed for this film. Many have pointed out that this makes the film rather one-sided, but personally I do not think that having an official Seaworld presence in the film would have made much of a difference to that and to be honest it is probably for the best that they didn't get involved.
I say this because, although it is not too unfair or aggressive, the film really is a polemic rather a passive documentary; the case is made in a systematic and effective fashion, building the case and it does it in a way that is really hard to not be affected by. The film is at its best when it is as much of a documentary as it can be – so informing the viewer of the nature of orca whales in the wild, their community and their connections, because this then informs us about the actions taken to separate families from one another – and like the massive butch guy who can barely talk about doing it, it is hard not to be really moved by the idea and the reality. Other such contrasts are well done, such as the statements on lifespan etc, however the film doesn't always do it as well.
Relating to the older actions (and the illegal ones in particular), the film is a bit unfair to present these next to a silent Seaworld – I know they are not involved but it would have been nice to hear the film confirm if they had ever admitted wrong doing etc. Just mentioning it and moving on makes it look like it was gotten away with, never addressed looking back etc. The interviews with the ex-trainers are all pretty engaging and emotive but there is a lot of personal statement and issues-driven passion in there; this is fine but it means the film has to do a bit to make sure it remains a documentary – I think it could have done more in that regard.
These are flaws in the film as a documentary but even with these it is hard to really take the subject and conclusions to issue. It builds its case well, presenting the base of cruelty and the impact to trainers and animals of the Seaworld shows. It does push too far to one side and it doesn't really give you food for thought so much as conclusions, but it is an impacting film and it is hard for me to really take issue with what it is saying even if I had reservations over how it says it.
I say this because, although it is not too unfair or aggressive, the film really is a polemic rather a passive documentary; the case is made in a systematic and effective fashion, building the case and it does it in a way that is really hard to not be affected by. The film is at its best when it is as much of a documentary as it can be – so informing the viewer of the nature of orca whales in the wild, their community and their connections, because this then informs us about the actions taken to separate families from one another – and like the massive butch guy who can barely talk about doing it, it is hard not to be really moved by the idea and the reality. Other such contrasts are well done, such as the statements on lifespan etc, however the film doesn't always do it as well.
Relating to the older actions (and the illegal ones in particular), the film is a bit unfair to present these next to a silent Seaworld – I know they are not involved but it would have been nice to hear the film confirm if they had ever admitted wrong doing etc. Just mentioning it and moving on makes it look like it was gotten away with, never addressed looking back etc. The interviews with the ex-trainers are all pretty engaging and emotive but there is a lot of personal statement and issues-driven passion in there; this is fine but it means the film has to do a bit to make sure it remains a documentary – I think it could have done more in that regard.
These are flaws in the film as a documentary but even with these it is hard to really take the subject and conclusions to issue. It builds its case well, presenting the base of cruelty and the impact to trainers and animals of the Seaworld shows. It does push too far to one side and it doesn't really give you food for thought so much as conclusions, but it is an impacting film and it is hard for me to really take issue with what it is saying even if I had reservations over how it says it.
I saw this documentary at the Sundance film festival London. I travelled down from Manchester as i could not wait for the Uk cinema release. After Seeing The Cove in 2009 after swimming with Captive Dolphins myself in 2006 to get over a family bereavement x 2. I never knew what dolphins did in captivity - just that it was one of the things i wanted to do before i die. After seeing them entertain people again & again, eat dead fish & float in a small tank all day i needed to see the pain Orcas go through. I'm glad Blackfish has been made. YOU need to see this film if you love mammals & any other intelligent animal in captivity...My eyes were opened at The Cove....if this doesn't then you are very selfish....Money is defo the Rule of all Evil. I will be taking all my friends & family to see this. After 5 days I am still thinking about it & can't believe these parks are still open :(
10yazerin
The documentary "Blackfish" just premiered at Sundance to much deserved rave reviews. It's a compelling story of a 12,000 pound orca who has been in captivity since 1983 when he was captured at the age of two. New footage and interviews with trainers who worked at SeaWorld (and left disillusioned) add dynamic interest to the overall question of whether or not these wild intelligent sentient animals should be kept in captivity. This is a story that will have you questioning what you thought you knew. See "Blackfish" if you're interested in orcas; see it if you're interested in the truth; see it for no other reason than to find out why SeaWorld doesn't want you to see it. This film moves with the fluidity of a wild orca in the ocean. Don't miss out on seeing "Blackfish" because it's going to change the way you think.
Like many I guess, I've seen and considered myself entertained by the sea creatures at Sea World. I was aware of the death of one of the trainers at one of these shows from some years ago but put it down to being an occupational hazard, a tragic but accidental death. This well-made, provocative documentary takes that sad story as its starting point and digs deeper, painting up a tawdry tale of greed, deception and apparent wilful abandonment of care by the named entertainment company, which significantly declined to comment on any of the major accusations lodged here.
From the horrible death of the female trainer in 2010, caught on video, but mercifully cut before she is actually killed, the production traces back the story of the only too well named killer whale and its history of previous attacks on other trainers, caused, allegedly by years of mistreatment of the animal. Sea World's part in a similar European tragedy involving the death of a Spanish trainer only adds to the charge sheet.
A host of former trainers now recanting their previously parroted company-speak of how well the animals are treated is a particularly effective device, but there's much good detective work besides. Most of all, the film isn't afraid to point the finger at the multimillion dollar corporation Sea World and while I hesitate to come to a judgement without the accused exercising the right of reply, it's hard not to conclude that this was an accident, if that's the correct word, waiting to happen.
The film is happy to confine its aim to Sea World alone, but I'm sure I'm not alone in reconsidering my position on the capture and training of animals for our entertainment not only in water parks, but also of course in circuses and zoos.
A sad, sobering, look into an unacceptable mode of entertainment which has surely had its day.
From the horrible death of the female trainer in 2010, caught on video, but mercifully cut before she is actually killed, the production traces back the story of the only too well named killer whale and its history of previous attacks on other trainers, caused, allegedly by years of mistreatment of the animal. Sea World's part in a similar European tragedy involving the death of a Spanish trainer only adds to the charge sheet.
A host of former trainers now recanting their previously parroted company-speak of how well the animals are treated is a particularly effective device, but there's much good detective work besides. Most of all, the film isn't afraid to point the finger at the multimillion dollar corporation Sea World and while I hesitate to come to a judgement without the accused exercising the right of reply, it's hard not to conclude that this was an accident, if that's the correct word, waiting to happen.
The film is happy to confine its aim to Sea World alone, but I'm sure I'm not alone in reconsidering my position on the capture and training of animals for our entertainment not only in water parks, but also of course in circuses and zoos.
A sad, sobering, look into an unacceptable mode of entertainment which has surely had its day.
Wusstest du schon
- WissenswertesAs of August 2015, Seaworld profits have dropped 84% compared to the period prior to this film's release.
- PatzerAt minute 28:51 while mentioning Tilikum's arrival to Sea World in 1992, they show Keiko's footage; as you can clearly see a banner that says "Delegacion Tlalpan" and a "Reino Aventura" logo (where Keiko used to perform in Mexico city).
- Zitate
Howard Garrett - Orca Researcher: There is no record of an orca doing any harm to a human in the wild.
- VerbindungenFeatured in Storyville: Blackfish: The Whale That Killed (2013)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Blackfish?Powered by Alexa
Details
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.073.582 $
- Eröffnungswochenende in den USA und in Kanada
- 75.962 $
- 21. Juli 2013
- Weltweiter Bruttoertrag
- 2.303.417 $
- Laufzeit1 Stunde 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen