Als Katie ein Angebot annimmt, neue Fotos für ihr Portfolio machen zu lassen, gerät sie in einen Alptraum aus Vergewaltigung, Folter und Entführung. Jetzt muss sie die Kraft finden, um sich ... Alles lesenAls Katie ein Angebot annimmt, neue Fotos für ihr Portfolio machen zu lassen, gerät sie in einen Alptraum aus Vergewaltigung, Folter und Entführung. Jetzt muss sie die Kraft finden, um sich grausam zu rächen.Als Katie ein Angebot annimmt, neue Fotos für ihr Portfolio machen zu lassen, gerät sie in einen Alptraum aus Vergewaltigung, Folter und Entführung. Jetzt muss sie die Kraft finden, um sich grausam zu rächen.
- Regie
- Drehbuch
- Hauptbesetzung
Yavor Baharov
- Georgy Patov
- (as Yavor Baharoff)
George Zlatarev
- Detective Kiril
- (as Georgi Zlatarev)
Kacey Clarke
- Sharon
- (as Kacey Barnfield)
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Many Horror films often like to shroud themselves in mystery, both in the film itself (in regards to plot and story) and around it (cast, crew and such). This leads to many unsolved questions... Why did the eerie and disturbing Fred Kruger become Freddie the comedian in the 2nd film? Why did we have to wait all these years for 20 Days of Night to show us an actually frightening vampire? Why is cheap gore even considered Horror? And many more. To this list I can now add "why the heck would anyone want to make a sequel after the remake of I Spit on Your Grave, which was simply the perfect revenge film?"
I Spit on Your Grave 2 had no chance. It was doomed to be a let down after the first film. I find it virtually impossible to review this film objectively due to my utter admiration to the first film, since the sequel is lacking and wanting in every single aspect. Jemma Dallender is not a bad actress, her acting is simply annoying. Her exaggerated sobs ruined any and all chance of sympathy, especially after the excellent work done by Sarah Butler in the original. The story and plot are nothing more than a tribute to the first film, with the script feeling like it's been written by a high school student doing their homework assignment of "re-write a script while offering absolutely nothing new". Even the punishments and tortures extracted by the victim-turned-huntress are nothing more than a tribute, and are far less powerful, artistic and impacting. Seriously... Why?
Having said all that, it wouldn't be fair to say I didn't enjoy the film. Seeing monsters punished by the one whose life they tried to destroy always feels good, even if not as good as during the first film. The acting by the list of antagonists was not half bad, and I should specifically commend on Peter Silverleaf's character, which was an excellent addition and perhaps the only innovation compared to the first film. Also, in this film we finally see some police involvement, offering both a well deserved criticism to the manner in which authorities handle rape cases and treat the victims, and a different ending. In regards to the ending, it did add some necessary value to the plot and the overall predicament.
All in all, the more you enjoyed the first film, the less you are likely to enjoy this one. However, if like me you enjoy watching evil people suffer, and are looking for a slight addition to the overall story - I would definitely recommend this film. I guess succeeding in being not bad when having no chance of being equally good to begin with is somewhat impressive. I'm glad I watched this, but I would in no way object to the decision to skip it and move on to the 3rd, which is actually a sequel and far better.
I Spit on Your Grave 2 had no chance. It was doomed to be a let down after the first film. I find it virtually impossible to review this film objectively due to my utter admiration to the first film, since the sequel is lacking and wanting in every single aspect. Jemma Dallender is not a bad actress, her acting is simply annoying. Her exaggerated sobs ruined any and all chance of sympathy, especially after the excellent work done by Sarah Butler in the original. The story and plot are nothing more than a tribute to the first film, with the script feeling like it's been written by a high school student doing their homework assignment of "re-write a script while offering absolutely nothing new". Even the punishments and tortures extracted by the victim-turned-huntress are nothing more than a tribute, and are far less powerful, artistic and impacting. Seriously... Why?
Having said all that, it wouldn't be fair to say I didn't enjoy the film. Seeing monsters punished by the one whose life they tried to destroy always feels good, even if not as good as during the first film. The acting by the list of antagonists was not half bad, and I should specifically commend on Peter Silverleaf's character, which was an excellent addition and perhaps the only innovation compared to the first film. Also, in this film we finally see some police involvement, offering both a well deserved criticism to the manner in which authorities handle rape cases and treat the victims, and a different ending. In regards to the ending, it did add some necessary value to the plot and the overall predicament.
All in all, the more you enjoyed the first film, the less you are likely to enjoy this one. However, if like me you enjoy watching evil people suffer, and are looking for a slight addition to the overall story - I would definitely recommend this film. I guess succeeding in being not bad when having no chance of being equally good to begin with is somewhat impressive. I'm glad I watched this, but I would in no way object to the decision to skip it and move on to the 3rd, which is actually a sequel and far better.
I Spit on Your Grave II (2013) is a movie that I recently watched on Amazon Prime. The storyline follows an aspiring model who takes a photoshoot opportunity that becomes more than she bargained for. She decides to quit the shoot and go home. Unfortunately for her the photographers find her house, rape and kidnap her and continue to rape and torture her after the kidnapping. The model seeks opportunities to escape these heinous acts, gain revenge and return home...
This movie is directed by Steven R. Monroe (I Spit on Your Grave, 2010) and stars Jemma Dallender (Daddy's Girl), Joe Absolom (Doc Martin), Valentine Pelka (The Pianist) and Mary Stockley (V for Vendetta).
This is a very uneven movie that tries a bit too hard. I will say the film is well shot and has some worthwhile cinematography. There's some scenes that were too much, and some that definitely didn't feel realistic (the recapture). But there's some really well done scenes too. The taser and stabbing sequence was good. There's a change of venue scenario that was fun. There's also a revenge bathroom scene that felt unrealistic but was gross and I didn't see coming. The ending sequence with the mouth kill was good too.
This movie isn't particularly good, but it's worth a watch. I would score this a 6/10 and recommend seeing it once.
This movie is directed by Steven R. Monroe (I Spit on Your Grave, 2010) and stars Jemma Dallender (Daddy's Girl), Joe Absolom (Doc Martin), Valentine Pelka (The Pianist) and Mary Stockley (V for Vendetta).
This is a very uneven movie that tries a bit too hard. I will say the film is well shot and has some worthwhile cinematography. There's some scenes that were too much, and some that definitely didn't feel realistic (the recapture). But there's some really well done scenes too. The taser and stabbing sequence was good. There's a change of venue scenario that was fun. There's also a revenge bathroom scene that felt unrealistic but was gross and I didn't see coming. The ending sequence with the mouth kill was good too.
This movie isn't particularly good, but it's worth a watch. I would score this a 6/10 and recommend seeing it once.
watched I SPIT ON YOUR GRAVE 2 ...compare to its prequel this flick is more brutal more gruesome more violent more eww more plight-full n more entertaining(if you like this genre)...this movie completes everything that its prequel lacked..well not everything exactly..it too has some loose ends...BUT do/should we even care about that?..in front of this girl(Jemma Dallender)'s acting..she did a tremendous job..for a moment you'll wonder if she is being violated for real!(I'm not being an assh*le BUT it has one of the best woman abusive scenes I've ever watched in a film_of- course)..above that she is beautiful..you feel sorry for her(movie's job done here)....this revenge film has a cheesy twist n they kinda turns it in another SAW in the end(though)..its not very good BUT its a nice film..if you like sick things(kidding)
its _WORTH A WATCH_
its _WORTH A WATCH_
An American wannabe model is raped, shipped to Europe and degraded until she escapes and plots her revenge.
Writers Thomas Fenton and Neil Elman offer a solid script, the claustrophobic NY apartment and then the European setting adds an air of danger for Katie's ordeals, it's pity the unsavoury Euro angle has be been done so many times already. In the vein of Hostel 2, Saw and following the format of the 1978's I Spit on Your Grave and its 2010 remake, director Steven R. Monroe's latest wincing film like its predecessor is nasty, arguably needless and borderline exploitation. Nevertheless, it feels more realistic than many of the films of its saturated genre and the cop and the priest play against expectations adding some surprise.
Jemma Dallender is first rate as Katie and gives a great performance but her character is not as liable as it's former lead Sarah Butler's Jennifer Hills. The supporting cast are all excellent notable are Mary Stockley, Joe Absolom who pulls off a good accent as Ivan and Valentine Pelka as Father Dimov.
It's a film of two halves, the first being the horrific abuse of Katie, the second revenge kills on her captors. Monroe's film looks good, it's slick with plenty of atmosphere, blood, great effects with the ominous lighting and locations heightened by Damian Bromley's photography. Corey A. Jackson's score also adds to the unnerving edgy scenes.
With the pro-woman, feminist, revenge angles already debated highlighted and explored with the 1978 version, this offering would have been a equal if not a better re-imagining than the 2010 remake but despite some great acting it's now left slightly redundant with even less to say.
Monroe's offering is commendable and as it is certainly not DVD fodder (like Hostel 3), it has cinema release execution and production values like his first instalment. Monroe needs a breakout movie but given the subject matter this just isn't it.
Writers Thomas Fenton and Neil Elman offer a solid script, the claustrophobic NY apartment and then the European setting adds an air of danger for Katie's ordeals, it's pity the unsavoury Euro angle has be been done so many times already. In the vein of Hostel 2, Saw and following the format of the 1978's I Spit on Your Grave and its 2010 remake, director Steven R. Monroe's latest wincing film like its predecessor is nasty, arguably needless and borderline exploitation. Nevertheless, it feels more realistic than many of the films of its saturated genre and the cop and the priest play against expectations adding some surprise.
Jemma Dallender is first rate as Katie and gives a great performance but her character is not as liable as it's former lead Sarah Butler's Jennifer Hills. The supporting cast are all excellent notable are Mary Stockley, Joe Absolom who pulls off a good accent as Ivan and Valentine Pelka as Father Dimov.
It's a film of two halves, the first being the horrific abuse of Katie, the second revenge kills on her captors. Monroe's film looks good, it's slick with plenty of atmosphere, blood, great effects with the ominous lighting and locations heightened by Damian Bromley's photography. Corey A. Jackson's score also adds to the unnerving edgy scenes.
With the pro-woman, feminist, revenge angles already debated highlighted and explored with the 1978 version, this offering would have been a equal if not a better re-imagining than the 2010 remake but despite some great acting it's now left slightly redundant with even less to say.
Monroe's offering is commendable and as it is certainly not DVD fodder (like Hostel 3), it has cinema release execution and production values like his first instalment. Monroe needs a breakout movie but given the subject matter this just isn't it.
When you read the title I spit on your Grave 2, you do kind of think of some knock off sequel. I never saw the original but did see the remake of the original. I can remember the general gist of that movie however methinks it was not as uncomfortable as its sequel. The movie starts off relatively generic however there is an air of reasonable quality about the production which continues throughout, plus it's not entirely predictable, at least until the third and final act. All the actors perform well enough with the material they're given and only one plot point irks me. The movie is a gory revenge movie and therein lies the basics of the story. What ISOYG 2 does differently lies in the pretty graphic depiction on its events and you really feel so sorry for the lead actress that your almost cheering when she exacts her revenge. Some viewers may find this quite uncomfortable, you'd really need to have seen movies somewhat like this before. The strongest point however without a doubt in the film is the lead actress Jemma Dallender who really steers this film with a very strong performance and without whom this movie would certainly be a lesser work. An above average horror sequel not for the faint hearted.
Wusstest du schon
- WissenswertesAlthough all of the films in this series deal with violent rape, this is the only one to also touch on human trafficking.
- PatzerNo explanation as to how they kidnapped Katie and got her to Bulgaria while keeping her hidden. However human trafficking happens all over the world in all manner of ways. This is a fact. Just because it's not shown how it was done here does not make it a plot hole. What is important is whether or not it's possible, and it is.
- Alternative VersionenThe UK release was cut, this film was originally seen for advice in an incomplete version. The distributor was informed that 27 cuts would be required across six scenes to remove various elements of sexual and sexualised violence. When the completed version of the film was submitted for formal classification, all the requested cuts had been made, and the film was classified 18.
- VerbindungenFeatured in Growing Up with I Spit on Your Grave (2019)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 809 $
- Eröffnungswochenende in den USA und in Kanada
- 441 $
- 22. Sept. 2013
- Weltweiter Bruttoertrag
- 678.604 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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