Cold Comes the Night

Nothing truly special or unusual: Just a really good crime drama that's a little too well-acted and realistic to be labeled a "thriller." COLD COMES the NIGHT is grimly riveting and constantly leaves you wondering what will happen next. Some layers, twists, and reversals, but it's still very easy to follow and, therefore, may be a little too episodic and simple for some tastes.

CCN has a minimalistic low-budget appeal to it. We don't know a whole lot about the various players in the smaller town Mid-Atlantic setting. Nevertheless, it shows us all we really need to know. Violent, disturbing, but without cheap schlocky gore. I kept thinking, "This is how real murders must look and, especially, sound." Alice Eve gives a plain yet memorable performance as Chloe, a tough but compassionate single mother who manages the sleazy motel where all the trouble starts. The other actors do likewise in their roles. The script and cinematography are similarly real. Nice ending. Good, fitting soundtrack too. Though it doesn't try for anything big, COLD COMES the NIGHT accomplishes all it sets out to do and is a very watchable little film.

Mrs. Shullivan and I were in the mood for a crime thriller genre film and so we popped in Bryan Cranston's starring role in Cold Comes the Night. Cranston plays a Russian courier named Topo who is gradually going blind and he in the middle of a road trip which has him couriering one million dollars to his Russian mobster boss. As his sight is near gone he requires someone to drive the car couriering the Russian mobs cash and his driver just can't be trusted as we discover.

His co-star is Alice Eve who plays a single mom named Chloe working as a motel night desk clerk in a seedy part of town strewn with ladies of the night who prefer to rent her motel rooms by the hour rather than by the night. Now Chloe has received an ultimatum by a case worker from Child Services that she needs to move her daughter to a more suitable living environment than hooker haven or Child Services will swoop in an take Chloe's daughter away from her.

So Topo and his brother-in-law dupe of a chauffeur played by Robin Lord Taylor (more widely known as Oswald Cobblepot, the Penguin, on the hit 2014 TV series Gotham) make an over night stop over at Chloe's motel, rent separate rooms for the night, and then this thriller evolves....well sort of anyway.

I can't say that Bryan Cranston was right on character as the blind Russian mobster since his Russian dialect was as believable as maybe a Jimmy Fallon's Russian impersonation. Of course you have a corrupt cop named Billy Banks played by Logan Marshall-Green who is supposed to add some hype and action to this crime thriller but I thought his acting was way over the top. (Also a personal observation, what makes so many actors/actresses use a stage name comprised of both their divorced parents surnames as a way of commemorating both parents and think we will remember them? This is a pet peeve of mine. Hey actors/actresses, choose one surname or another and get over yourself.)

Without giving away too much of the movies plot (as there is not a lot of meat on this bone) Topo's cash goes missing and he will stop at nothing to find the scammers who have left him holding an empty bag that he must now otherwise report back to his Russian mob boss unless he recovers his stolen million dollars.

A two for one rating: Mrs. Shullivan gave the film a 4 out of 10 and since I am a sucker for crime thriller genres and have seen literally thousands of them I give it a slightly higher 6 out of 10 rating. It is worth a late night watch if you are having difficulty sleeping. If you are a crime thriller genre junkie as I am, I don't think you will be able to go to bed without finding out first how the film ends. It's not so great but does have a "so/so" story line to keep you hooked until the final two words are illuminated..."THE END".

Entertaining little movie. I can't come to any major complain in general. It was watchable and involving, had a very good pace and a convincing role of the lead criminal. Acting was fine. I also found the movie somehow natural and charming. I think that the director Tze Chun is a gifted filmmaker. My impression is that this movie wasn't made with some great budget, yet it is much more interesting than many blockbusters of the same genre, if you ask me. I also believe that Cold Comes the Night is a bit underrated on IMDb. So I can say I recommend this movie. My message to director would be - pretty nice work, keep on working!

"Good help is hard to find." Chloe (Eve) is a hotel owner who is not only struggling to keep her life together but also to keep her daughter with her. Her day goes from bad to worse when after being threatened by child protective services a murder occurs in one of her rooms. As if that isn't bad enough a man named Topo (Cranston) knew the man who was killed and the vehicle that had his money was taken by the cops. He enlists the help of Chloe and the two of them set out to get the money back...or Amy will lose her daughter forever. There have been many many movies with this idea, someone loses something important to them and an innocent stranger must help them get it back. The difference in this one is...the cast. I'm not saying they were great I'm saying this one had a different cast. On the other hand though the cast is really one of the reasons why this is watchable. Alice Eve is believable as a woman who will do anything to save her daughter. Cranston tries his best to be a creepy tough guy but comes off as being flat. This is a movie that had potential but again became another generic "let's get my money or else" movie. Overall, not horrible but the movies Cash and Pressed were much better. I give this a B-.

I assume I was drawn to 'Cold Comes the Night' for the same reason as many viewers: Bryan Cranston. I've worked my way through 'Breaking Bad' three times, and believe that even in a time of strong dramatic TV leads (e.g. Michael C. Hall, Jon Hamm, Charlie Hunnam), Cranston stood out as the greatest. I struggle to imagine even someone like Daniel Day-Lewis handling certain 'Breaking Bad' scenes as well as Cranston. I was therefore surprised to find that the strong performer in Tze Chun's 'Cold Comes the Night' is actually an actress I'd never heard of before: Alice Eve. I've long believed that a strong lead performance can elevate an otherwise bad film into mediocrity, and an otherwise mediocre film into a good one. Alice Eve shows the kind of protectiveness and desperation familiar to those who've seen Jennifer Lawrence in 'Winter's Bone', although she isn't as subtle as Lawrence. Although Eve's talents certainly make her scenes more enjoyable, I feel that the star attraction - Cranston - was woefully underused. His forced Russian accent stifles his ability to express himself, and his character's near-blindness could have been explored in far greater depth. These deficiencies prevent 'Cold Comes the Night' from rising above mediocrity. Tze Chun is a director I'm entirely (sans this film, of course) unfamiliar with. In bolder hands, 'Cold Comes the Night' could have been a very good crime drama. Unfortunately, the film doesn't escape the tropes of the genre, despite having sufficient scope and talent to do so.