The Canal

But as others have noted rushes towards the finish line (which is a good thing). But there are a few hurdles the movie has to overcome to win over the viewer. And it might not even achieve this. Not everyone has the patience to wait for a movie to pick up. Especially after not only a slow start, but a character that seems to be doing as many wrong things he can do wrong.

But if you overlook that typical horror movie cliché and can wait for the movie to really pick up, you will like where it goes eventually. The direction is decent and the acting is good too. The story is not really inventive, but moves the film along nicely. There are few good scares along the way and the mentioned ending is really good

A pretty effective thriller even if the script uses the usual old clichés of ghost movies. I had a good time watching it and wasn't disappointed. However, I deplore the use (around 43 or 44 minutes of film) of the real photographs of Sharon Tate's crime scene after she was brutally murdered by Manson's followers. I think that is not respectful. The director could have avoided that.

Not overly inspired, but worthy of a watch. It meanders between supernatural and psychosis. Nothing wrong with any one aspect but just seems like it never really gripped me enough to really enjoy.

Despite some of the poor reviews I've read here, I found this to be a completely coherent and excellent psychological Thriller/Horror movie! Yes you will see some themes borrowed from other films, but let's be honest every movie does that. The cinematography was amazing. The score was arranged with a lot of attention to details and made it perfect backdrop to the film. Transitions and shadows were creepy and eerie. About the only thing that annoyed me what's the editing in which the way the editor wood chop out frames causing a time jump effect. This worked okay as a transition but awful during actress dialogue. All in all it was a great movie.

Independent film The Canal smartly produces a slow-paced psychological horror that interesting imagines a new take on the haunting genre.

Ivan Kavanagh is the brainchild behind this original and brilliantly conceived film. The Canal is more atmospheric than most horror films currently being produced and very psychological with a horrific twist. The slow paced groundwork is eerie and unsettling but expertly done. The characters and smart and savvy in trying discern reality from imagination, or worse, supernatural occurrences.

The beginning scenes of The Canal are deliberately jumpy, adding to the confusion and anxiety the main character David experiences. A bit more clarity would have helped the film viewers experience the intended disorientation while avoiding pure confusion. I personally think the film was just a tad too slow in the beginning and Kavanagh will lose impatient movie watchers unsure of whether the investment will be worth it.

Without spoiling the ending, I thoroughly enjoyed it and it had me squirming and gasping. The Canal is a slow burn, with Kavanagh pacing the film so audience members are psychologically bewildered to savor the conclusive reveal.

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