Soulmate

Atmospheric, creepy , great acting . I just don't understand the negative comments here , were these people expecting a Saw genre ?

First of all, I hope Anna Walton goes far, she's a very good actress. She reminds me a lot of Kate Beckinsale and Rhona Mitra. She was easily the best part of the film, and great to watch. She conveyed a very solemn character in the movie, and her emotions were well done.

Parts of the movie, specifically the build-up of the relationship between Audrey and Douglas was kind of reminiscent of "The Ghost and Mrs. Muir," but trust me, it ends much differently. Theresa's confession towards the end was unexpected, and it was a nice twist.

It was low-budget, but they made good use of the money by setting the story in a very small town on the English countryside. I really loved the somewhat gloomy atmosphere. This is not a typical storyline as far as ghost stories go, but it was kind of original, and I'd recommend it. This is why I love indie film makers; some of the most original ideas are done by them, whereas Hollywood big studios like to play it safer by making prequels, sequels, and remakes.

I will say that they could have made the movie about 20 minutes shorter. I know they were building up the relationship, but some of it was plainly over kill. I did have a problem when Audrey initially met Douglas about 38 minutes into the film. He told her that he couldn't touch her. By proving it, he swiped his hand against a lamp, and his hand when right through it. However, he was sitting on a chair. Would he be able to be sitting? Wouldn't his body fall through it? lol. Also, never write the end credits in cursive. It was really hard to read who played which characters. I know, sorry for nitpicking.

I gave this a 6-star rating because of the originality, script, acting, and atmosphere. Also, as I said, I liked Teresa's twist at the end.

My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog:

Sadly a film which has very undeservedly gone under the radar.

Soulmate is the award winning 2013 British feature film debut of Belgium film-maker Axelle Carolyn, more well known to many as the former wife and film-making partner of Neil Marshall, director of Dog Soldiers and The Descent. She also played a role in his 2010 film Centurion. Her most recent film, which she created and produced, is the highly acclaimed 2015 anthology film Tales of Halloween. She also contributed to it as the writer and director of the "Grim Grinning Ghost" segment starring Alex Essoe, star of the superb Starry Eyes from 2014. Axelle Carolyn also most recently co-wrote an episode of Netflix Chilling Adventures of Sabrina, Chapter Nine: The Returned Man.

She conceived, wrote, and directed the modern set gothic horror Soulmate, which was produced by Neil Marshall. The film is in part inspired by the stories of M.R. James and the Henry James novella Turn of the Screw, most famously adapted into the 1961 film The Innocents and later the inspiration for the 2001 film The Others starring Nicole Kidman. However, Soulmate brings something slightly different to its inspirations. It is at its core a beautifully melancholic meditation on loss and grief with a superb lead performance by Anna Walton. She is complimented by a brilliant supporting cast of Tom Wisdom, Tanya Myers and the hugely underrated Nick Brimble, star of Robin Hood Prince of Thieves, The Sweeney tv series and films, and The Creature in Roger Corman's Frankenstein Unbound.

The film forgoes jump scares in favor of atmosphere and a slow build, making it feel different to many modern horror films. Along the way there are some unexpected twists and turns with a nuanced ambiguity even as the credits roll. The atmosphere of the film is accentuated by the breathtakingly beautiful bleak cinematography and production design coupled with the perfect use of music and sound.

Sadly for the British release Axelle Carolyn was forced by the BBFC (British Board of Film Classification) to make cuts to the suicide sequence because they felt even as an 18 certificate (hard R rating) there was too much focus on the technique shown and could be imitated. She, rightly so, felt that those cuts romanticized suicide and instead cut out the entire scene from the British version of the film, amounting to two minutes and thirty three seconds. To have her vision compromised because a key scene was cut must have hurt because it feels that this negates the impact of the entire film. Maybe this was the reason one of the best British films of recent years went under the radar and is now an almost forgotten film. The version I saw and reviewed is the uncut version that to this day is unjustly banned in the UK. Jokingly Axelle Carolyn calls it a Video Nastie, which it definitely is not.

For those who are looking for a subtle thoughtful horror film with depth and heart Soulmate is highly recommended.

Hopefully in the future we will see more from the extremely talented Axelle Carolyn.

The market's been saturated a bit lately with ghostly goings on in the wake of successful movies such as The Conjuring, Sinister and Insidious – which makes it that much more difficult to come up with something fresh and engaging. But this debut feature from writer-director Axelle Carolyn gives us exactly that, a story with a real emotional core but no shortage of scary moments.

Recently widowed musician Audrey (Hellboy 2's Anna Walton delivering a standout turn) retreats to an isolated Welsh cottage to recover after a failed suicide attempt. Once there, she discovers things going bump in the night and starts to see disturbing visions of her late husband. But the ghost, when it reveals itself, turns out to be that of a former owner – Douglas (Tom Wisdom from the TV series Dominion) – whose suicide bid was anything but a failure.

Wondering if she's going mad or just suffering from the side effects of her strong depression medication, Audrey tries to learn more about Douglas from local couple Theresa (Casualty's Tanya Myers) and her husband (the always wonderful Nick Brimble from Robin Hood: Prince of Thieves). After being warned against digging too deep, Audrey is left confused as to whether the spirit is friend or foe. Has she found 'someone' who might be able to understand her predicament, the fact she blames herself for what happened, or a shade that has problems of its own? Only time will tell...

In the interviews section of the extras, Carolyn freely admits that she was trying to make a traditional British supernatural movie, a Ghost and Mrs. Muir for this generation but with a darker tone. What she has accomplished is so much more, something that works on a variety of levels. It's a tale about loss, sure, but also about relationships and finding – or rediscovering – oneself after a major life (or death) event. The performances are universally excellent, helping with the suspension of disbelief, but the film is also beautifully shot, belying its low budget origins and simultaneously making the most of the atmospheric Brecon Beacons where it was shot. There are more than enough shocks, surprises and twists to satisfy your average genre fan, but at its heart this is a thought-provoking drama full of character studies and insight.

Other extras include interviews with Walton and Neil Marshall (Carolyn's husband, but also editor and exec producer on the movie), plus a couple of previous shorts she wrote and directed: the heart-warming Halloween Kid and The Last Post, which is by turns unsettling and poignant (the ending will have you welling up). I really can't recommend this one highly enough, and after such a stunning first movie I have to wonder what delights are coming in the future.

Audrey (Anna Walton) is a recent, young widow who is plagued by the premature death of her husband. She attempts suicide to escape her pain, but her failure leads her to an even deeper depression. She escapes to a remote cottage in the Wales countryside to be in solitude and to work on her music once again. Audrey soon hears noises coming from a locked room in the cottage, only to eventually learn that it is haunted by the previous owner, Douglas Talbot (Tom Wisdom). Axelle creates suspense, both with the accompanying music score and with the camera. However, the jump-in-your-seat shocks happen when you least expect them! I admit, I flinched several times and on one occasion, actually let out a quick scream, much to my embarrassment. Instead of running away from her ghostly house mate, Audrey befriends him, much to his amazement. Their friendship develops beautifully; each one helping the other cope with the torments of their past. There is a love for one another, one much deeper than the other, though.

Anna is superb as Audrey; you feel her pain along with her, often with a knot in your stomach as she tries to make it through each day. As her tension relaxes with her new supernatural friend, you experience the warm, fuzzy feelings during their unique moments of camaraderie. Simple gestures, such as playing chess together (as Douglas struggles to move the pieces to the desired space with his energy), leaves you with a sweet smile. And when Audrey feels terror, you feel it with her.

This film is unlike any you have seen Tom Wisdom in before; his true acting colors shine through in his portrayal of Douglas. Tormented from his past, he has struggled for thirty years in loneliness as no one has ever been able to see or hear him until Audrey came along. As Audrey asks him personal questions, his silent stares make you uncomfortable, which is precisely what he was aiming for. From his sweet, gentle demeanor to his explosive anger, Tom flexes his acting chops in the film. You adore him and are completely terrified of him all in two hours. His deathly makeup only adds to the character, making him completely believable as a long-dead man.

I always enjoy twists at the end of films that I didn't see coming, which Axelle delivers perfectly. An ending that one doesn't anticipate in the least, I actually heard some quiet gasps in the audience around me (myself included). The film was dark, Gothic, hauntingly romantic, and in a word, fantastic.