Es geht um einen erfahrenen Killer, der einer trauernden Frau eine lähmende Substanz injiziert. Sie muss rennen, kämpfen und sich verstecken, bevor ihr Körper den Geist aufgibt.Es geht um einen erfahrenen Killer, der einer trauernden Frau eine lähmende Substanz injiziert. Sie muss rennen, kämpfen und sich verstecken, bevor ihr Körper den Geist aufgibt.Es geht um einen erfahrenen Killer, der einer trauernden Frau eine lähmende Substanz injiziert. Sie muss rennen, kämpfen und sich verstecken, bevor ihr Körper den Geist aufgibt.
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- 1 Gewinn & 1 Nominierung insgesamt
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I feel like people gas every new movie on Netflix.. I won't lie, i didn't mind the plot but the execution was just not there. It seemed like the story was incomplete with a bunch of unanswered questions.. It's very predictable and not very creative as well as really slow.. i would have loved some kind of backstory or atleast a better story.. i would say a certain character saved this movie but it was only about 4-5 actors with little to no dialogue... the best part was the old man.. it seems like they had a plot and not so much an ending.. Not the worse but certainly not the best so give it a watch..
It was better than I have expected and don't believe to all the negative reviews on IMDb.
The wonderful landscapes combined with a psycho murder made together a real popcorn thriller. The main actors delivered good performances and the director Sam Riami created with his experience a dark Netflix movie with suspense. The story is simply but there many surprises and turns that it was never boring. The running time is not too long. The end I have seen coming far away but anyway it worked really for an entertaining Saturday evening.
The actual rating here of 5.8 matches nearly with my vote of 6/10.
The wonderful landscapes combined with a psycho murder made together a real popcorn thriller. The main actors delivered good performances and the director Sam Riami created with his experience a dark Netflix movie with suspense. The story is simply but there many surprises and turns that it was never boring. The running time is not too long. The end I have seen coming far away but anyway it worked really for an entertaining Saturday evening.
The actual rating here of 5.8 matches nearly with my vote of 6/10.
I didn't expect much from this movie, and in the end it was actually better than expected. That's not to say it was anything fantastic, but it killed a couple of hours (no pun intended...), and wasn't boring.
The story took many liberties, so you really need to suspend disbelief and even your logical thinking, but in general, it was entertaining, if that's a word to be used for a film with this subject matter.
The best thing about it was probably the acting. The two leads did a great job with the limited material they were given.
All in all, it was worth watching. It will probably be forgotten in an hour, but at least it won't be remembered as a bad movie.
The story took many liberties, so you really need to suspend disbelief and even your logical thinking, but in general, it was entertaining, if that's a word to be used for a film with this subject matter.
The best thing about it was probably the acting. The two leads did a great job with the limited material they were given.
All in all, it was worth watching. It will probably be forgotten in an hour, but at least it won't be remembered as a bad movie.
Don't Move (2024) is a horror-thriller that brings some standout performances and impressive special effects but falls short in some crucial areas. The film's atmosphere, enhanced by eerie visuals and realistic effects, sets the stage for a terrifying experience. The actors also contribute with commendable performances, immersing the audience as much as possible within the limited structure.
However, the movie suffers from dialogue and character actions that often feel out of touch with reality, creating a barrier to full engagement. It's as though the script was written without a grounded understanding of human behavior and interaction, which becomes distracting as the story progresses. Moments that should be suspenseful or tense are undermined by implausible choices and stilted dialogue, leaving viewers questioning the motivations and reactions of key characters.
The end result is a film with potential that ultimately feels disconnected, despite its visual strengths and competent cast. Fans of horror may appreciate the surface-level scares, but those looking for an immersive, logical storyline might feel let down.
However, the movie suffers from dialogue and character actions that often feel out of touch with reality, creating a barrier to full engagement. It's as though the script was written without a grounded understanding of human behavior and interaction, which becomes distracting as the story progresses. Moments that should be suspenseful or tense are undermined by implausible choices and stilted dialogue, leaving viewers questioning the motivations and reactions of key characters.
The end result is a film with potential that ultimately feels disconnected, despite its visual strengths and competent cast. Fans of horror may appreciate the surface-level scares, but those looking for an immersive, logical storyline might feel let down.
I don't understand the low ratings. This certainly isn't an Oscar-winning masterpiece that will change your life, but just because it's not doesn't mean it's bad or mediocre, like some reviewers may have you believe. This is a solid cat-and-mouse thriller. It follows Iris, a grieving young mother who visits the makeshift memorial of her late son in the woods. There she meets Richard, who soon injects her with a paralytic agent, causing her body to freeze up and shut down within 20 minutes.
The film manages to maintain a genuinely tense atmosphere throughout. There's a great deal of tension and suspense. The acting from the two central actors, Asbille and Wittrock, is really great. Moray Treadwell and Daniel Francis are also good. Treadwell's British accent does come and go, when he's seemingly supposed to be playing an American. Francis is convincing and good as the inquisitive, skeptical cop. The action scenes are realistic yet graphic. The film does a good job of including several close-call scenes throughout the film where Iris comes close to being rescued or escaping, only to be thwarted by Richard. That was really effective, and further elevated the unsettling ambience. This is reminiscent of another film that's somewhat similar, Alone (2020). If you enjoyed that, you'll enjoy this too.
Really entertaining, tense, unsettling, and suspenseful. The premise is simple, but where this film shines is in its great execution. A fun watch.
The film manages to maintain a genuinely tense atmosphere throughout. There's a great deal of tension and suspense. The acting from the two central actors, Asbille and Wittrock, is really great. Moray Treadwell and Daniel Francis are also good. Treadwell's British accent does come and go, when he's seemingly supposed to be playing an American. Francis is convincing and good as the inquisitive, skeptical cop. The action scenes are realistic yet graphic. The film does a good job of including several close-call scenes throughout the film where Iris comes close to being rescued or escaping, only to be thwarted by Richard. That was really effective, and further elevated the unsettling ambience. This is reminiscent of another film that's somewhat similar, Alone (2020). If you enjoyed that, you'll enjoy this too.
Really entertaining, tense, unsettling, and suspenseful. The premise is simple, but where this film shines is in its great execution. A fun watch.
Wusstest du schon
- WissenswertesEuropean style license plates can be made out on passing vehicles when Richard and Iris leave the gas station despite the film taking place in California.
- PatzerShe goes back and forth between scenes wearing running shoes and hiking boots.
- SoundtracksYou Don't Own Me
Written by John Madara, Dave White (as David Ernest White)
Performed by Deep Sea Diver with Natalie Closner
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Đừng Cử Động
- Drehorte
- Zlatnite Mostove, Sofia City Province, Bulgarien(The scene where Iris embarks on a trek to arrive at Mateo's resting place is filmed at Zlatnite Mostove in Sofia City Province in Bulgaria. The location is famous for being the largest stone river on Vitosha Mountain.)
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- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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