Auf dem Höhepunkt der Weihnachtszeit tun sich zwei Fremde zusammen, um eines der berühmtesten Kaufhäuser New Yorks auszurauben, während sie sich dabei unbeabsichtigt ineinander verlieben.Auf dem Höhepunkt der Weihnachtszeit tun sich zwei Fremde zusammen, um eines der berühmtesten Kaufhäuser New Yorks auszurauben, während sie sich dabei unbeabsichtigt ineinander verlieben.Auf dem Höhepunkt der Weihnachtszeit tun sich zwei Fremde zusammen, um eines der berühmtesten Kaufhäuser New Yorks auszurauben, während sie sich dabei unbeabsichtigt ineinander verlieben.
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Jingle Bell Heist is a harmless piece of Netflix content that's designed to be enjoyable in an undemanding fashion. It's got enough festive charm and high stakes heists to sustain a thankfully short 94 minute run time with a satisfying ending to ensure the film is actually worth committing to. It's a simple story of well deserved revenge involving stealing from the rich to give to those who need it.
Olivia Holt and Connor Swindells are a good pairing who have a cute chemistry. They both get an introduction which makes them feel very cynical and deliberately similar in their experiences but there's thankfully more to it that's gradually revealed, making them increasingly empathetic. Peter Serafinowicz makes his one note villain suitably despicable without a lot of screen time.
Acting as both director & cinematographer, Michael Fimognari gets the job done with the standard issue streaming construction where everything is visually flat and overly lit in places. There's the odd bit of life in the camerawork and Jeffrey M. Werner's editing has a few transitions which gives it some extra life. Steve Hackman's playful score sounds the part despite the odd misstep.
Olivia Holt and Connor Swindells are a good pairing who have a cute chemistry. They both get an introduction which makes them feel very cynical and deliberately similar in their experiences but there's thankfully more to it that's gradually revealed, making them increasingly empathetic. Peter Serafinowicz makes his one note villain suitably despicable without a lot of screen time.
Acting as both director & cinematographer, Michael Fimognari gets the job done with the standard issue streaming construction where everything is visually flat and overly lit in places. There's the odd bit of life in the camerawork and Jeffrey M. Werner's editing has a few transitions which gives it some extra life. Steve Hackman's playful score sounds the part despite the odd misstep.
Sophia works two jobs to make ends meet, her mother is sick in hospital, and she gets by by pinching. Nick, a former employee at Sterlings department store, has access to the cameras, spots Sophia pinching, and makes her an offer.
It's very likeable - a definite mix of genres: part crime caper, part seasonal romance, part comedy, and there's just enough to tug at the heartstrings too.
It's a British Christmas film, so there's a faint whiff of cynicism. Sometimes you need a festive film that isn't quite Hallmark, and all its syrupy charm. Don't get me wrong, it's goofy, but even the outlandish Sterlings are grounded.
I love the idea of a chic UK department store, where all the glamorous assistants wore neckerchiefs. Sadly, those days ended with Thatcherism, although it is short-staffed, so that rings true. It's like an export version of Britain, with dry martinis and tuxedos - but it works.
Olivia Holt and Connor Swindells were a cracking duo, combining so well. Not your usual Christmas movie hires - two people who don't feel as if they're living inside a snow globe. Lucy Punch knows how to give us a spoilt princess, but this one has a twist.
Heart and humour - this one's a cut above the usual selection of festive flicks.
8/10.
It's very likeable - a definite mix of genres: part crime caper, part seasonal romance, part comedy, and there's just enough to tug at the heartstrings too.
It's a British Christmas film, so there's a faint whiff of cynicism. Sometimes you need a festive film that isn't quite Hallmark, and all its syrupy charm. Don't get me wrong, it's goofy, but even the outlandish Sterlings are grounded.
I love the idea of a chic UK department store, where all the glamorous assistants wore neckerchiefs. Sadly, those days ended with Thatcherism, although it is short-staffed, so that rings true. It's like an export version of Britain, with dry martinis and tuxedos - but it works.
Olivia Holt and Connor Swindells were a cracking duo, combining so well. Not your usual Christmas movie hires - two people who don't feel as if they're living inside a snow globe. Lucy Punch knows how to give us a spoilt princess, but this one has a twist.
Heart and humour - this one's a cut above the usual selection of festive flicks.
8/10.
Good evening, everyone! I'm Mr. C Reviewer, and tonight we'll be diving into the film Jingle Bell Heist. I had the opportunity to watch the movie on Netflix. This movie originally premiered on November 26, 2025. The movie had a runtime of 1 hour and 36 minute. It is rated for viewers aged 12 and older. Notably, parts of the film were filmed in London, England, UK. The estimated budget for. I've found subtitles to be incredibly beneficial for enhancing my understanding of dialogue and fully immersing myself in narratives. The film was directed by Michael Fimognari and written by Abby McDonald and Amy Reed.
Summery: Sophia and Nick, two strangers facing dire financial straits, find themselves reluctantly united in a daring plan to rob a prominent London department store during the Christmas season. Their desperate heist is fuelled by a desire to escape their economic hardships and exact revenge on the store's owner, Maxwell Sterling.
Review: -The film begins with a brief prologue, setting the scene for our Christmas Eve heist, then rewinds two weeks to introduce each of us and the individual circumstances that brought us together. I appreciate how the film weaves together themes of socioeconomic disparity and corporate avarice, underscoring the profound significance of familial bonds and self-sacrifice, while also exploring paths to redemption and justice, and highlighting the unexpected connections and support systems that can emerge from unforeseen circumstances. I appreciated how the movie maintained a good pace, never really dragging, yet still found time for impactful emotional moments. Even when the plot wasn't action-heavy, the strong character development kept me thoroughly engaged throughout. I found the movie to be a delightful watch, especially fitting for December. It offered a pleasant blend of humour, warmth, and holiday spirit, creating an enjoyable experience without relying on sharp wit or uproarious laughter. I was impressed by the acting in the movie; the lead actors, though their romantic chemistry wasn't always fiery, still had a charming and effective dynamic, and their ability to imbue their characters with depth was notable. Peter Serafinowicz was perfectly cast as a despicable antagonist, providing a strong contrast to the intricate storyline. The supporting cast, such as Sophia's mother, Nick's roommate, and his ex-partner and daughter, were also exceptionally well-developed and believable, creating a truly immersive world. I feel that the dialogue served its purpose in advancing the plot and character development. I found that the film's festive atmosphere and heist elements are significantly amplified by the soundtrack and sound effects, which work together to immerse the audience in the narrative.
-I appreciated how the film utilized on-screen text to clearly establish the temporal setting of two scene, effectively reinforcing the overall timeline of events. The visual style was a refreshing departure from typical Christmas comedies, offering a refined and lively aesthetic that avoided the usual overly bright visuals. The enchanting Christmas decorations throughout the movie successfully evoked a delightful sense of festivity and holiday cheer. I found the editing quite appealing; its simplicity, particularly the circular transition effect between some scenes, felt perfectly suited for a light-hearted Christmas movie.
-I was impressed by the efficient way the characters were introduced, allowing me to quickly understand their personalities. I also liked the seamless and timely convergence of the two storylines. My favourite character was Ralph, as I found him both humorous and relatable.
-I enjoyed the film's conclusion, particularly the unexpected twist that added a layer of surprise and satisfaction. The ending felt complete and provided a clear understanding of the motivations behind both main characters' need for money. I also appreciated the post-credits scene, which offered a delightful continuation as the credits rolled.
I rate each film I watch out of 10 and for this one, I give it a 7.4 Remember this was what I thought about the movie personally and I suggest that you give it a go for yourself.
Summery: Sophia and Nick, two strangers facing dire financial straits, find themselves reluctantly united in a daring plan to rob a prominent London department store during the Christmas season. Their desperate heist is fuelled by a desire to escape their economic hardships and exact revenge on the store's owner, Maxwell Sterling.
Review: -The film begins with a brief prologue, setting the scene for our Christmas Eve heist, then rewinds two weeks to introduce each of us and the individual circumstances that brought us together. I appreciate how the film weaves together themes of socioeconomic disparity and corporate avarice, underscoring the profound significance of familial bonds and self-sacrifice, while also exploring paths to redemption and justice, and highlighting the unexpected connections and support systems that can emerge from unforeseen circumstances. I appreciated how the movie maintained a good pace, never really dragging, yet still found time for impactful emotional moments. Even when the plot wasn't action-heavy, the strong character development kept me thoroughly engaged throughout. I found the movie to be a delightful watch, especially fitting for December. It offered a pleasant blend of humour, warmth, and holiday spirit, creating an enjoyable experience without relying on sharp wit or uproarious laughter. I was impressed by the acting in the movie; the lead actors, though their romantic chemistry wasn't always fiery, still had a charming and effective dynamic, and their ability to imbue their characters with depth was notable. Peter Serafinowicz was perfectly cast as a despicable antagonist, providing a strong contrast to the intricate storyline. The supporting cast, such as Sophia's mother, Nick's roommate, and his ex-partner and daughter, were also exceptionally well-developed and believable, creating a truly immersive world. I feel that the dialogue served its purpose in advancing the plot and character development. I found that the film's festive atmosphere and heist elements are significantly amplified by the soundtrack and sound effects, which work together to immerse the audience in the narrative.
-I appreciated how the film utilized on-screen text to clearly establish the temporal setting of two scene, effectively reinforcing the overall timeline of events. The visual style was a refreshing departure from typical Christmas comedies, offering a refined and lively aesthetic that avoided the usual overly bright visuals. The enchanting Christmas decorations throughout the movie successfully evoked a delightful sense of festivity and holiday cheer. I found the editing quite appealing; its simplicity, particularly the circular transition effect between some scenes, felt perfectly suited for a light-hearted Christmas movie.
-I was impressed by the efficient way the characters were introduced, allowing me to quickly understand their personalities. I also liked the seamless and timely convergence of the two storylines. My favourite character was Ralph, as I found him both humorous and relatable.
-I enjoyed the film's conclusion, particularly the unexpected twist that added a layer of surprise and satisfaction. The ending felt complete and provided a clear understanding of the motivations behind both main characters' need for money. I also appreciated the post-credits scene, which offered a delightful continuation as the credits rolled.
I rate each film I watch out of 10 and for this one, I give it a 7.4 Remember this was what I thought about the movie personally and I suggest that you give it a go for yourself.
It is what it is, festive fodder, but my word it's a lot of fun. It's a pastiche/nod to 60s heist movies in places and there are some fantastic laugh out loud moments, the cast is great, good chemistry and very watchable. It's silly,
of course it is, the title tells you that, but it's a worth a watch; if you want your Christmas movies to be highbrow (who does) you're in the wrong place. Have a mince pie, get a cuppa and enjoy the glorious nonsense.
This film is definitely worth a watch.
I was not expecting much from this, thinking it was going to be a generic Christmas caper cum love story.
However, it is actually really well written and has plenty of surprises and plot twists with a satisfying and wholesome ending.
The two leads are great with genuine chemistry and the pace is just right so there are no flat spots.
Give it a try.
I was not expecting much from this, thinking it was going to be a generic Christmas caper cum love story.
However, it is actually really well written and has plenty of surprises and plot twists with a satisfying and wholesome ending.
The two leads are great with genuine chemistry and the pace is just right so there are no flat spots.
Give it a try.
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Wusstest du schon
- WissenswertesThe flat at the start that he calls about was actually on the market at time of release: Leeland Mansions, Leeland Road, West Ealing, W13
- PatzerAt the 16 minute mark, Sophie (Olivia Holt) walks into the pub late and is asked how her day was. She replied that she had to clean up to kids' sick. But it's the following day, not the same day she was working in the high in shop. This is confirmed because Sophie meets Nick the next day at 8am the day after cleaning the sick before the pub scene.
- VerbindungenFeatures Der Schneemann (1982)
- SoundtracksViolin Concerto In D Major, Op. 35, Th 59: III. Finale: Allegro Vivacissimo
written by P. I. Tchaikovsky
performed by Slovak Philharmonic Orchestra conducted by Kenneth Jean, Featuring Takako Nishizaki
courtesy of: Naxos By arrangement with Source/Q
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