Auf dem Höhepunkt der Weihnachtszeit tun sich zwei Fremde zusammen, um eines der berühmtesten Kaufhäuser New Yorks auszurauben, während sie sich dabei unbeabsichtigt ineinander verlieben.Auf dem Höhepunkt der Weihnachtszeit tun sich zwei Fremde zusammen, um eines der berühmtesten Kaufhäuser New Yorks auszurauben, während sie sich dabei unbeabsichtigt ineinander verlieben.Auf dem Höhepunkt der Weihnachtszeit tun sich zwei Fremde zusammen, um eines der berühmtesten Kaufhäuser New Yorks auszurauben, während sie sich dabei unbeabsichtigt ineinander verlieben.
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My wife and I are retired so we watch movies at home regularly. Not so much looking for some new GREAT movie but just to be entertained between the end of the 6PM nightly news and our 10PM bedtime.
We came upon this one streaming on NFLX, it seemed lightweight and interesting. When it was over we both said "Better than I expected" and that is always a bonus.
American actress Olivia Holt, former gymnast, is Sophia. Her mother is British but after Sophia was born they were forced to move to the US and she grew up there with her grandfather. Her mother now has become very ill so they moved back to London for the free health care. Problem is the waiting list for a suitable physician is long and they need cash to afford a private physician.
She has a chance encounter with Connor Swindells as Nick, looking him up she finds he had served a couple of years jail time for a heist, this is her opportunity. Pair with a thief to steal a large amount of cash from the owner of the department store she works at.
On the surface it would seem the two of them are just petty crooks, how can we root for them? As the story develops we learn that not everything is so simple, and maybe in the end they are actually doing the right thing.
For this type of movie it has a few novel ideas and it is well made. Shot in the London area.
We came upon this one streaming on NFLX, it seemed lightweight and interesting. When it was over we both said "Better than I expected" and that is always a bonus.
American actress Olivia Holt, former gymnast, is Sophia. Her mother is British but after Sophia was born they were forced to move to the US and she grew up there with her grandfather. Her mother now has become very ill so they moved back to London for the free health care. Problem is the waiting list for a suitable physician is long and they need cash to afford a private physician.
She has a chance encounter with Connor Swindells as Nick, looking him up she finds he had served a couple of years jail time for a heist, this is her opportunity. Pair with a thief to steal a large amount of cash from the owner of the department store she works at.
On the surface it would seem the two of them are just petty crooks, how can we root for them? As the story develops we learn that not everything is so simple, and maybe in the end they are actually doing the right thing.
For this type of movie it has a few novel ideas and it is well made. Shot in the London area.
Good evening, everyone! I'm Mr. C Reviewer, and tonight we'll be diving into the film Jingle Bell Heist. I had the opportunity to watch the movie on Netflix. This movie originally premiered on November 26, 2025. The movie had a runtime of 1 hour and 36 minute. It is rated for viewers aged 12 and older. Notably, parts of the film were filmed in London, England, UK. The estimated budget for. I've found subtitles to be incredibly beneficial for enhancing my understanding of dialogue and fully immersing myself in narratives. The film was directed by Michael Fimognari and written by Abby McDonald and Amy Reed.
Summery: Sophia and Nick, two strangers facing dire financial straits, find themselves reluctantly united in a daring plan to rob a prominent London department store during the Christmas season. Their desperate heist is fuelled by a desire to escape their economic hardships and exact revenge on the store's owner, Maxwell Sterling.
Review: -The film begins with a brief prologue, setting the scene for our Christmas Eve heist, then rewinds two weeks to introduce each of us and the individual circumstances that brought us together. I appreciate how the film weaves together themes of socioeconomic disparity and corporate avarice, underscoring the profound significance of familial bonds and self-sacrifice, while also exploring paths to redemption and justice, and highlighting the unexpected connections and support systems that can emerge from unforeseen circumstances. I appreciated how the movie maintained a good pace, never really dragging, yet still found time for impactful emotional moments. Even when the plot wasn't action-heavy, the strong character development kept me thoroughly engaged throughout. I found the movie to be a delightful watch, especially fitting for December. It offered a pleasant blend of humour, warmth, and holiday spirit, creating an enjoyable experience without relying on sharp wit or uproarious laughter. I was impressed by the acting in the movie; the lead actors, though their romantic chemistry wasn't always fiery, still had a charming and effective dynamic, and their ability to imbue their characters with depth was notable. Peter Serafinowicz was perfectly cast as a despicable antagonist, providing a strong contrast to the intricate storyline. The supporting cast, such as Sophia's mother, Nick's roommate, and his ex-partner and daughter, were also exceptionally well-developed and believable, creating a truly immersive world. I feel that the dialogue served its purpose in advancing the plot and character development. I found that the film's festive atmosphere and heist elements are significantly amplified by the soundtrack and sound effects, which work together to immerse the audience in the narrative.
-I appreciated how the film utilized on-screen text to clearly establish the temporal setting of two scene, effectively reinforcing the overall timeline of events. The visual style was a refreshing departure from typical Christmas comedies, offering a refined and lively aesthetic that avoided the usual overly bright visuals. The enchanting Christmas decorations throughout the movie successfully evoked a delightful sense of festivity and holiday cheer. I found the editing quite appealing; its simplicity, particularly the circular transition effect between some scenes, felt perfectly suited for a light-hearted Christmas movie.
-I was impressed by the efficient way the characters were introduced, allowing me to quickly understand their personalities. I also liked the seamless and timely convergence of the two storylines. My favourite character was Ralph, as I found him both humorous and relatable.
-I enjoyed the film's conclusion, particularly the unexpected twist that added a layer of surprise and satisfaction. The ending felt complete and provided a clear understanding of the motivations behind both main characters' need for money. I also appreciated the post-credits scene, which offered a delightful continuation as the credits rolled.
I rate each film I watch out of 10 and for this one, I give it a 7.4 Remember this was what I thought about the movie personally and I suggest that you give it a go for yourself.
Summery: Sophia and Nick, two strangers facing dire financial straits, find themselves reluctantly united in a daring plan to rob a prominent London department store during the Christmas season. Their desperate heist is fuelled by a desire to escape their economic hardships and exact revenge on the store's owner, Maxwell Sterling.
Review: -The film begins with a brief prologue, setting the scene for our Christmas Eve heist, then rewinds two weeks to introduce each of us and the individual circumstances that brought us together. I appreciate how the film weaves together themes of socioeconomic disparity and corporate avarice, underscoring the profound significance of familial bonds and self-sacrifice, while also exploring paths to redemption and justice, and highlighting the unexpected connections and support systems that can emerge from unforeseen circumstances. I appreciated how the movie maintained a good pace, never really dragging, yet still found time for impactful emotional moments. Even when the plot wasn't action-heavy, the strong character development kept me thoroughly engaged throughout. I found the movie to be a delightful watch, especially fitting for December. It offered a pleasant blend of humour, warmth, and holiday spirit, creating an enjoyable experience without relying on sharp wit or uproarious laughter. I was impressed by the acting in the movie; the lead actors, though their romantic chemistry wasn't always fiery, still had a charming and effective dynamic, and their ability to imbue their characters with depth was notable. Peter Serafinowicz was perfectly cast as a despicable antagonist, providing a strong contrast to the intricate storyline. The supporting cast, such as Sophia's mother, Nick's roommate, and his ex-partner and daughter, were also exceptionally well-developed and believable, creating a truly immersive world. I feel that the dialogue served its purpose in advancing the plot and character development. I found that the film's festive atmosphere and heist elements are significantly amplified by the soundtrack and sound effects, which work together to immerse the audience in the narrative.
-I appreciated how the film utilized on-screen text to clearly establish the temporal setting of two scene, effectively reinforcing the overall timeline of events. The visual style was a refreshing departure from typical Christmas comedies, offering a refined and lively aesthetic that avoided the usual overly bright visuals. The enchanting Christmas decorations throughout the movie successfully evoked a delightful sense of festivity and holiday cheer. I found the editing quite appealing; its simplicity, particularly the circular transition effect between some scenes, felt perfectly suited for a light-hearted Christmas movie.
-I was impressed by the efficient way the characters were introduced, allowing me to quickly understand their personalities. I also liked the seamless and timely convergence of the two storylines. My favourite character was Ralph, as I found him both humorous and relatable.
-I enjoyed the film's conclusion, particularly the unexpected twist that added a layer of surprise and satisfaction. The ending felt complete and provided a clear understanding of the motivations behind both main characters' need for money. I also appreciated the post-credits scene, which offered a delightful continuation as the credits rolled.
I rate each film I watch out of 10 and for this one, I give it a 7.4 Remember this was what I thought about the movie personally and I suggest that you give it a go for yourself.
Jingle Bell Heist is a harmless piece of Netflix content that's designed to be enjoyable in an undemanding fashion. It's got enough festive charm and high stakes heists to sustain a thankfully short 94 minute run time with a satisfying ending to ensure the film is actually worth committing to. It's a simple story of well deserved revenge involving stealing from the rich to give to those who need it.
Olivia Holt and Connor Swindells are a good pairing who have a cute chemistry. They both get an introduction which makes them feel very cynical and deliberately similar in their experiences but there's thankfully more to it that's gradually revealed, making them increasingly empathetic. Peter Serafinowicz makes his one note villain suitably despicable without a lot of screen time.
Acting as both director & cinematographer, Michael Fimognari gets the job done with the standard issue streaming construction where everything is visually flat and overly lit in places. There's the odd bit of life in the camerawork and Jeffrey M. Werner's editing has a few transitions which gives it some extra life. Steve Hackman's playful score sounds the part despite the odd misstep.
Olivia Holt and Connor Swindells are a good pairing who have a cute chemistry. They both get an introduction which makes them feel very cynical and deliberately similar in their experiences but there's thankfully more to it that's gradually revealed, making them increasingly empathetic. Peter Serafinowicz makes his one note villain suitably despicable without a lot of screen time.
Acting as both director & cinematographer, Michael Fimognari gets the job done with the standard issue streaming construction where everything is visually flat and overly lit in places. There's the odd bit of life in the camerawork and Jeffrey M. Werner's editing has a few transitions which gives it some extra life. Steve Hackman's playful score sounds the part despite the odd misstep.
I was expecting Hallmark level fluff but this movie actually had a decent plot and interesting characters. It won't knock your stockings off, but it's a nice way to pass an evening leading up to Christmas.
The story reveals itself gradually with a few plot twists that, in retrospect, were satisfyingly predictable, leaving you to feel that everything was tidily wrapped up with a big bow.
The story reveals itself gradually with a few plot twists that, in retrospect, were satisfyingly predictable, leaving you to feel that everything was tidily wrapped up with a big bow.
My IMDB threshold score for watching a film is usually 6.5, preferably 7+. So I am a bit conflicted as to how to score Jingle Bell Heist. It is certainly worth much more than the current 5.8, but do I score it higher to try and compensate for the low score?
The first thing to say is is not a rubbish Hallmark standard Christmas film. Having said that, it's no Elf or Miracle 34th Street either.
It does have all the Christmas cliches, for example a completely unrealistic department store which seems to have lots of customers and lots of people serving but no actual products on any shelves. But it also has some realistic pub and hospital scenes that add refreshing credibility, to an obviously incredible (non-credible?) story. The dialogue is refreshingly realistic with people responding and saying things like real people would, as opposed to cardboard cut-outs.
The plot is good. The pace is good. The acting is good. The humour is good. I liked it for what it was. My wife didn't like it at all.
I give it a 7 even though it is really a 6 or 6.5.
The first thing to say is is not a rubbish Hallmark standard Christmas film. Having said that, it's no Elf or Miracle 34th Street either.
It does have all the Christmas cliches, for example a completely unrealistic department store which seems to have lots of customers and lots of people serving but no actual products on any shelves. But it also has some realistic pub and hospital scenes that add refreshing credibility, to an obviously incredible (non-credible?) story. The dialogue is refreshingly realistic with people responding and saying things like real people would, as opposed to cardboard cut-outs.
The plot is good. The pace is good. The acting is good. The humour is good. I liked it for what it was. My wife didn't like it at all.
I give it a 7 even though it is really a 6 or 6.5.
35 Romantic Holiday Movies to Stream at Home
35 Romantic Holiday Movies to Stream at Home
Get your fill of happily-ever-afters with this year's lineup of holiday-themed romantic movies to watch from the comfort of home.
Wusstest du schon
- WissenswertesThe flat at the start that he calls about was actually on the market at time of release: Leeland Mansions, Leeland Road, West Ealing, W13
- PatzerAt the 16 minute mark, Sophie (Olivia Holt) walks into the pub late and is asked how her day was. She replied that she had to clean up to kids' sick. But it's the following day, not the same day she was working in the high in shop. This is confirmed because Sophie meets Nick the next day at 8am the day after cleaning the sick before the pub scene.
- VerbindungenFeatures Der Schneemann (1982)
- SoundtracksViolin Concerto In D Major, Op. 35, Th 59: III. Finale: Allegro Vivacissimo
written by P. I. Tchaikovsky
performed by Slovak Philharmonic Orchestra conducted by Kenneth Jean, Featuring Takako Nishizaki
courtesy of: Naxos By arrangement with Source/Q
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The Year in Posters
The Year in Posters
From Hurry Up Tomorrow to Highest 2 Lowest, take a look back at some of our favorite posters of 2025.
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