IMDb-BEWERTUNG
6,2/10
7424
IHRE BEWERTUNG
Ein wildes Teenagermädchen inszeniert eine Romanze zwischen ihrem Kindermädchen und ihrem Vater, der ein genesender Süchtiger ist.Ein wildes Teenagermädchen inszeniert eine Romanze zwischen ihrem Kindermädchen und ihrem Vater, der ein genesender Süchtiger ist.Ein wildes Teenagermädchen inszeniert eine Romanze zwischen ihrem Kindermädchen und ihrem Vater, der ein genesender Süchtiger ist.
- Regie
- Drehbuch
- Hauptbesetzung
Joel K. Berger
- Stevie
- (as Joel Berger)
Peggy Walton-Walker
- Michelle's Clerk
- (as Peggy Walton Walker)
Empfohlene Bewertungen
Being funny on the screen seems effortless to Kristen Wiig. Her comedic clowning skills are on a par with Lucille Ball and Shelly Long. Sincerity, however, doesn't come as easily — especially when her character is plain and charmless.
HATESHIP LOVESHIP sat on the Thriftway DVD rental shelf for several weeks. I took note of its great cast: Wiig, supported by Guy Pierce, Nick Nolte, Hailee Steinfeld, Christine Lahti, and Jennifer Jason Leigh. What could go wrong there? My memories of GIRL MOST LIKELY (which was supposed to be a comedy, but whiffed miserably) prevented me from taking the chance. Wiig's performance as said GIRL lacked any charm whatsoever; she was drab, homely, and totally unappealing. So, what was she going to do with this, her first dramatic role? It didn't look promising at all.
Finally, I took HATESHIP LOVESHIP home. And, I'm so very glad I did. What a splendid collaboration between star, cast, screenwriter, director and crew in this adaptation of Alice Munro's short story. Ain't no heroes here. These are real, extremely flawed human beings. They might live next door to anyone. They might be anyone.
Wiig's Johanna is a caretaker. That's what makes her life make sense. And, that's her odd beauty. She also finds herself attracted to bad boy Ken (Pierce) a drug-addicted user with delusions of accomplishing something that will finally give him independence.
But no one in this story seems to feel entitled to anything. They've all been wounded. So they protect themselves.
No one is hanging from a cliff. No clock is ticking. No fuse is burning down. Yet, somehow watching Johanna scrub a long-neglected bathtub filled me with worry, hoping she wasn't setting herself up for disaster.
The sex scenes, while not showing any nudity, are luscious and beautiful. I hope to see more of Liza Johnson. She is one gifted and inspired director.
Yeah, maybe Ken will never change. But it won't be for Johanna's lack of patience, and devotion. The story leaves us rootin' for the dude — and loving her. The doormat has won his respect and admiration. And ours. She deserves it.
HATESHIP LOVESHIP sat on the Thriftway DVD rental shelf for several weeks. I took note of its great cast: Wiig, supported by Guy Pierce, Nick Nolte, Hailee Steinfeld, Christine Lahti, and Jennifer Jason Leigh. What could go wrong there? My memories of GIRL MOST LIKELY (which was supposed to be a comedy, but whiffed miserably) prevented me from taking the chance. Wiig's performance as said GIRL lacked any charm whatsoever; she was drab, homely, and totally unappealing. So, what was she going to do with this, her first dramatic role? It didn't look promising at all.
Finally, I took HATESHIP LOVESHIP home. And, I'm so very glad I did. What a splendid collaboration between star, cast, screenwriter, director and crew in this adaptation of Alice Munro's short story. Ain't no heroes here. These are real, extremely flawed human beings. They might live next door to anyone. They might be anyone.
Wiig's Johanna is a caretaker. That's what makes her life make sense. And, that's her odd beauty. She also finds herself attracted to bad boy Ken (Pierce) a drug-addicted user with delusions of accomplishing something that will finally give him independence.
But no one in this story seems to feel entitled to anything. They've all been wounded. So they protect themselves.
No one is hanging from a cliff. No clock is ticking. No fuse is burning down. Yet, somehow watching Johanna scrub a long-neglected bathtub filled me with worry, hoping she wasn't setting herself up for disaster.
The sex scenes, while not showing any nudity, are luscious and beautiful. I hope to see more of Liza Johnson. She is one gifted and inspired director.
Yeah, maybe Ken will never change. But it won't be for Johanna's lack of patience, and devotion. The story leaves us rootin' for the dude — and loving her. The doormat has won his respect and admiration. And ours. She deserves it.
Though it's an almost convoluted story about despise and family relations, it later reverses itself. No disrespect to Hailee but Wiig, Pearce and Nolte are powerful in their roles. Especially Wiig. I've always thought that great comedians also make great actors. Wiig is a prime example.
The storyline of 'Hateship Loveship' does not feel particularly revelatory or original on the surface but by the time the credits roll it proves itself to be something of great worth.
Kristen Wiig plays Johanna, a carer starting a new job looking after Nick Nolte and his rebellious granddaughter Sabitha. Wiig is devastating to watch. Her character has lead a sheltered life and looks on the verge of tears a lot of the time. She is very gentle and tentative, and able to express a multitude of emotions just from a tilt of the head or twitch of the mouth.
Her casting in this film could have fallen quite easily into the 'comedy actress trying to be serious in a movie' camp, but it rises above that in favour of something far more truthful.
Johanna's introversion is challenged when after falling victim to a prank she is paired together with Sabitha's recovering addict father Ken played by Guy Pearce. The combination of her complete innocence with his world weary, compulsive behaviour make for some fantastic moments of mundane realism, and bittersweet comedy.
The film contains themes of love across three generations, loss, and family responsibility, and although they are all sentimental ideas due to the high quality of acting and direction involved it never becomes mawkish about it. Uplifting without being preachy. I never felt like I was being told what to feel, but just being allowed to witness a set of very relatable, charming characters negotiating the situations they find themselves in.
Days later Kristen Wiig's performance is still lingering in my mind.
Kristen Wiig plays Johanna, a carer starting a new job looking after Nick Nolte and his rebellious granddaughter Sabitha. Wiig is devastating to watch. Her character has lead a sheltered life and looks on the verge of tears a lot of the time. She is very gentle and tentative, and able to express a multitude of emotions just from a tilt of the head or twitch of the mouth.
Her casting in this film could have fallen quite easily into the 'comedy actress trying to be serious in a movie' camp, but it rises above that in favour of something far more truthful.
Johanna's introversion is challenged when after falling victim to a prank she is paired together with Sabitha's recovering addict father Ken played by Guy Pearce. The combination of her complete innocence with his world weary, compulsive behaviour make for some fantastic moments of mundane realism, and bittersweet comedy.
The film contains themes of love across three generations, loss, and family responsibility, and although they are all sentimental ideas due to the high quality of acting and direction involved it never becomes mawkish about it. Uplifting without being preachy. I never felt like I was being told what to feel, but just being allowed to witness a set of very relatable, charming characters negotiating the situations they find themselves in.
Days later Kristen Wiig's performance is still lingering in my mind.
"If you and Edith weren't so good at writing letters..." Johanna Parry (Wiig) is a caregiver who has worked for the same woman since she was 15. During this time she rarely left the house and lived a sheltered life. When she passes she takes a job working for an elderly man and his granddaughter Sabitha. Sabitha isn't excited about having a nanny so her and her friend respond to a letter Johanna wrote to Sabitha's father Ken (Pearce). This starts in motion a "relationship" that unintentionally helps everyone involved. This is another movie that is hard to review. The acting is good and the story is interesting and very well written. The only downside is that its just like watching real life. There is really no excitement or any real intrigue. Not even a will they/wont't they feeling. Kristin Wiig is starting to become like Bill Murray in the way that she either does laugh-out-loud-rolling-in-the-aisles comedy or very deliberately paced not quite comedy/not quite drama films. This is a movie that when it was over my only thought was...huh, so that's done. Overall, not a bad movie but it was like watching real life play out and that's really not why I watch movies. I like to have something in it that makes me think. This didn't. I give it a C.
It is difficult to believe that a character played by Kristen Wiig actually existed. I suppose it could happen. This makes the story worth watching if for no other reason other than to find out how it turns out. The acting is good
Wusstest du schon
- WissenswertesBased on the 2001 short story "Hateship, Friendship, Courtship, Loveship, Marriage" by Nobel Prize winning author Alice Munro.
- PatzerWhen Johanna sees the old furniture for the first time, it was shown to be covered in dust but it was clearly freshly spread sand.
- Zitate
Edith: [Glaring at Johanna who has distracted her from revealing her cookie cutter plans for the future, asks rudely] "What do you want?"
Johanna Parry: [knowing it will be going over Edith's head, says] "I have what I want."
- SoundtracksIll Harmonic-Let's Get Drunk
Written by Gordon Forest Nance
Performed by Gordon Nance
Published by AudioSparx
Courtesy of AudioSparx
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Hateship, Friendship, Courtship, Loveship, Marriage
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.030 $
- Eröffnungswochenende in den USA und in Kanada
- 6.015 $
- 13. Apr. 2014
- Weltweiter Bruttoertrag
- 83.008 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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