IMDb-BEWERTUNG
6,2/10
7425
IHRE BEWERTUNG
Ein wildes Teenagermädchen inszeniert eine Romanze zwischen ihrem Kindermädchen und ihrem Vater, der ein genesender Süchtiger ist.Ein wildes Teenagermädchen inszeniert eine Romanze zwischen ihrem Kindermädchen und ihrem Vater, der ein genesender Süchtiger ist.Ein wildes Teenagermädchen inszeniert eine Romanze zwischen ihrem Kindermädchen und ihrem Vater, der ein genesender Süchtiger ist.
- Regie
- Drehbuch
- Hauptbesetzung
Joel K. Berger
- Stevie
- (as Joel Berger)
Peggy Walton-Walker
- Michelle's Clerk
- (as Peggy Walton Walker)
Empfohlene Bewertungen
This film, even though it is a slow burn art-house film, really has a lot going for it. The casting is perfect! I never expected to see Guy Pierce as an Americana low life, but he totally pulls it off. Kristen Wiig was perfectly cast in the completely understated role. Sometimes she is drawn inward so much, that you almost wish she had a moment of warmth that was more than just nuance. I wanted her to have a little outward joy on film to help ease some of the difficulty in watching the character trying to cope with herself in the world.
But I really loved some of the sweet moments of warmth in the film, however, reserved they happened to be. I was touched by several moments, especially the moments between Hailee Steinfeld and Kristen Wiig.
Over all, this movie was my cup of tea, I just wish it had a little more range for Kristen's character to help swing the needle up and down a bit.
But I really loved some of the sweet moments of warmth in the film, however, reserved they happened to be. I was touched by several moments, especially the moments between Hailee Steinfeld and Kristen Wiig.
Over all, this movie was my cup of tea, I just wish it had a little more range for Kristen's character to help swing the needle up and down a bit.
I was able to view to this movie via PPV before it hits theaters. I had no prior knowledge of the movie, and honestly pretty low expectations based on the description given, but I thought wth, I'll give it a try. I am SO glad I did. This movie was an unexpected beauty. I loved seeing both Kristen Wiig and Guy Pearce in very different roles than they typically play. This film is understated, it's slow going yet the pace feels perfect. There may not be any HUGE moments, but there are a couple "really good" ones. This film starts out with an almost sad feeling, but totally goes in an unexpected direction, and is so much more than it's description. It offers amazing yet gentle insight into various relationships, real-life scenarios, and excellent acting. I loved Nick Nolte in this. All around, this film left a good feeling inside my heart. It's about embracing imperfection, loving people for who they are, yet showing them how much more than can be if someone believes in them. At least, that's what I took away from it. So much more than I expected, love it! I am quite picky about movies, especially slower-moving independent films..but this- I loved. Well worth the money and time. 9/10
It is difficult to believe that a character played by Kristen Wiig actually existed. I suppose it could happen. This makes the story worth watching if for no other reason other than to find out how it turns out. The acting is good
The storyline of 'Hateship Loveship' does not feel particularly revelatory or original on the surface but by the time the credits roll it proves itself to be something of great worth.
Kristen Wiig plays Johanna, a carer starting a new job looking after Nick Nolte and his rebellious granddaughter Sabitha. Wiig is devastating to watch. Her character has lead a sheltered life and looks on the verge of tears a lot of the time. She is very gentle and tentative, and able to express a multitude of emotions just from a tilt of the head or twitch of the mouth.
Her casting in this film could have fallen quite easily into the 'comedy actress trying to be serious in a movie' camp, but it rises above that in favour of something far more truthful.
Johanna's introversion is challenged when after falling victim to a prank she is paired together with Sabitha's recovering addict father Ken played by Guy Pearce. The combination of her complete innocence with his world weary, compulsive behaviour make for some fantastic moments of mundane realism, and bittersweet comedy.
The film contains themes of love across three generations, loss, and family responsibility, and although they are all sentimental ideas due to the high quality of acting and direction involved it never becomes mawkish about it. Uplifting without being preachy. I never felt like I was being told what to feel, but just being allowed to witness a set of very relatable, charming characters negotiating the situations they find themselves in.
Days later Kristen Wiig's performance is still lingering in my mind.
Kristen Wiig plays Johanna, a carer starting a new job looking after Nick Nolte and his rebellious granddaughter Sabitha. Wiig is devastating to watch. Her character has lead a sheltered life and looks on the verge of tears a lot of the time. She is very gentle and tentative, and able to express a multitude of emotions just from a tilt of the head or twitch of the mouth.
Her casting in this film could have fallen quite easily into the 'comedy actress trying to be serious in a movie' camp, but it rises above that in favour of something far more truthful.
Johanna's introversion is challenged when after falling victim to a prank she is paired together with Sabitha's recovering addict father Ken played by Guy Pearce. The combination of her complete innocence with his world weary, compulsive behaviour make for some fantastic moments of mundane realism, and bittersweet comedy.
The film contains themes of love across three generations, loss, and family responsibility, and although they are all sentimental ideas due to the high quality of acting and direction involved it never becomes mawkish about it. Uplifting without being preachy. I never felt like I was being told what to feel, but just being allowed to witness a set of very relatable, charming characters negotiating the situations they find themselves in.
Days later Kristen Wiig's performance is still lingering in my mind.
This is a very well-done, gentle romantic movie, with excellent acting, especially from Kristen Wiig. Family members and I had not heard of Ms. Wiig before seeing this movie recently on a movie channel. We understand now that she is mainly a comedic actor, so it was good to see this movie without knowing that in advance.
This movie seems geared more toward an audience from the South or Midwest. Members of my family have hired young female caregivers like Johanna Parry (Ms. Wiig's character, who is the movie's main character) to take care of our parents before their death. So we can probably better relate to Ms. Parry than many folks who might consider her a little odd.
This movie does something that Hollywood rarely does: it shines a light (and a sympathetic one at that) on working-class American white people. We know of working-class white women like Ms. Parry, who are not "ambitious" (in the traditional sense of the word), and thus seem content not having many impressive possessions, work titles, social status, etc. So to us, the movie is quite realistic in this sense.
Our only criticisms of the movie: the ending seems a bit rushed (is there a director's cut?); and, knowing some working-class men with drug problems, we felt that actor Guy Pearce was too handsome, polished, well-built, and well-spoken to play Ken, the movie's principal male character. Actors like Edward Norton would have been more believable in the role.
But, on the whole, we highly recommend this movie, and hope it draws a large viewer-ship via cable TV.
This movie seems geared more toward an audience from the South or Midwest. Members of my family have hired young female caregivers like Johanna Parry (Ms. Wiig's character, who is the movie's main character) to take care of our parents before their death. So we can probably better relate to Ms. Parry than many folks who might consider her a little odd.
This movie does something that Hollywood rarely does: it shines a light (and a sympathetic one at that) on working-class American white people. We know of working-class white women like Ms. Parry, who are not "ambitious" (in the traditional sense of the word), and thus seem content not having many impressive possessions, work titles, social status, etc. So to us, the movie is quite realistic in this sense.
Our only criticisms of the movie: the ending seems a bit rushed (is there a director's cut?); and, knowing some working-class men with drug problems, we felt that actor Guy Pearce was too handsome, polished, well-built, and well-spoken to play Ken, the movie's principal male character. Actors like Edward Norton would have been more believable in the role.
But, on the whole, we highly recommend this movie, and hope it draws a large viewer-ship via cable TV.
Wusstest du schon
- WissenswertesBased on the 2001 short story "Hateship, Friendship, Courtship, Loveship, Marriage" by Nobel Prize winning author Alice Munro.
- PatzerWhen Johanna sees the old furniture for the first time, it was shown to be covered in dust but it was clearly freshly spread sand.
- Zitate
Edith: [Glaring at Johanna who has distracted her from revealing her cookie cutter plans for the future, asks rudely] "What do you want?"
Johanna Parry: [knowing it will be going over Edith's head, says] "I have what I want."
- SoundtracksIll Harmonic-Let's Get Drunk
Written by Gordon Forest Nance
Performed by Gordon Nance
Published by AudioSparx
Courtesy of AudioSparx
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Hateship, Friendship, Courtship, Loveship, Marriage
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.030 $
- Eröffnungswochenende in den USA und in Kanada
- 6.015 $
- 13. Apr. 2014
- Weltweiter Bruttoertrag
- 83.008 $
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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