Der Traum einer Reporterin, Nachrichtensprecherin zu werden, gerät in Gefahr, nachdem sie sich nach einem One-Night-Stand ohne Telefon, Auto, Ausweis oder Geld in der Innenstadt von L. A. wi... Alles lesenDer Traum einer Reporterin, Nachrichtensprecherin zu werden, gerät in Gefahr, nachdem sie sich nach einem One-Night-Stand ohne Telefon, Auto, Ausweis oder Geld in der Innenstadt von L. A. wiederfindet - und ihr nur 8 Stunden bis zum wichtigsten Vorstellungsgespräch ihres Lebens b... Alles lesenDer Traum einer Reporterin, Nachrichtensprecherin zu werden, gerät in Gefahr, nachdem sie sich nach einem One-Night-Stand ohne Telefon, Auto, Ausweis oder Geld in der Innenstadt von L. A. wiederfindet - und ihr nur 8 Stunden bis zum wichtigsten Vorstellungsgespräch ihres Lebens bleiben.
- Denise
- (as Sarah Wright Olsen)
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With echoes of "The Out of Towners" and "After Hours," the movie works mainly because of Elizabeth Banks's character. She's funny, she's likable, she's sexy... what more could you want out of a screen heroine?!
The writing, for the most part, is realistic and smart. A well-structured story full of unpredictable events and offbeat characters. Full of surprises. Full of tiny details (like the plastic center in a pizza delivery box... how many times have we dealt with that... yet when has it ever been in a movie??)
But perhaps most importantly, the movie has heart. And taste. It goes so far above and beyond what passes for comedy these days, it's ridiculous. Farrelly Brothers, Apatow and especially Adam McKay -- watch and learn.
So if you want to see a well-written, well-directed, hilarious movie with a great premise that will put a smile on your face for 95 minutes, see "Walk of Shame." I have absolutely no shame in admitting I loved it.
(And normally I hate just about everything these days.)
Clichés and jokes may not always mix well, but the passion of the actors involved (even if James Marsden is merely a bystander in this one as are most of the other in the Banks show on display) do help the movie to elevate above other comedies. Not much, but at least a little bit. Obviously comedy/humor is not something that will be viewed the same by everyone. Tastes are different and this might not be your movie to watch
The plot plays out like any number of movies in the genre. Main character gets drunk, wakes up in a bad situation and has to try and retrace their steps to get from point A to point B (point B often being supremely important). While the plot was predictable, it's what happens between point A and point B that matters.
Despite the number of movies similar, the director was still able to find some uniquely funny scenes to put Banks' character in. Some scenes that come to mind are an impound lot and a crack house. While not all scenes hit the mark, there was enough here to be worth a viewing. I also found the running gag about Banks' characters profession to be extremely funny.
So what make this seemingly mediocre film worth viewing? Two things in my opinion. Firstly, this is the first movie of this type where I actually felt for the character. I wanted her to get where she wanted to go and that kept me involved in the movie. Secondly, I appreciate the fact that we can have a movie like this without relying on extremely rude and crude scenes. Yes, there is profanity and some implied sex but in comparison to other films with similar plots (Hangover), this movie is tame. But that doesn't mean it's not funny as I feel it is able to remain funny throughout.
If you into movies like the Hangover, Hot Tub Time Machine, or Bridesmaids, then this is a must watch. If you love comedies then this is also a good bet. It may not end p being a movie you need to own but you can do much much worse than giving this movie a shot.
Wusstest du schon
- WissenswertesThe character "Pookie" played by Alphonso McAuley is a nod to Chris Rock's character "Pookie" from New Jack City (1991). Some of the same lines were mentioned during the crackhouse scene.
- PatzerAirbags do not stay inflated.
- Crazy CreditsKeep your zombie ass moving.
- VerbindungenReferenced in Chelsea Lately: Folge #7.93 (2013)
- SoundtracksDrama On The Dancefloor
Written by Jon Ingoldsby, Lux Lovelle, Sven Martin, Julian Schramm
Performed by Lux Lovelle
Courtesy of Sven Martin and Julian Schramm
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Details
- Erscheinungsdatum
- Herkunftsland
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Box Office
- Bruttoertrag in den USA und Kanada
- 59.209 $
- Eröffnungswochenende in den USA und in Kanada
- 39.751 $
- 4. Mai 2014
- Weltweiter Bruttoertrag
- 8.122.990 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1