The Reckoning

'THE RECKONING': Three Stars (Out of Five)

Australian crime-mystery-thriller flick starring the brothers of some well known celebrities; Jonathan LaPaglia (kid brother of Anthony LaPaglia) and Luke Hemsworth (big brother to Chris and Liam Hemsworth). It was written and directed by John V. Soto and also stars Viva Bianca, Hanna Mangan Lawrence and Alex Williams. It tells the story of a cop investigating the murder of his former partner; while also tracking down two troubled teens, linked to the killing. The movie is pretty well made but nothing too memorable.

LaPaglia plays Robbie Green; a detective investigating the roadside murder of his ex-partner Jason Pearson (Hemsworth). He finds an SD card, at the scene of the crime, that contains video shot by two runnaway teens; Rachel (Lawrence) and AJ (Williams). The teens were making a documentary, on the hit-and-run death of Rachel's sister, and the video could contain information leading to Pearson's killer. With the help of Detecitve Jane Lambert (Bianca), Green investigates the crime and finds some pretty shocking and gruesome imagery, on the video, in the process.

I was expecting a pretty poorly made, and mostly boring, B movie crime thriller but this is better than that. The acting is all pretty decent (especially LaPaglia and Lawrence) and the directing isn't too amateurish. It does kind of feel like a long episode of a popular cop TV show, but a good one at least. While the film is more interesting (and better made) than I was expecting, it's still nothing too special and I doubt I'll remember too much about it more than a year from now.

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I was looking forward to seeing this movie because (1) I'm a fan of thrillers and (2) I like Viva Bianca since her Spartacus days. This film is an interesting blend of found footage and crime movie which I haven't seen before. The film starts off a bit slow but then picks up pace and certainly has suspenseful moments. Viva is good although the detective Lapaglia is also impressive as is one of the teenagers. Performances are realistic and there are plenty of twists which kept me on my toes, particularly towards the end. the movie has a good score as well although sometimes feels too busy, but it works. Overall i really enjoyed it and recommend it to others.

I was a little cautious about John Soto's new film The Reckoning. I think the 'found footage' genre is over saturated. However, The Reckoning doesn't quite play out that way, in fact it's an intriguing mix of found footage and the police procedural. I feel that there is enough of a twist on the genres that it actually becomes quite engaging.

The story develops nicely, and the two arcs of characters are molded together well. I think that Hanna Mangan Lawrence and Alex Williams, playing the two runaway teens, really shone in this film. That's not to say Jonathan LaPaglia and Viva Bianca were bad, they were good as their roles, but Lawrence and Williams were a driving force in the film.

I feel like The Reckoning is a great Aussie film, I took particular joy in seeing Perth on the big screen, and after watching it I really want to see Soto's other films Crush and Needle.

The Reckoning is a must see for crime thriller lovers . With a well structured story line with dark twists and turns, gut wrenching performances and crisp cinematography, Soto has proved himself in his talent for crafting genre films.

The notable performances of rising actors Lawrence and Williams proved strong in their portrayal of obsessive troubled teens with their quest for vengeance.

With successful use of found footage and the crime genre, interesting cinematic layers have been used to create a dark yet thrilling take on city crime. The visual elements have been prominently complimented by a prodigious soundtrack.

Overall a great and enjoyable Australian film with complex dimension and texture.

I was about to let my attention wander with this movie, when it took an interesting turn.

It had my full attention from then on, and while not a world beater, I quite enjoyed it.

Made a change from over-the-top clichéd rubbish, and put a new turn on the almost exhausted found-footage genre, which I hope will take a long rest very soon.

This not a found footage film per se, but uses the style to clever use to keep our Detectives on the hunt and guessing, as does the viewer.

I liked also the intelligent denouement and completion of the storyline, except for one section, which still needs work in most films.

More attention should be paid to this critical part of any film (budding film makers TAKE NOTE), as it can often snatch defeat from the jaws of victory, leaving the viewer appalled at a "cheapskate" way out of a corner the writers have painted themselves into. Reference American Gigolo as an example of a poor and rushed ending that spoiled an otherwise very good film.

A little more use of the Australian scenery would have added a more Aussie feel to the picture, which has somewhat of a generic feel (could have happened anywhere) but overall the dark subject matter was handled quite well with deep moods and lighting to match, not too dark and still able to hear every spoken word.

Nice one John Soto, more please.....