IMDb-BEWERTUNG
5,5/10
7578
IHRE BEWERTUNG
Ein Veteranen-Callmädchen und eine entlaufene Prostituierte sind Zeugen eines Mordes und müssen dem Mörder ausweichen, während er sie durch Sydney jagt.Ein Veteranen-Callmädchen und eine entlaufene Prostituierte sind Zeugen eines Mordes und müssen dem Mörder ausweichen, während er sie durch Sydney jagt.Ein Veteranen-Callmädchen und eine entlaufene Prostituierte sind Zeugen eines Mordes und müssen dem Mörder ausweichen, während er sie durch Sydney jagt.
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Empfohlene Bewertungen
masquerading as art. This is an okay film. It's nothing great. It's not bad either. There are a few truly beautiful Women in it. Hanna Mangan Lawrence, 19 at the time of filming, shines as the doe eyed country girl, wandering the seedy Australian underbelly found in Sydney's red light districts, like a little lost Bambi. The cliché Babe in the Woods routine, take one.
Here the Woods are filled with hookers, Black pimps, drug addicts, assorted scumbags, low lives and the obligatory lecherous old man to satisfy the feminists pretending not to enjoy all the revealing Female flesh on show.
Hanna Mangan Lawrence does well with a screenplay that is skinnier than Calista Flockhart's chop sticks. The fact that she was directed to be doe eyed throughout the entire film (no character arc to be seen here folks!) does not of course explain why, immediately upon arrival, she is simultaneously savvy enough to start selling her body with the compunction of a seasoned pro. I guess even Bambi had to grow up some time. Of course she is likewise not savvy enough to prevent herself from staying away from trouble. Maybe stay off the streets wasn't in her vocabulary, but then again if she had, the water thin plot would have dissipated quicker than one of Barry Humphrey's farts.
Predictable drama ensues until our doe eyed princess is rescued by her prince charming in the form of a likewise doe eyed taxi driver with a heart of gold. Aw how cute. Average film. Nice flesh. Not crap and not great. Just Meh.
Here the Woods are filled with hookers, Black pimps, drug addicts, assorted scumbags, low lives and the obligatory lecherous old man to satisfy the feminists pretending not to enjoy all the revealing Female flesh on show.
Hanna Mangan Lawrence does well with a screenplay that is skinnier than Calista Flockhart's chop sticks. The fact that she was directed to be doe eyed throughout the entire film (no character arc to be seen here folks!) does not of course explain why, immediately upon arrival, she is simultaneously savvy enough to start selling her body with the compunction of a seasoned pro. I guess even Bambi had to grow up some time. Of course she is likewise not savvy enough to prevent herself from staying away from trouble. Maybe stay off the streets wasn't in her vocabulary, but then again if she had, the water thin plot would have dissipated quicker than one of Barry Humphrey's farts.
Predictable drama ensues until our doe eyed princess is rescued by her prince charming in the form of a likewise doe eyed taxi driver with a heart of gold. Aw how cute. Average film. Nice flesh. Not crap and not great. Just Meh.
I watched this movie on DVD thinking that it must be rather a complicated drama but the movie turned out to be better than my expectation. Even he reviews were less I thought of writing my own. The movie is basically on the life a small young age brunette who leave her house after her mother dies and get tangled in skin business. The writer and director has really tried hard to show the real life of whores who sell their skin for small bucks and still be competitors of each others. From start to end it holds the audience but the end is rather usual or depict-able. Perhaps it could have been made better. But as an overall I must say a worth watch! Give it a try!
Don't be beguiled by the low IMDb rating. This film has a lot more to offer than viewers seem to allow.
The tag-lines seem to give off a different vibe, making it more sensational; of course, this may be the reason why high expectations come out of the oven flopped. This film is NOT a "Night of Vengeance" - trust me when I say that the whole idea of "avenging" is completely bogus. If anything, it's more a story of two women living on polar-opposite sides of the spectrum, who try to survive and make a life by whatever means they have.
It details their life by a serendipitous encounter, a span of perhaps two-three nights, which builds into a climax. There is a thriller element, but it's not really the central issue. If anything, it's a side-factor which builds onto the story - onto THEIR story.
My advice is to have an open mind and absorb the story - it's not the mainstream plot development, although there is a definite construct evident in it.
Personally, I was more impressed by the cinematography and the editing. Everything felt freshly dynamic. The wild action scenes were cuttingly ragged and energetic, which was highly contrasted against the gorgeously delicate ones. I would give it an 8/10 for the aesthetics alone.
If I had to describe the film in one word, it would be "sensual." Everything about the film, from the audiovisuals (music, ambiance, colours, etc.) to the dialogue stimulates your senses.
Caution: there are a few scenes of explicit nudity and violence, and other provocative scenes which may feel distasteful to the prudent mind. To be frank, I think it lends the film an honesty which is hard to find in motion picture these days. However, if this sort of thing isn't your cup of tea, I would recommend against it.
I hope this helps.
The tag-lines seem to give off a different vibe, making it more sensational; of course, this may be the reason why high expectations come out of the oven flopped. This film is NOT a "Night of Vengeance" - trust me when I say that the whole idea of "avenging" is completely bogus. If anything, it's more a story of two women living on polar-opposite sides of the spectrum, who try to survive and make a life by whatever means they have.
It details their life by a serendipitous encounter, a span of perhaps two-three nights, which builds into a climax. There is a thriller element, but it's not really the central issue. If anything, it's a side-factor which builds onto the story - onto THEIR story.
My advice is to have an open mind and absorb the story - it's not the mainstream plot development, although there is a definite construct evident in it.
Personally, I was more impressed by the cinematography and the editing. Everything felt freshly dynamic. The wild action scenes were cuttingly ragged and energetic, which was highly contrasted against the gorgeously delicate ones. I would give it an 8/10 for the aesthetics alone.
If I had to describe the film in one word, it would be "sensual." Everything about the film, from the audiovisuals (music, ambiance, colours, etc.) to the dialogue stimulates your senses.
Caution: there are a few scenes of explicit nudity and violence, and other provocative scenes which may feel distasteful to the prudent mind. To be frank, I think it lends the film an honesty which is hard to find in motion picture these days. However, if this sort of thing isn't your cup of tea, I would recommend against it.
I hope this helps.
- Spreaddapoo
Guys, seriously don't bother. The acting is not amazing, (except for Viva Bianca who probably the only thing that made this whole movie worthwhile) you don't understand why the characters behave the way they do. The storyline is blotchy, many things remain unexplained. SUPER unrealistic. The concept and the story seems great at first but too many of the pieces don't stick together. They manage to keep you interested and hooked because you're hoping somehow everything will fit into order eventually. NOT. The 2 out of those 3/10 is for the exquisite nudity of the actresses,but for the rest it's not worth it. BOTTOM LINE: If you enjoy being incredibly frustrated then go ahead and grab yourself some popcorn and get ready for this ride.
(2011) X
THRILLER
Co-produced, co-written and directed by Jon Hewitt that has expensive high end escort Holly Rowe (Viva Bianca) offering decent money to young runaway, rookie hooker. Shay Ryan (Hanna Mangan Lawrence)to join her to entertain a client, only then to witness that same client get executed in cold blood, forcing both of them to go on the run. Shay does however build up a rapport with cabbie, Harry(Eamon Farren). Complicating matters is the fact that the person who is chasing them also happens to be a cop named Bennet (Stephen Phillips).
The escort Holly had two opportunities to take advantage of the situation, and to some frustrates some viewers- one during the time when Bennet stopped her at the hotel and then again with the car, which if people were to watch this would know what I Am talking about.
Co-produced, co-written and directed by Jon Hewitt that has expensive high end escort Holly Rowe (Viva Bianca) offering decent money to young runaway, rookie hooker. Shay Ryan (Hanna Mangan Lawrence)to join her to entertain a client, only then to witness that same client get executed in cold blood, forcing both of them to go on the run. Shay does however build up a rapport with cabbie, Harry(Eamon Farren). Complicating matters is the fact that the person who is chasing them also happens to be a cop named Bennet (Stephen Phillips).
The escort Holly had two opportunities to take advantage of the situation, and to some frustrates some viewers- one during the time when Bennet stopped her at the hotel and then again with the car, which if people were to watch this would know what I Am talking about.
Wusstest du schon
- WissenswertesViva Bianca wasn't able to take the part originally due to scheduling conflicts with Spartacus. However, the return of Andy Whitfield's cancer uprooted the production schedule as it was clear he was not able to continue. While in the series was in stasis, Bianca filmed this movie.
- PatzerIn the beginning of the film, Shay stands near a train holding a coin and goes to a beggar sitting nearby to give him the coin. In the first scene, the beggar was sitting with his legs crossed above the ground, but in the next scene when Shay drops the coin in the beggar's hat, he was sitting his legs touching the ground.
- VerbindungenFeatured in The Making of X (2015)
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- Laufzeit1 Stunde 30 Minuten
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- 2.35 : 1(original ratio)
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