Respect

Recently I saw a great TV series, Genius: Aretha Franklin, which offered the width and breadth of Aretha Franklin, showing the myriad experiences that made her who she became.

The Genius series was ambitious with its shifting time and harsh moments, but Respect is a more traditional biopic, with many of the edges sanded off. It's not that there aren't good moments - Aretha creating in the studio or putting on a fabulous show can be electrifying - it's just that those moments aren't used to build anything. Genius suggested that Aretha's life was worth telling because she was interesting, Respect tells you Aretha's life is worth telling because, well, she's famous, and people like to learn about famous people.

Jennifer Hudson is excellent. Respect makes you wish you could go back in time and see Aretha in concert in a way Genius didn't. But in the end there's a "so what" quality to the endeavor.

Jennifer Hudson is an excellent actress, and I always thought she would be a great choice to portray Aretha Franklin. It would be no easy task to fully portray Franklin's legacy on screen in an authentic manner, but after having seen the film early at a Fandango advance screening, I'm happy to say that she succeeded. Hudson's acting range is potent and profound. She is able to clearly convey passion, empathy, and emotional challenges where appropriate in the film's narrative. The film attempts to provide a comprehensive overview of most of Franklin's life, from her challenging early childhood until the 1970s, but primarily focuses on the mid-to-late 60s and early 70s. Its narrative structure is a bit choppy and awkwardly paced, although it should be noted that (to state the obvious) no individual's life depicted in a biopic can fit completely neatly into the conventional three-act Hollywood film structure.

To state the obvious, Hudson's leading performance is the true crown jewel of the film. The film does a great job at humanizing Aretha Franklin, while still showing her emotional and substance-related struggles in a realistic way. Supporting performances in the film are quite strong as well. Particularly notable are Forest Whitaker giving a commanding and powerful performance as Franklin's father, and Marlon Wayans portraying her violent, self-centered husband. Hudson's singing voice is great as well, and her performances of songs such as "Respect," "You Make Me Feel Like A Natural Woman," and "Amazing Grace" are superb. Despite the exceptional acting talent on display in the film, "Respect" sometimes waddles a bit too much in formulaic and conventional tropes of biopics. The film sometimes comes off as playing it a bit too safe, and shies away from taking any noteworthy creative risks that could have had greater stakes or emotional impact within the context of the viewing experience. At about 2.5 hours, it runs a bit too long, and there's definitely about 30 minutes worth of scenes in here that do not add much to the overall narrative and could easily have been cut. That said, an awards-worthy lead performance makes the film generally a solid one. Recommended. 7/10.

This is a biopic of legendary performer Aretha Franklin (Jennifer Hudson). Forest Whitaker plays her preacher father C. L. Franklin. Marlon Wayans plays his troublesome husband Ted White.

In the DVD extras, someone claims that this is not a standard cradle to grave biopic. In many ways, this is exactly that. It starts with Aretha as a child and goes to Aretha passing in real life. There is no doubt that Jennifer Hudson has all tools. She's not just a five tool player. She's an all tools player. The question is the very straight forward story telling. This seems to be a story begging to zero in on her 'demon'. A bit of imagination could turn that demon into a surreal character which first hounds her father, then her rapists, her husband, her alcoholism, and even MLK's murder. It's a suggestion. In an aside, the church finale should consists of the real Aretha footage. Again, this seems to be begging for that but maybe they didn't have the copyright. Director Liesl Tommy does transition to the aged Aretha singing Natural Woman which is really a second choice for me. This is a safe biopic starting with the very capable Hudson and the standard story telling.

The film was more of a collection of vignettes than a complete story. It felt very disjointed. Characters appeared and disappeared, and stories were left incomplete. It was difficult to determine Aretha's motives during life changes.

Jennifer Hudson is stunning as the Queen of Soul. But let's not overlook Dakota Skye Turner who plays young Aretha with so much depth in her eyes that blow away all the adult performances.

Despite all that, the unfortunate thing, as most have mentioned is that it is bits and pieces of Aretha's life. Perhaps it is because she was so internal with her pain and told most of it in song. But it soon becomes a droning cliched trip until the next powerhouse tune Jennifer is to belt out. This is obviously on the same playing field as "What's Love Got To Do With It?" With the Ike Turner character played wonderfully by Marlon Wayans. Again....same road traveled. All which culminates in a spiritual re-awakening concert recorded live church service (which people may not know was attended by Mick Jagger).

All in all a very large scope film by director Liesl Tommy that duffers from too many directions and not one which encompasses the very complex woman.

To mention, a nice breathing light hearted moments with podcast celeb Marc Maron as Jerry Wexler. The catering record producer who saw the real genius at work. A nice respite from the heaviness of the flick.