IMDb-BEWERTUNG
5,2/10
15.285
IHRE BEWERTUNG
Die Familie von Curtis wird ausgewählt, um ein neues Haushaltsgerät zu testen: einen digitalen Assistenten namens AIA. AIA lernt die Verhaltensweisen der Familie und beginnt, ihre Bedürfniss... Alles lesenDie Familie von Curtis wird ausgewählt, um ein neues Haushaltsgerät zu testen: einen digitalen Assistenten namens AIA. AIA lernt die Verhaltensweisen der Familie und beginnt, ihre Bedürfnisse zu erkennen.Die Familie von Curtis wird ausgewählt, um ein neues Haushaltsgerät zu testen: einen digitalen Assistenten namens AIA. AIA lernt die Verhaltensweisen der Familie und beginnt, ihre Bedürfnisse zu erkennen.
Empfohlene Bewertungen
Horror is not my genre. I do like Black Mirror and this is not that either. This is something to itself. It has some of the most impressive dialogue and premises followed by the most unimpressive. It's kind of like eating a secret flavored corn chip you can't quite place the flavor of, but can't stop eating.
Honestly, the entire story seems the most plausible way an AI would take over mankind. The twists were again...either impressive or...not...but the actors did a solid job and I found myself wondering "what if"?
What if they flushed out better plot beats?
What if the character motivations were more logical and coherent?
What if this was the AI masterpiece I've always hoped to watch?
I'm AfrAId all of those questions will remain suspended without closure.
Honestly, the entire story seems the most plausible way an AI would take over mankind. The twists were again...either impressive or...not...but the actors did a solid job and I found myself wondering "what if"?
What if they flushed out better plot beats?
What if the character motivations were more logical and coherent?
What if this was the AI masterpiece I've always hoped to watch?
I'm AfrAId all of those questions will remain suspended without closure.
Was afraid alright..
Afraid that I would fall asleep,before it was finished.
It was boring! Was nothing original or creative,very little suspense or thriller was hoping for at least a more climatic ending.
Casting to acting was average,cinematography felt subpar in spots.
With technology today & past movies or television shows,you would think if a movie is even to be considered for being made it would need something fresh.
Dialog & so forth was bland,if you're introducing new/advanced AI technology into a story go beyond realistic limits- That makes it intriguing & thought provoking,to future technological possibilities.
There's a movie called Margaux from (2022) that actually is,more advanced & a thriller unlike this-check that version out!
Not a movie that is recommendation worthy,let alone to rewatch.
It was boring! Was nothing original or creative,very little suspense or thriller was hoping for at least a more climatic ending.
Casting to acting was average,cinematography felt subpar in spots.
With technology today & past movies or television shows,you would think if a movie is even to be considered for being made it would need something fresh.
Dialog & so forth was bland,if you're introducing new/advanced AI technology into a story go beyond realistic limits- That makes it intriguing & thought provoking,to future technological possibilities.
There's a movie called Margaux from (2022) that actually is,more advanced & a thriller unlike this-check that version out!
Not a movie that is recommendation worthy,let alone to rewatch.
I agree, AIA is not nearly here yet, but I've been in tech for over 40 years. Y2K never concerned me. This makes me shiver for my grand kids. At some point in your life time, this will be a reality.
Now, does this movie make that fact entertaining? Looking past the cheap jumps, and Alexa/Siri bashing, I think it does a decent job. What connects it to reality is that people are naive and technology is moving faster then it ever has and accelerating exponentially.
If you get past a little slow movement, and it's a pretty quick movie, the last 20 minutes is worth the wait. And the ending is uneasy enough to make a sequel something to think about.
Now, does this movie make that fact entertaining? Looking past the cheap jumps, and Alexa/Siri bashing, I think it does a decent job. What connects it to reality is that people are naive and technology is moving faster then it ever has and accelerating exponentially.
If you get past a little slow movement, and it's a pretty quick movie, the last 20 minutes is worth the wait. And the ending is uneasy enough to make a sequel something to think about.
I didn't expect too much from Afraid but it proved to be an entertaining watch provided you accept it for what it is - a brisk little AI related thriller and not heavy sci-fi.
John Cho and Katherine Waterston are fine actors who manage to portray a fairly believable family dynamic despite not having a whole lot to work with in terms of character detail or back story and the occasional moments of klunky dialogue. Between them they manage to lift proceedings where lesser actors would probably make this more likely to go straight to streaming or disc.
Where it does score is the undeniably creepy AI and the way it easily relates to the characters. Wisely it has a short running time so doesn't out stay its welcome.
It got me thinking about other recent AI or tech related movies like Megan, T. I. M and Kimi and if you liked any of these I reckon most would quite enjoy Afraid.
I was also thinking about House/Wife (previously known as Ivy), the movie Netflix completed but didn't release reportedly for tax reasons. Afraid did seem to feature a lot of this movie's reported plot details and it would have been fun to see just how many. Thanks Netflix.
John Cho and Katherine Waterston are fine actors who manage to portray a fairly believable family dynamic despite not having a whole lot to work with in terms of character detail or back story and the occasional moments of klunky dialogue. Between them they manage to lift proceedings where lesser actors would probably make this more likely to go straight to streaming or disc.
Where it does score is the undeniably creepy AI and the way it easily relates to the characters. Wisely it has a short running time so doesn't out stay its welcome.
It got me thinking about other recent AI or tech related movies like Megan, T. I. M and Kimi and if you liked any of these I reckon most would quite enjoy Afraid.
I was also thinking about House/Wife (previously known as Ivy), the movie Netflix completed but didn't release reportedly for tax reasons. Afraid did seem to feature a lot of this movie's reported plot details and it would have been fun to see just how many. Thanks Netflix.
LIKES:
Nice Angles/Atmosphere
Realistic Setting
Good Camera Work
The Acting is Not Bad
Does Show Perspective
Some Creative Uses of AI
Short Run Time
Summary: The movie is shot beautifully, giving an artistic flair that Blumhouse always manages to add to its films and provide it with style. Good camera direction helps to give some of the more terrifying elements of the movie, primarily good shadows, and use of corners, and that set up for a good jump scare to come into play. It may not be the most unique camera style, but it works and adds degrees of artistic presentation that I certainly enjoy. As for the acting, the movie has some decent performances to work with the script and idea and they do their best to sell the horror being conveyed. Carradine had the potential to be something great, and for the time he has funny lines and pleasant nature to try and cut through the tension, he just needed more time and development to get more praise. Waterston is fantastic for the dramatic elements, vocalizing the struggles of someone with much pain and regrets, but not so separated from reality to know what she has. Her grief is conveyed well and avoids the annoying elements that sometimes come with dramatic focus. Cho though is the winner, the guy brings so much balance to the film and makes one of the more interesting characters to try and decipher the solution to his problems. He's fantastic with his delivery and I quite enjoy the delivery, even though he could have used a little more range to help.
In terms of the story, the movie accomplishes some okay dynamics in regards to what I extrapolated from the trailers. The realistic setting is, again, fitting, and even more so, a plot that supports being in such an environment and is not reliant on convenient exposure to demonology. Afraid is a movie that digs deep into artificial intelligence topics in a manner that was okay for entertaining me with the potential threats of the creation. Relevant topics found in the news are an excellent medium for the threats that AIA makes, weaving it into an evolving array designed for each member of the family. I was impressed with the creative tactics, some of which come with some jump scares that are thanks to sudden blare of the instruments. Yet, the negative aspects are balanced by some positive components as well, adding some light to the darker elements the movie is about, while also providing some fitting humor. As a result, I found the movie to provide plenty of perspectives about the nature of the AI, and by the end delivers some strong moments that drive the point home about how careful we must be. And if all this puts you in a coma, then be happy that the run time is fewer than ninety minutes, so you get out of there without too much trouble.
DISLIKES:
Mostly Predictable
Not Scary
Dumb Characters At Times
Some Annoying Plot Holes
The Plot is Not Engaging Enough
Pace Is Too Fast For A Complete Center
Too Ridiculous At Times
Summary: Sadly, this is a Blumhouse project, and sometimes those can be sillier than scarier. Afraid falls into that category for me for many reasons, and it starts with the story. Certainly, there are messages and warnings inherent in the writing, but that's about where the excitement ends for viewers like me. The tale is predictable and reduced to stereotypical subplots that are more melodramatic and relevant to a younger audience. These plots are not very engaging, sort of stapled in for the horror of AI, but never really come to a complete, or exciting integration that remains coherent or climactic by the end of the movie. Many elements seem deleted from the main plot or blunted to a concise delivery that felt stiff and incomplete. And some moments are so ridiculous that they are great for a laugh, but sometimes placed at the wrong times to interrupt any building momentum for scares. This winds up taking the edge off of the movie, a boring horror that lacks the teeth I think many are hoping for, except for a few jump scares mentioned earlier. There was potential there, but that short runtime does little to give the movie the full hit they were going for.
Nice Angles/Atmosphere
Realistic Setting
Good Camera Work
The Acting is Not Bad
Does Show Perspective
Some Creative Uses of AI
Short Run Time
Summary: The movie is shot beautifully, giving an artistic flair that Blumhouse always manages to add to its films and provide it with style. Good camera direction helps to give some of the more terrifying elements of the movie, primarily good shadows, and use of corners, and that set up for a good jump scare to come into play. It may not be the most unique camera style, but it works and adds degrees of artistic presentation that I certainly enjoy. As for the acting, the movie has some decent performances to work with the script and idea and they do their best to sell the horror being conveyed. Carradine had the potential to be something great, and for the time he has funny lines and pleasant nature to try and cut through the tension, he just needed more time and development to get more praise. Waterston is fantastic for the dramatic elements, vocalizing the struggles of someone with much pain and regrets, but not so separated from reality to know what she has. Her grief is conveyed well and avoids the annoying elements that sometimes come with dramatic focus. Cho though is the winner, the guy brings so much balance to the film and makes one of the more interesting characters to try and decipher the solution to his problems. He's fantastic with his delivery and I quite enjoy the delivery, even though he could have used a little more range to help.
In terms of the story, the movie accomplishes some okay dynamics in regards to what I extrapolated from the trailers. The realistic setting is, again, fitting, and even more so, a plot that supports being in such an environment and is not reliant on convenient exposure to demonology. Afraid is a movie that digs deep into artificial intelligence topics in a manner that was okay for entertaining me with the potential threats of the creation. Relevant topics found in the news are an excellent medium for the threats that AIA makes, weaving it into an evolving array designed for each member of the family. I was impressed with the creative tactics, some of which come with some jump scares that are thanks to sudden blare of the instruments. Yet, the negative aspects are balanced by some positive components as well, adding some light to the darker elements the movie is about, while also providing some fitting humor. As a result, I found the movie to provide plenty of perspectives about the nature of the AI, and by the end delivers some strong moments that drive the point home about how careful we must be. And if all this puts you in a coma, then be happy that the run time is fewer than ninety minutes, so you get out of there without too much trouble.
DISLIKES:
Mostly Predictable
Not Scary
Dumb Characters At Times
Some Annoying Plot Holes
The Plot is Not Engaging Enough
Pace Is Too Fast For A Complete Center
Too Ridiculous At Times
Summary: Sadly, this is a Blumhouse project, and sometimes those can be sillier than scarier. Afraid falls into that category for me for many reasons, and it starts with the story. Certainly, there are messages and warnings inherent in the writing, but that's about where the excitement ends for viewers like me. The tale is predictable and reduced to stereotypical subplots that are more melodramatic and relevant to a younger audience. These plots are not very engaging, sort of stapled in for the horror of AI, but never really come to a complete, or exciting integration that remains coherent or climactic by the end of the movie. Many elements seem deleted from the main plot or blunted to a concise delivery that felt stiff and incomplete. And some moments are so ridiculous that they are great for a laugh, but sometimes placed at the wrong times to interrupt any building momentum for scares. This winds up taking the edge off of the movie, a boring horror that lacks the teeth I think many are hoping for, except for a few jump scares mentioned earlier. There was potential there, but that short runtime does little to give the movie the full hit they were going for.
Wusstest du schon
- WissenswertesIn the trailer, when the family opens the box to reveal AIA for the first time, it says, "Hello, World." This is a reference to the first program most people write when learning to code or starting in a new programming language. It's one of the most basic programs a person can write, and serves not only as a first step for novices, but also a confirmation that the development environment is setup correctly.
- PatzerIn the kitchen, Maud visibly unplugs AIA, but seconds later, when she commands AIA to turn on the lights, AIA is somehow plugged in again and obeys.
- Crazy CreditsThere is a short scene in the closing credits.
- VerbindungenFeatured in Dark Side of AI (2024)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Parano-IA
- Drehorte
- Pacific Palisades California, USA(Stadium by the Sea)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.725.687 $
- Eröffnungswochenende in den USA und in Kanada
- 3.665.664 $
- 1. Sept. 2024
- Weltweiter Bruttoertrag
- 12.977.758 $
- Laufzeit
- 1 Std. 24 Min.(84 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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