Sanitarium - Anstalt des Grauens

I loved this movie. When I read reviews here about people spilling wine on themselves while watching this because it was too "boring" and made them fall asleep, I just laugh and am grateful that I am not like them. If you are drinking alcohol during a movie, you are already going to be more tired. It is a slow movie, that is true. Slow doesn't mean bad though. However, if you are watching this movie and then want to judge it because it didn't meet YOUR expectations, then please don't write a review about it and give it 2 stars. Every movie has its own intention. Give it 2 stars if it doesn't make any sense at all or if the acting is just embarrassingly bad, but not when it clearly achieves its goal.

Sanitarium's intention was not to be a horror flick, it was to give us a perspective of the human mind when it is ill. You see, if you even cared 1% about what it's like for people who are mentally sick, then this movie provided you with answers better than any documentary, book or some other movie regarding the same subject.

The fact is that when you are mentally ill, you won't see the world around you the same as those who are healthy.

I highly recommend this movie and if you decide to watch it, don't watch it to be entertained, but instead to be educated.

OK, Malcolm McDowell is just here as a "name", he's merely the narrator. Moreover, his comments are not particularly welcome, particularly after the second scenario.

That aside, this is a very good horror movie, a trilogy of tales in classic fashion. The cast is fine, the photography is excellent, the soundtrack lush and properly climatic. It's as good as any other horror/macabre movie out there right now, certainly on a par with "The Purge" for example, but fewer than five votes here? Zero critical reviews on R/T or linked here? I don't understand that at all, my first instinct was that this must be some crapola indie film, and I'd expect maybe two 9 or 10 star reviews comparing it to the best of Hitchcock (by people who had never posted any other reviews until they were hired to work on the film). But it's not, it's a well made, mainstream film with real actors and professional craftsmanship. By all means check it out.

This isn't your average horror anthology by any regard and the unique way of this film's storytelling may put off many viewer's that are expecting a V/H/S or Tales From the Crypt type of film. Instead what we get is a look into the minds of three different mentally ill patients and the horror that is real to them in "their" world. Since there are three installments, I'll outline them individually, although there is one constant throughout the film and that is Malcolm McDowell as Dr.Stenson, who gives a bit of a narrative connecting one story to the next.

The first segment,"Figuratively Speaking" stars John Glover, who convincingly plays the fragile artist Gustav, whose connection to his creations(which pays a nice homage to the Puppet Master franchise) & some foul play by a trusted friend, lead to his ultimate downfall.

Segment two, "Monsters are real" involves a young boy named Steven(David Mazouz "Touch") who has the unfortunate case of Catatonic Schizophrenia. At the young age of eight his life crumbles around him as his visions of a beast like stalker begin to plague him. His teacher Ms. Lorne, played by the gorgeous Lacey Chabert, tries to render help to Steven when she suspects abuse from home. All of which leads to quite a mysterious conclusion, blurring the lines between imagination & reality.

The third segment, "Up to the Last Man" stars Lou Diamond Phillips as Professor James Silo, a husband & father who becomes deeply obsessed with ancient Mayan prophecies telling of an upcoming apocalypse. As his grip on reality fades he begins to design the mother of all bomb shelters and like in the second segment, insanity & reality become intertwined.

This is a film about perspective, it's purpose isn't to terrify or deliver buckets of blood, but to bring to light the views from inside the minds of these three random, but quite unique patients all remanded to the same asylum. It walks us through the horror's that the exist only in their minds, well, mostly only in their minds, as the viewer is left decide what in fact is real. The direction is executed perfectly in each story by directors Bryan Ortiz, Bryan Ramirez and Kerry Valderrama. Equally noteworthy was the score, giving each piece it's own specific atmosphere & identity. If this sounds interesting then by all means give it a go. It's no masterpiece, but it made for an original & intriguing watch.

Do not be fooled by the name Malcolm McDowell in the credits, as he is hardly even in this bore fest. His role is more of a Rod Serling of the Twilight Zone guide to each of the three episodes. None of them work very well, as they just drag on. First up is John Glover as an eccentric artist who makes morbid looking dolls and is considered a genius. He thinks the dolls are real and they give him messages about his sponsors. Of course, it ends badly. The second story concerns an eight year-old boy who sees a grim reaper type of figure following him around. He had an abusive father and a pretty and concerned teacher who tries to help. Another sad ending here. Number three is the worst as Lou Diamond Phillips is a college professor who is waiting for the end of the world as predicted by the Mayan calendar. It flashes back and forth between his underground bunker and what leads up to it. It just does not work on any level. Go back to A Clockwork Orange to watch McDowell at his nastiest best.

Though this film is not perfect and the overall through-line is pretty thin, the 4.5 rating I saw on IMDb before watching this is greatly underrated!

The three individual stories are very subtly told with a soft sense of the intensity of human pain and how the mind deals with it. The directions is superbly intuitive and gentle with the subject matter. The Camera Shots supports the stories that need to be handles with care by keeping simple and just telling the story.

If you are up for a story told in the tradition (although not as mastered) of Johnny Darko, this movies will hold your attention. It explores very deep set human pain and how that pain has manifested in the different characters of the three stories.

Do not see this as a horror film - for the usual horror audience will probably be bored. The themes and the subject matter is perfect for the horror genre, but the intelligence and insight of the filmmaker is better described under an art house style presentation.

Empty your mind, your preconceptions and watch the three stories with an open heart and you will walk away with a great insight into why people that hurt turn out the way they do.