Metro.... In Dino

Metro In Dino opens with one of the best musical beginnings, where characters break the fourth wall and instantly pull you in. You do not even realise when twenty minutes have flown by. Everyone in the cast does well, though Ali and Fatima come across as slightly stiff in emotionally charged scenes. Adi is effortless and charismatic, and Sara pairs well with him. Neena Gupta and Anupam Kher remind you of their experience with ease. Pankaj and Konkona are the real standouts, with Pankaj bringing sharp comic timing through his subtle expressions and improvised bits. Pritam's music is wonderfully woven into the narrative. The songs do not just support the story, they carry its soul.

The first half is tight and keeps you thoroughly engaged.

It is the second half where the film loses some grip. The storylines begin to feel stretched, and the endings are not clearly defined. A few subplots could have been skipped to bring in more clarity and depth. That said, the camerawork and visual setups in some scenes are beautiful and worth appreciating. The film explores themes of infidelity and emotional detachment, and it leaves you with a feeling that this is the generalisation the film wants you to settle with. The resolution feels rushed and a bit too convenient. In the end, Metro In Dino remains a musically rich experience with a gripping first half, but the latter part misses the same emotional weight and leaves you wishing for a more satisfying conclusion.

OVERALL 7.5/10.

It's all about urban relationships- the facade we have to maintain at times in order to keep our relationships going. Social media posts often are most colourful when relationships are at their worst. The younger lot comprising Chumki( Sara Ali Khan is good) , Shruti ( Fatima has improved her acting skills a lot) are at times fickle in their relationships and seem to be sitting on a fence whereas the elderly- Shivani ( Neena Gupta is brilliant)and Sanjeev Ghosh ( Saswata Chatterjee looks the part) who have tolerated each other longer, have got used to living with each other. There so-called more permanent coexistence is not because they love each other madly. It's a facade again because they don't want to roil the fabric of their families and they have to live upto social expectations. Their daughter Kajol ( Kankana the natural) and her hubby Monty ( the master Pankaj Tripaathi) are going through a midlife crisis in their relationship. Monty crosses the line and his family life is on the verge of ruins.

After a long long hiatus, Shivani and her once flame Parimal ( Anupam Kher is convincing in whichever part he does) get together at a college reunion. Fond memories are rekindled. Old age companionship fills their lives with joys however temporary.

How these complex issues are brought on the rails, is the story in the second half. The movie is little too long. It could have done with tighter editing. Characters singing songs to narrate their stories directly to viewers is an interesting experiment but at times it's a tad tedious.

Acting wise the film leaves nothing to be desired. All principal characters have acquitted themselves with elan. Pritam's musical score is good but too loud and interfering at times.

Pretty watchable Metro... is.

Amit Brahmo Kolkata.

Its really touches the heart. Diverse character portrayed with blend of frankness, perplexed minds which truly represents the real life dramas. Watching it was like enjoying vacation that really refreshes your mind and give a new fresh energy to life that help us to connect with characters of the movies one way or another.

The movie is good in parts only.

But why have the makers portrayed only women-centric sub-stories? Why only women are being shown at the receiving end in a relationship?

Are there no unhappy or dissatisfied men out there?

A more balanced approach would have been to include at least one relationship where the man is the one who needs validation.

The only sub-plot making proper sense is that of Aditya Roy Kapoor and Sara Ali Khan. Rest all are extremely lopsided and sometimes over the top too.

Was hoping to see the magic of 'Life in a Metro' being repeated, but, that movie was at another level.

This one is a one time watch.

Watched it in a theatre somedays ago knowing the fact it's not gonna be close to the previous part but still storyline could be much better dialogues could be effective and if they cut the Pritam papon and others singing at every single moment of the movie it could be nice the concert they were holding every single second of the movie was cringe.