Wendy

This film starts out kind of boring and lacking in substance. However, halfway through the plot suddenly goes completely bonkers and I'm struggling to figure out if the plot goes bonkers in a positive or negative way.

This movie is based on the story of Peter Pan, except it focuses on Wendy. The story follows Wendy and her twin brothers, James and Douglas, as they hop onto a train and end up on a magic island where kids don't age. However, things begin to get serious when Wendy learns of an old man on the island.

I mentioned how the film starts out lacking substance. This issue is mostly due to the pacing, which is probably my biggest issue with the film. The scene where the kids get onto the train to the island feels like it comes out of nowhere, despite the fact that there is some build up. And even though it's established that Wendy seeks adventure, I don't really get the impression that she is ok with running away. Her sudden fascination with the train is confusing and feels like a scene or two that would further establish her adventurous and reckless side has been removed. The middle of the movie also feels like certain scenes were cut off too soon. For example, when Wendy and her brothers run into Thomas, a kid from their town who ran away to the island when Wendy was a baby, they question why Thomas looks exactly the same as when he disappeared, and then the scene immediately ends. And after that scene, they rarely interact with Thomas and instantly go back to playing. It feets odd to me that the kids seem to forget about the fact that they just reunited with a missing kid from their town and he hasn't aged a day.

While the first half of the film feels very light on action, there's a very sudden shift in tone that honestly, made me uncomfortable, but in a good way. From that point forward, the film is a significantly more enjoyable experience. Unfortunately, I have issues with the ending. Obviously, I can't go into specifics, but let's just say that the ending raises more questions than answers. I don't have a problem with ambiguous endings, but when you're more confused because of said ambiguity, then I take issue.

I rate this film 3 out of 5 stars and recommend it for ages 13 to 15. It came out in theatres on February 28th and the film is now out on digital.

Reviewed by Calista B., KIDS FIRST! Reporter

Greetings again from the darkness. When you think of Peter Pan, you likely envision either the 1953 animated Disney film classic or the writings of J.M. Barre, who first introduced the character in his 1902 adult novel, "The Little White Bird." Whatever your impressions and memories of Peter Pan, they likely differ from those of filmmaker Benh Zeitlin, who was Oscar nominated for his stunning 2012 film, BEASTS OF THE SOUTHERN WILD.

The story begins at a small town greasy spoon diner nestled along railroad tracks. Birthday boy Thomas (Krzysztof Meyn) is devouring a plate of bacon and taking ribbing from the locals who are teasing him with tales of his future working at the diner. He storms out yelping "I ain't gonna be no mop and broom man". Toddler Wendy watches as Thomas jumps on the passing train and disappears with the wind. A few years later, Wendy (newcomer Devin France) and her older twin brothers James and Douglas (Gage and Gavin Naquin) are awakened by a passing train and spot a giggling Peter (Yashua Mack) running along the top of the cars. The siblings climb out the window and leap to join Peter. Soon, they are on an adventure to an island (we assume is Neverland) which seems to be populated with kids who run and jump and play all day. Among them is Thomas, who hasn't aged a day since his birthday bacon.

Any re-imagining of a classic comes with risks. Messing with people's childhood memories inevitably leads to push-back. Benh Zeitlin gives the impression that he's a passion-project only type of filmmaker. This interpretation means something to him, and it's obvious in the detail and creativity. The similarities in visual style to his previous "Beasts" film are obvious, and render quite a different look and feel than we are accustomed to with fantasy movies. But then, this is not a Peter Pan for kids. It's really a philosophical analysis of life. Everything is an adventure for kids, and then somewhere along the way, we lose ourselves and start the 'adulting' portion of life - leaving our childhood dreams behind.

Buzzo represents the once young boy who lost faith. He's now an old guy dreaming of recapturing his youth. Mr. Zeitlin's film, which he co-wrote with his sister Eliza Zeitlin, includes magical elements, fantasies, realism, life lessons, hardships, and the importance of personal connections. The score from Dan Romer is exceptional, as are the performances from youngsters Devin France and Yashua Mack. It was filmed on the volcanic island of Montserrat, and thanks to the mythical "Mother" who lives underwater, it becomes a fable about keeping the faith and never growing old. J.M. Barre's famous first line was "All children, except one, grow up." Are you that one child, or have you lost faith?

This is not a movie for kids. This is not a REMAKE of peter pan, its an adaptation, an independent story of its own, inspired by another story: peter pan. It really seems like a lot of bad reviews are from parents who were under impression of taking their kids to see a version of peter pan story and were dissapointed cause "they ruined the original story". Thats not the case and theres no point giving the movie a 1-star review just because kids wanted to leave the theatre during the film. its a film made for adults and the adults might still like it.

Beautiful movie thougt it really lost its grip towards the end. worth checking out, but nothing groundbreaking.

I'm so glad I saw the Mary Martin version as a child. This one is kind of horrifying and would definitely have given me nightmares. I would never bring a kid under six to see this. As I said in my title, it's closer to 'Lord of the Flies' than James Barrie's fantasy about the eternal magic of childhood. Peter is a sociopathic bully who brandishes a machete to keep the lost boys in line and the main takeaway seems to be it's gruesome to get old..

One of the best literary allusions is for someone to be a "Peter Pan," a Pollyanna who refuses to grow old. Benh Zeitlin, writer and director along with writer Eliza Zeitlin, remakes that story into Wendy about a wandering girl and her pre-teen friends. Zeitlin's love of nature and kids is evident as it was in his acclaimed Beasts of the Southern Wild, which garnered multiple Oscar nominations.

The emphasis on her (Devin France) is a timely take on a little girl who runs from home and returns, always the mistress of her own heart even when she's following charismatic troublemaker Peter (Yashua Mack). Although the shots of mountains and sea are almost too many, they and the kids are lovingly and powerfully rendered in a satisfactory allegorical sense.

Although the fantasy has a few too many episodes that steal from potentially longer character-making scenes, I still get it-you can't, even on a magical island, evade forever the demands of aging. Sophisticated audiences will immediately see a serious Disney-like philosophy at work, its emphasis on dealing with old folks and facing your fate with equanimity. You might lose an arm, but you'll still make it through if you believe in the goodness of life, especially of mother be she your own or a giant loving fish.

While the allegorical implications of this rugged, romantic, and lyrical adventure could fill a book, here it is necessary only to praise the sumptuous seas and mountains of Neverland, scenery J.M. Barrie would wholly approve. The eye-piercing beauty of the magical island, teeming with geysers of enigmatic steam, strikes the right balance between the beautiful dreams of children and the realities that bite them at the same time. Sometimes the tableau-like shots of nature are overwhelmingly sumptuous, just as the underwater world of the giant mothering fish is dark and foreboding.

At no point do the filmmakers create overly-colorful, unreal images that could lead a child to believe that life is easy. Here it is work just to survive and beauty when you realize where the real beauty is-in loving fealty to friends and family.

Even the story's Captain Hook must admit that love is the salvation and sometimes you can't go home. Fortunately for our little band of adventurers, they can become adults and realize that growing up is the greatest adventure of all.