Creep

At least for its first half, 'Creep (2014)' is essentially just a piece of mostly improvised performance art from Mark Duplass that's reacted to, in an equally improvised manner, by his co-star and director Patrick Brice, who films the affair in a distinctly documentary style. This naturally lends an air of unpredictability and believability to proceedings, as Brice reacts in a totally unbiased fashion to the often odd things that Duplass says and does. This doesn't mean that the overall film is directionless, however; it comes together as a surprisingly complete whole, with only a couple of elements getting caught on their unique execution. The second half isn't as successful as the first because it devolves into much more laboured, plot-heavy and, frankly, generic fare. Its ultimate payoff is rather disturbing, though; in that sense, it sticks the landing. In general, the movie is more intriguing than it is entertaining. Its two-half approach leads to an off-balance pacing, and its general subtlety is more disquieting than distressing and, as such, takes its time to take hold. It's straightforwardly enjoyable on a few occasions, though. Plus, a few of its sequences are, indeed, quite creepy. In general, it's an engaging experience. Even isn't quite as impactful as it perhaps could have been, it's an interesting experiment that mostly pays off. 6/10

Videographer Aaron is hired by a middle aged client called Josef in a mountain cabin, just for a single day shoot, but soon ends up regretting it. Josef displays some very unsettling behaviour which includes playing scary pranks, wearing a wolf mask, hiding Aaron's car keys and a constant need for buddy hugging, but these are harmless compared to the dark secret that he has. Not counting a phone call this rather short movie has a cast of just two but the characters bounce off each other well and form a compelling story line. Found footage has been done to death by 2014 but thankfully Creep does offer an alternative to the countless paranormal and zombie entries, though would a person be filming themselves performing such mundane tasks as opening the mail, putting an extra lock on their door, making a phone call, I think not. A lot of the running time is filmed in the great outdoors and these scenic shots are pretty good. If you are looking for multiple kills and gore go elsewhere, Creep is a chilling psychological thriller which culminates in a great ending. Well worth checking out, better than its sequel in my opinion. Part produced by Jason Blum of Blumhouse Productions.

I see now that critics appreciated this film just as much as I did, but I had NO IDEA what I was getting into by selecting a random horror movie I had never heard of on Netflix. Creep takes every little broken piece of horror, polishes it up, and pastes it together into a beautiful and unique masterpiece. It is extremely disturbing and unsettling without once resorting to gore, which was a breath of fresh air. Be warned that the jump scares are severe but cheesy, but for good reason. Horror fans absolutely must see Creep.

If we contrast this movie with its great grand-pappy, Blair Witch, we see just how far the found footage genre has come, which is surprising, considering that around the time of Blair Witch, it didn't really feel like there was a lot of mileage in that particular sub genre.

For me, Creep's greatest strength is the black humor. It's a seriously funny movie but never loses the tension that simmers under its surface. We've seen this kind of stalker idea many times before in conventional cinema of the nineties, such as Hand that Rocks the Cradle, The Fan and Cable Guy but this one really puts the viewer in the shoes of the one who is stalked.

Mark Duplass puts in a legendary performance as Josef. The first time we see him on screen, it's kind of hard to imagine him as the Creep he is meant to be but as the movie draws to its conclusion, he nails it.

It practically has "cult classic" stamped all over it.

When a videographer answers a Craigslist ad for a one-day job in a remote mountain town, he finds his client is not at all what he initially seems.

Initially, I was very skeptical that this would be very good. It seems to have a cast and crew of around ten people, which is not often enough to make a movie. And then it is found footage, which is by far the worst trend in horror today. Even more than zombies, which is hard to believe.

There are moments that make no sense, because you might wonder why a camera would be on. That is a fault most found footage has. But you sort of have to accept that aspect. And then, it sort of gets better as it goes. Not because it's brilliant, but because the performances are rather effective. Scripted dialogue comes out sounding natural and "the creep" is just weird enough to be believable and disturbing.