Eine Gruppe studentischer Aktivisten reist in das Amazonasgebiet, um den Regenwald zu retten, und stellt dabei schnell fest, dass sie nicht alleine sind und dass keine gute Tat ungestraft bl... Alles lesenEine Gruppe studentischer Aktivisten reist in das Amazonasgebiet, um den Regenwald zu retten, und stellt dabei schnell fest, dass sie nicht alleine sind und dass keine gute Tat ungestraft bleibt.Eine Gruppe studentischer Aktivisten reist in das Amazonasgebiet, um den Regenwald zu retten, und stellt dabei schnell fest, dass sie nicht alleine sind und dass keine gute Tat ungestraft bleibt.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Clara Vázquez
- Elder's Assistant
- (as Clara Vazquez)
Empfohlene Bewertungen
Eli Roth is a director whose style is evolving, reaching a more refined level. In his beginnings he was much more direct and dirty, if I may say so, which has its advantages, because he gave you what you were looking for, a no-holds-barred gore, which sometimes turned into real fun-fests, but at other times became excessively repetitive and flat. This level up helps to cover up what for me, is his biggest Achilles heel, his limited level as a dialogue writer, which still hasn't improved. Focusing on The Green Inferno, we have a clear homage to the Italian cannibal cinema of the 70s and 80s. If you're familiar with Cannibal Holocaust or Cannibal Ferox and liked them, you'll surely love Green Inferno, but if you disliked those, I don't think this is the film for you. Because let's face it, when you're about to see a film whose plot is cannibalism in the Amazon, well, Roth isn't fooling you. He may offer it to you in smaller quantities than you expected and yet it's still more substantial than the average level of horror today. Perhaps what most sets him apart from the older films is that first part of the film with a social critique never before seen in Roth's filmography. The presentation of the characters, both activists and indigenous and their interpretations are more than correct. You get to empathize with some of them, which may not be very pleasant when you know what awaits them... The music by Manuel Riveiro is a success, as well as the photography by Antonio Quercia and the FX by Ozzy Alvarez.
Because let's not fool ourselves, hell may be green, but its smell is red.
Because let's not fool ourselves, hell may be green, but its smell is red.
...Of the 70's and early 80's. A group of college students travel to a remote Peruvian location to protest a natural gas company's encroachment on an isolated, primitive native village. The students initial efforts are a success, but when their plane out crashes into the jungle, the natives aren't exactly thankful for the Americans' good deeds, preferring to butcher them and eat them.
Roth skewers Western do-good-ism and liberal interference with foreign cultures, showing that even the best intentions can (literally) come back to bite them. The lead performance from Lorenza Izzo is good as the freshman student whose naivete is shattered in more ways than one. The rest of the cast just has to scream a lot. The violence is extreme, the blood copious, and the gore plentiful, but it becomes just a bunch of latex and Karo syrup after a while. I realized watching this that Roth seems to have specialized in the fear of the traveler in foreign lands, whether it's city folk in the deep country (Cabin Fever), Americans in Eastern Europe (the Hostel films), or South America (Aftershock and this movie). I would have given this a higher rating if it weren't for the nonsensical ending.
Roth skewers Western do-good-ism and liberal interference with foreign cultures, showing that even the best intentions can (literally) come back to bite them. The lead performance from Lorenza Izzo is good as the freshman student whose naivete is shattered in more ways than one. The rest of the cast just has to scream a lot. The violence is extreme, the blood copious, and the gore plentiful, but it becomes just a bunch of latex and Karo syrup after a while. I realized watching this that Roth seems to have specialized in the fear of the traveler in foreign lands, whether it's city folk in the deep country (Cabin Fever), Americans in Eastern Europe (the Hostel films), or South America (Aftershock and this movie). I would have given this a higher rating if it weren't for the nonsensical ending.
Gory, torture and alot of screaming. Its an Eli Roth movie, what do you expect.
Would've rated it higher but the ending in the credits made no sense.
Would've rated it higher but the ending in the credits made no sense.
If you were hooked (pun, ha ha) on the SAW movies then this film will be a good after meal snack. Yes, it was way overboard meal preparation and surprisingly realistic body snacks (in most cheap slasher/slice/dice films the prosthetics look artificial). Filming and acting were better than expected and sold me. Part of the reason the acting was somewhat capturing was the reality of a tropical Peruvian forest and the gusto in which the novice tribal people took to their roles. End result is nobody (including the eco provocateurs, tribes peoples, deforesters) came away smelling like roses, in fact, I would not have been displeased if, in the end, they were all munched upon by the resident leopard, vanquisher of evil. A couple of picky points that lowered the rating. First, every tribal member (no matter the age) was totally painted in red clay like pigment - all the time; not realistic given the humid conditions and time they would have needed to apply said substance. Second, all the women (and young girls) wore tops to cover their breasts which as we all know about tropical tribes - that just doesn't happen. Third, why would the village attack the construction armed mercenaries in a clearing given their stealth in a forest. Fourth, a lot of gaps foremost was Samantha's escape then we hear nothing more. Supposedly we are suppose to pay attention to tattoos. Suggestion: Watch again, afterwards, with cast commentary as it's more interesting than the film.
So first of all if you're not into gore or slather elements I wouldn't suggest watching it. I myself had pretty high expectations of this movie , since people told me it's very disturbing but I was disappointed. The movie isn't more brutal then any other cannibal movie ; well at least in my opinion. Honestly the Movie is just like wrong turn but with more cannibals and in a different terrain.the beginning was unnecessarily long ; especially one part where two of the people go taking a piss ; like the scene was so long and unnecessary in my opinion. Basically it's just a normal cannibal movie that's overrated in my opinion ye.
Wusstest du schon
- WissenswertesWhen Eli Roth and his crew approached villagers to be extras in the film, he soon realized that they had never seen a movie and had no concept of what one was. To demonstrate what a movie was, Eli brought a TV and a copy of Nackt und zerfleischt (1980) and had a screening for everyone. The villagers loved it and thought it was a comedy. They gladly acted in the film.
- PatzerAs Kara is walking away after helping Justine chain herself to a tree, her face mask is on her arm; seconds later it's hanging on her neck and she is proceeding to put it on. All the while Justine is calling her name because her lock isn't working, then Justine appears struggling, then back to Kara getting her cell phone out of her pocket, but the mask seems to have disappeared, then it goes back to Justine, again still struggling with her lock, then back to Kara holding her cell phone up and magically her mask is back on her face. All this in a matter of seconds.
- Crazy CreditsAfter the song credits and before the special thanks, there is a "brief history of the Italian cannibal genre and their many names, along with their directors and their many names".
- Alternative VersionenIn Singapore, the film was edited before it could be approved for release with an R21 rating. The distributor was made to remove an instance of strong graphic violence which the board felt was gratuitous; the scene in question occurs as the natives hold a man down and torture him cracking open his skull, removing his tongue and limbs, gouging his eyes out and severing his limbs. Without these cuts the film would have been refused classification.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #22.24 (2013)
- SoundtracksJanitors
Performed by Ariel Levy Dor
Written by Ariel Levy Dor
Courtesy of Ariel Levy Dor
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Green Inferno?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Caníbales
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 7.192.291 $
- Eröffnungswochenende in den USA und in Kanada
- 3.520.626 $
- 27. Sept. 2015
- Weltweiter Bruttoertrag
- 12.666.449 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen