Dark Places: Gefährliche Erinnerung

Based on the novel by Gillian Flynn, Dark Places is about the gruesome massacre of Patty Day (Christina Hendricks) and her two young daughters on a fateful night of 1985 at their country farmhouse in Kansas. There were two members of the household that survived the death fest, Patty's 14 year old son Ben and her youngest daughter Libby, 8 years old. Ben, who was then accused of participating in cult and anti-Christ practices and child molestation in a day care school, is arrested on the charges of mass murder, doesn't protest or appeal and Libby corroborated the charges in the courtroom.

Cut to 28 years later, Ben is still serving his life sentence and Libby (Charlize Theron) does nothing in particular having extinguished all the social financial support and the royalty earned from the sale of the book published to narrate the events of the Day family tragedy. She is now contacted by Lyle Wirth (Nicolas Hoult) who is acting on behalf of a group of investigators and journalists who believe that Ben was wrongfully punished for the crimes he didn't commit. Unwilling to cooperate initially, Libby is lured into leading the investigation that could potentially falsify her own judgement, memories and statements from her childhood because she sees financial benefits from the deal. As she reconnects with Ben and follows certain leads with the help of Lyle, she slowly starts to uncover the truth behind her dark past and a secret that devastated her family and led to the brutal murders.

Dark Places is perhaps not as cutting edge a thriller as Flynn's other novels like Sharp Objects or Gone Girl are, but certainly plays hard on human psychology, projecting the dark, complex and disturbing aspects of our minds. The suspense is baffling in the end although not really overwhelming and devastating. Charlize Theron shines in her role of the disturbed, indifferent and hardened Libby that was once a lovable little girl.

I did not read Dark Places nor Gone Girl (the other Flynn's book) but I can really said that movie is slow but captivating. Theron is as always excellent and modest. Her character does not shine like the female character in Gone Girl; in fact her character is really an accessory to the story that basically happens in flash backs.

As a murder mystery; the end is somewhat unexpected but not completely convincing; but it is obvious that the important thing was the sadness, misery and tough decisions some of the characters had to make and its consequences.

It is an interesting slow cooked movie; far from commercial but worth seeing anyway

Ungodly and sinister, Gillian Flynn's Dark Places is just as devilish as you hope.

Again Gillian Flynn takes inspiration from the headlines, this time Dark Places sheds unsettling and ominous light on the famed mass murders that capture society's attention.

When Libby Day (Charlize Theron) was just seven years old, she was the lone survivor and he family was viciously murdered in what the media claimed was a satanic occult sacrifice at the desolate farmhouse in Kansas. Her brother Ben, just fifteen at the time, was found to be guilty. Twenty-five years later, in desperate need of cash and with no way to get it except capitalize and exploit her seedy past, she allows an organization obsessed with real life murders investigate the case with her help, as they hope to exonerate Ben. As she investigates her past, she opens old wounds and uncovers things about her life she had long since buried deep in her soul.

Not being able to speak of the novel, the Dark Places as a film does a great job of leading you on myriad paths of misdirection. The audience desperately following leads and evidence to discover the truth of what happened that fateful night in the when a family was brutally murdered, leaving two surviving siblings left standing when the carnage stopped. The multi-layered story is well paced and realistically utilizes real life murders and victims for a believable interpretation of a crime.

Gillian Flynn and her fellow screenwriter of the adaptation, Gilles Paquet-Brenner, do a marvelous job of refusing to resort to lazy exposition, showing rather than telling. The result is an engaging mystery that garners your full attention in the hopes you might be able to deduce the truth of the heinously bloody murders. Paquet-Brenner does double duty in directing the film, and translates the subject matter with cohesively gritty and complementary cinematography.

It seems as though fans of the novel were a bit disappointed in the casting for this film, that Theron does not match the physicality of Flynn's written description. Not knowing this fact, Charlize Theron is flawless as the tortured lead Libby. Her Libby and the medley of supporting characters are gripping and match the brutal content of the film.

Dark Places is a satisfying mystery that tells of savage desperation and sadistic cold-hearted murder. Given the weak and bland thrillers of recent years that shy away from the truly horrifying callous of human nature, fans of the genre should be pleased.

7.5/10 Please check our website for full reviews of all the recent releases.

This is the first time – ever – that I'm able to write in a review that I read the book before I watched the film! I'm an avid movie fanatic and not much of a book reader, but for some reason I read both Gillian Flynn novels (this one as well as "Gone Girl") before they were turned into Hollywood movies with an all-star cast. "Dark Places" is clearly not as successful as "Gone Girl", because the release got pushed back a couple of times and this one isn't likely to ever end up in the IMDb top 250. Now, I always disliked that typical and clichéd statement: "the book is much better than the film", but I must admit that there's truth in it… Director Gilles Paquet-Brenner's screenplay adaptation is very loyal to Flynn's novel, and thus the basic subject matter is tense and unsettling, but for some inexplicable reason the book is compelling whereas the film is rather tedious… "Dark Places" tells the story of Libby Day. At the tender age of 7, Libby witnessed how her mother and two sisters were brutally slain in their Kansas farm at night, and she confirmed to the authorities that her 15-year-old brother Ben was the culprit. 28 years later, Libby understandably grew up to become an angry, secluded and insecure woman. Driven by financial issues, Libby accepts the peculiar Lyle's offer to attend a meeting of the Kill Club. This bizarre collective exists of people who're investigating infamous (and unsolved) murder cases, and they are convinced that Ben Day is innocent. Reluctant at first, Libby begins to unravel the mystery of what exactly happened on the awful night that ruined her life. The search confronts her with her imprisoned brother and her estranged father, but also brings new secrets to the surface about her mother Patty and her brother's long lost high- school girlfriend Diondra.

It's very strange and difficult to describe, but every new plot twist or revelation that was captivating in the book comes across as implausible in the film. Especially the character of the mother, Patty Day, was much more powerful in the novel. Her hopelessness and desperation isn't properly transferred to the screen and therefore a couple of essential twists near the end become downright unbelievable. Obviously this isn't the fault of the screenplay, because a book lends itself much better to describe emotions and mental states of mind in great detail. This is also the main reason why the protagonist character Libby never truly becomes the intriguing character she deserves to be. "Dark Places" definitely also suffers from a shortage of action, especially during the first hour, and the great potential of the "Kill Club" isn't elaborated properly enough (although that also wasn't the case in the book). Paquet-Brenner does, however, marvelously captivate the grim and depressing atmosphere of the Midwestern American slums and insolvent family farms. The performances are more than adequate as well, with particularly strong roles for Charlize Theron and Nicolas Hoult. Just a week ago, I also saw them act together in "Mad Max: Fury Road" but this is quite a different type of film. Christina Hendricks is amazing as the poor and pitiable single mother and I was also very surprised to see a strong role for Chloë Grace Moretz. "Dark Places" is a great book to read (personally I even preferred it over "Gone Girl) and the film is also definitely worth checking out, but I only recommend either reading the book or watching the film. Otherwise you're guaranteed to stumble upon the flaws more easily.

I didn't care much for Gone Girl -- maybe it was Ben Affleck -- but I was drawn to this movie despite that. Maybe it was Charlize Theron, maybe it was Nicholas Hoult, whom I have enjoyed watching grow into a first rate actor since his days in Skins. In any case, whatever reservations I had at first rapidly dissolved into a distant memory as the first ten minutes passed.

Usually I roll my eyes at flashback-driven efforts, but not so with Dark Places. Each switch back to 1985 is like the tumblers on a lock giving that satisfying click as you pick it, breeding anticipation and certainty that there is a rich reward at the end for your efforts, every scene evoking a subtle revelation that drives the story onward.

Well cast, well scored, well directed, Dark Places deserves more recognition than it has garnered. If I had to point out one flaw, it would be a forgivable one; MISFITS swag was not that easy to come by in 1985.