Ein sitzengelassener Fan findet sich bald in ein tödliches Katz-und-Maus-Spiel hineingezogen, nachdem er die Möglichkeit akzeptiert hat, seine Lieblingsschauspielerin über seinen Laptop ausz... Alles lesenEin sitzengelassener Fan findet sich bald in ein tödliches Katz-und-Maus-Spiel hineingezogen, nachdem er die Möglichkeit akzeptiert hat, seine Lieblingsschauspielerin über seinen Laptop auszuspionieren.Ein sitzengelassener Fan findet sich bald in ein tödliches Katz-und-Maus-Spiel hineingezogen, nachdem er die Möglichkeit akzeptiert hat, seine Lieblingsschauspielerin über seinen Laptop auszuspionieren.
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
- Triop #3
- (as Jake S. Klamburg)
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But, you can still have fun with this movie. A lot of fun actually, especially considering the nature and the way this is shot (found footage light/like). You might get sucked into the struggle of our main actor, who's seemingly trying his best to move forward and get through. This might be great a great role for Elijah Wood (and even for Sasha Grey, who's still trying to find her place away from the adult career she had), but it won't be for every viewer ... consider the plot, how the movie is made/shown (found footage over a web cam, but with several other cameras outside shown in those ... windows) and decide for yourself ...
When I first started watching this, I was reminded of a couple of films that Elijah Wood did before this one: MANIAC and GRAND PIANO. I thought of MANIAC because every shot in this movie is from the first person point of view, and of GRAND PIANO because his character is constantly being given instructions by a mostly unseen third party. What I thought this film did effectively was integrate technology in an interesting way, and the way the story was presented was at least creative. It takes a while to get used to, but once you accept the concept then it's easier to get into the film. It's actually not too bad of a film either, for the first two-thirds of it. You have this rather timid individual who is given the opportunity to spy on someone he admires through the miracle of modern technology, and when things start to go wrong the film is able to maintain a good level of tension. Nothing in this film is predictable, and that is probably the highest praise I can give it. Still, despite the modern trappings it is rather silly and convoluted. I won't give away any twists, but it takes a turn about two-thirds of the way through that kind of ruined the experience for me.
As far as the acting is concerned, nobody really gave a bad performance, but nobody was spectacular either, including Elijah Wood who seemed to be doing another variation on the type of character he's played in his last couple of films. Sasha Grey wasn't too bad, but I wasn't expecting too much from somebody who came out of porn. Overall, I thought that the story, as implausible as it was, started out pretty good but then derails in the final act. There were some good observations on obsession with celebrities and the terrifying possibilities of modern technology, but it is mostly lost in a standard thriller. It's being billed as a 21st century REAR WINDOW, but most people would probably be better off watching that instead.
The movie begins on Nick's (Elijah Wood) laptop. He is messaged then given intrusive software that allows him to spy on the actress. As the movie progresses he gets in deeper and deeper; he is complicit for taking that first step but then is simply caught.
The film is cleverly shot entirely through screens open on the laptop. I'm not sure how this would work in the movie theater but it works great on TV.
The movie was written and directed by Nacho Vigalondo, who specializes in elaborate twists, but after digging himself in deep in the first hour he can't find an elegant way to dig himself out again, and the last part of the movie is a long, convoluted mess that is like he was trying to get every twist ending he could think of in one movie.
I loved most of this movie, and would have rated it a 9 if it had all been as good as that first 70 minutes, but the last part is maybe a 5 or 6.
A final note: this would make a great video game. There's a fairly obscure adventure video game called The Experiment that involves doing everything through security cameras, and I would love to see something similar done with this.
Anyway, if you're a fan of Nacho, check it out. For all its issues it's pretty entertaining overall.
Round-Up: Elijah Wood has taken on some weird projects since playing Frodo in the Lord of the Rings franchise, like Grand Piano, Maniac and Revenge For Jolly, and most of his films seem to go straight to DVD. At 34, I doubt that he would be happy with the way that his career has turned out after the major blockbuster but he has got a film with Vin Diesel coming out soon, called The Last Witch Hunter, so that might bring him back in the spotlight. The moody and dark settings in this movie, worked well with the subject matter but it seemed like the director lost the plot. Some of the clever camera work was impressive and I liked the use of the different computer windows throughout the movie but it's a shame that the script was so sketchy.
I recommend this movie to people who are into their thrillers about an man who obsessed with a famous actress and wins a competition to have dinner with her but he finds out that the dinner is off so he seeks revenge with the help from a mystery caller. 4/10
Wusstest du schon
- WissenswertesNacho Vigalondo was inspired to create Open Windows after he was asked to create a thriller that heavily featured the Internet. He found writing the script a challenge, as he had to create the film's plot as well as give specific reasons for each window that opened and why the point of view would shift between the characters.
- PatzerTony manages to gain access to Nick's room by going down to the reception after finding out through them which room Nick is staying at. Hotel staffs are not allowed to give guests access to rooms themselves other than those they had booked for.
- Zitate
[last lines]
Jill Goddard: I'd like to as well.
Nevada: You'd like to what?
Jill Goddard: Disappear.
Nevada: Sure. For how long?
Jill Goddard: Long enough.
- Crazy CreditsAlthough a Spanish-American production, the copyright notice at the end is entirely in Spanish.
- VerbindungenFeatured in Cómo se hizo 'Open Windows' (2014)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Thần Tượng Lâm Nguy
- Drehorte
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Box Office
- Budget
- 3.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.750 $
- Weltweiter Bruttoertrag
- 550.108 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1