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Why Don't You Play in Hell?

Originaltitel: Jigoku de naze warui
  • 2013
  • Not Rated
  • 2 Std. 9 Min.
IMDb-BEWERTUNG
7,1/10
9399
IHRE BEWERTUNG
Why Don't You Play in Hell? (2013)
There's a war going on, but that won't stop an inexperienced film crew from following their dreams of making the ultimate action epic. Ten years ago, yakuza mid-boss Ikegami led an assault against rival don Muto. Now, on the eve of his revenge, all Muto wants to do is complete his masterpiece, a feature film with his daughter in the starring role, before his wife is released from prison. And the crew is standing by with the chance of a lifetime: to film a real, live yakuza battle to the death...on 35mm!
trailer wiedergeben1:47
1 Video
17 Fotos
Gun FuKampfkünsteSchwarze KomödieSplatter-HorrorActionHorrorKomödie

Ein abtrünniges Filmteam gerät in eine Fehde des Yakuza-Clans.Ein abtrünniges Filmteam gerät in eine Fehde des Yakuza-Clans.Ein abtrünniges Filmteam gerät in eine Fehde des Yakuza-Clans.

  • Regie
    • Sion Sono
  • Drehbuch
    • Sion Sono
  • Hauptbesetzung
    • Jun Kunimura
    • Fumi Nikaidô
    • Shin'ichi Tsutsumi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    9399
    IHRE BEWERTUNG
    • Regie
      • Sion Sono
    • Drehbuch
      • Sion Sono
    • Hauptbesetzung
      • Jun Kunimura
      • Fumi Nikaidô
      • Shin'ichi Tsutsumi
    • 33Benutzerrezensionen
    • 111Kritische Rezensionen
    • 68Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 8 Gewinne & 11 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 1:47
    Official Trailer

    Fotos17

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    Topbesetzung51

    Ändern
    Jun Kunimura
    Jun Kunimura
    • Muto
    Fumi Nikaidô
    Fumi Nikaidô
    • Mitsuko Muto
    Shin'ichi Tsutsumi
    Shin'ichi Tsutsumi
    • Ikegami
    Hiroki Hasegawa
    Hiroki Hasegawa
    • Director Hirata
    Gen Hoshino
    Gen Hoshino
    • Koji Hashimoto
    Tomochika
    • Shizue
    Itsuji Itao
    Itsuji Itao
    • Masuda
    Hiroyuki Onoue
    • Detective Tanaka
    Tak Sakaguchi
    Tak Sakaguchi
    • Sasaki
    Tetsu Watanabe
    Tetsu Watanabe
    • Detective Kimura
    Tasuku Nagaoka
    Tasuku Nagaoka
    • Mitsuo Yoshimura
    Akihiro Kitamura
    Akihiro Kitamura
    • Hitman
    Megumi Kagurazaka
    Megumi Kagurazaka
    • Junko
    Motoki Fukami
    • Master
    Tarô Suwa
    Tarô Suwa
    • Sumita
    Donpei Tsuchihira
    • Kunihiro Yoshida
    Takamitsu Nonaka
    • Tetsuo Komuro
    Hideo Nakaizumi
    • Toshihiro Iizuka
    • Regie
      • Sion Sono
    • Drehbuch
      • Sion Sono
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen33

    7,19.3K
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    8estebangonzalez10

    An Extremely Bloody love letter to 35mm film

    "This movie exists only to impress you."

    Acclaimed Japanese director, Shion Sono (Love Exposure, Suicide Club, Coldfish) has crafted a delirious and extremely over the top comedic action thriller which will surely impress audiences all around the globe. It's very difficult to try to write a review for a film like this that seems to be all over the place. It was a truly unique and crazy experience. At first it feels like the stories aren't related, but as the film progresses every single scene serves a purpose and it all comes together at the end. Sono is an artist and in this film we can see the passion he has with film. This is his love letter to 35mm filmmaking and he mixes several genres into one glorious experience. In a way it is similar to what Quentin Tarantino brings to his films. Over the top violent action sequences with a lot of fake CGI blood, a lot of humor thrown into the mix, and several movie references. Just like Tarantino referenced Bruce Lee in Kill Bill through Uma Thurman, there is a character here who also resembles Lee in his yellow and black uniform. However Sono doesn't follow a similar narrative structure as Tarantino and doesn't rely as much on the wise cracking dialogue. WDYPIH? has a very unique structure and it's hard to know what direction its heading at times because it seems to be all over the place. It is a crazy experience, but it is hard to resist. My only complaint is with the pacing of the film which at times seems to drag. I had fun with this movie, but I still found myself checking my watch once in a while. This could've been better if it was cut to around 90 minutes, but it is still a film I admire very much.

    The film centers on a group of young film aficionados who dream and pray to the movie god that he allow them to make an epic film, but it is clear they aren't heading anywhere when ten years later all they've managed to do is make a one minute trailer. There is also a huge confrontation going on between two yakuza clans. The Kitagawa yakuza clan attacked the Muto yakuza clan at their leader's own home. Muto wasn't around, but his wife faced them off leaving a pool of blood behind. Due to the violent scene, the police never believed it was self defense and imprisoned Muto's wife for ten years. Their young daughter had a successful toothpaste commercial taken off the air as well due to the violent episode. Her dreams of becoming a successful actress were shattered by the removal of the commercial. The clans have declared a truce but as Muto's wife sentence is approaching its deadline war breaks out again between them. Muto must manage the confrontation while delivering on his promise to his wife of having her daughter become the star of a movie by the time she is released. He promises it will be epic and through fate he encounters these aspiring film aficionados who are given the perfect scenario to make the film they've been dreaming of making for the past ten years. Everything seems to be leading to an outrageously bloody conclusion as Muto plans to kill two birds with one stone.

    Shine Sono's love and passion for Japanese cinema can be experienced here in this unique and extremely crazy love letter to film. It is over the top and full of energy, but it always remains imaginative. It is unlike any other film I've seen and manages to capture that nostalgic sense of a disappearing art form while remaining incredibly unique and energetic. This is an extremely violent and irreverent film, but it is so over the top that it never feels gory. It can become a bit tedious due to its long running time, but the ending fulfills and it is a film that will stick with you long after the credits role. The performances from Jun Kunimura as Muto, Shin'ichi Tsutsumi as Ikegami, and Itsuji Itao as Masuda stand out in this wacky and crazy film.

    http://estebueno10.blogspot.com/
    CinemaClown

    A Batshit Crazy Riot From Start To Finish.

    Insane, maddening, deranged, maniacal & batshit crazy from the very beginning to the very end, Why Don't You Play in Hell? is an intensely entertaining, extremely enjoyable & ridiculously fun cinema from Sion Sono that parodies a whole lot of things, is filled with frenzied performances & is undoubtedly last year's funniest film.

    Why Don't You Play in Hell? concerns an amateur film crew that films anything n everything but has been waiting for its big break for over a decade. Their moment arrives when they are hired by a yakuza boss who, despite being in the middle of a feud with another yakuza clan, wants to finish the film starring his daughter as soon as possible in order to screen it for his wife's homecoming.

    Written & directed by Sion Sono, the film opens with a brief ad segment & from then on, only gets crazier as the story progresses. It parodies many different films from Enter the Dragon to Kill Bill, its humour goes in all places, characters are raving lunatics, performances are wild, music is awesome but it's still got a lot of heart which makes it an enjoyable watch.

    On an overall scale, Why Don't You Play In Hell? is a commendable work of quality despite its unhinged production, is sensibly composed even though its storyline goes completely bonkers & is at its bloodiest best during the final act. Hilarious as hell, an irresistible fun ride & easily the most amusing works of the year, this absolute riot of laughter & craziness comes highly recommended.
    8bbickley13-921-58664

    The most screwed up movie I've seen in a long time!

    Tokyo gore with a hit of influence from Guy Richie.

    It was the perfect midnight movie with such an over the top cartoonish violence about an Amateur filmmaker who stumbles upon the opportunity of a life time (or as he sees it, a gift from the film God) when a young man needs his help in making a movie after getting caught up with a Yakuza boss' daughter.

    A series of events with a large ensemble cast that wove together perfectly.

    This movie was strange but so entertaining I did not stop smiling throughout the whole thing
    7truemythmedia

    Welcome to Sion Sono's World.

    This film is an absolute riot. It's ridiculous, hilarious, brutally violent, and unapologetically strange. While this film will certainly not be for everyone, it was right up my alley. It's a film you can't take seriously, but you can have a lot of fun with. I absolutely recommend this film, particularly to fans of the films of Takashi Miike ("Audition", "As the Gods Will") or other Japanese cult directors. I will probably work my way through Sono's filmography until I make it to his four-hour epic, "Love Exposure".
    7zetes

    The finale is glorious, but the set-up really could have been tightened up

    Nutty yakuza comedy from Sion Sono. It's overlong, particularly with an interminable set-up, but once we get to the big action set piece you'll find it well worth the wait. A group of amateur filmmakers calling themselves the F Bombers (led by Hiroki Hasegawa) has spent a decade looking for the opportunity to make a real movie. Fortunately (or unfortunately) for them, a yakuza gang is looking for someone to make a feature starring the boss's daughter (Jun Kunimura is the boss, Fumi Nikaido the daughter). Hasegawa proposes that they film the real-life gang war that is bound to happen with the rival gang (led by Shin'ichi Tsutsumi). Sono really could have shortened the film considerably had he realized the character played by Gen Hoshino, the love interest of Nikaido, was worthless and jettisoned him. Or, more obviously, he should have been combined with Hasegawa's character. As it is, Hoshino plays a shy, ineffectual character and he pretty much gets shoved to the background anytime the more lively Hasegawa is on screen. I can't imagine anyone caring about his burgeoning relationship with the drop-dead gorgeous Nikaido. None of this really matters once we get to the blood-soaked finale, which is about as fun as any movie I've seen in recent memory.

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    • Wissenswertes
      The main characters who are amateur filmmakers watch a trailer they have made for their own film called "The Blood of Wolves", though they haven't actually made the movie itself yet, and never do. That was the working title of a movie later called Kenkichi (2012), that Sion Sono and Tak Sakaguchi were working on around the same time as this film. That film Kenkichi was also never made.
    • Verbindungen
      Featured in Horror's Greatest: Japanese Horror (2024)
    • Soundtracks
      Concerto Pour Une Voix
      By Saint-Preux

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    Details

    Ändern
    • Erscheinungsdatum
      • 28. September 2013 (Japan)
    • Herkunftsland
      • Japan
    • Offizieller Standort
      • Official site (Japan)
    • Sprache
      • Japanisch
    • Auch bekannt als
      • 地獄開麥拉
    • Produktionsfirmen
      • King Records
      • KH Capital
      • BizAsset
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 28.534 $
    • Eröffnungswochenende in den USA und in Kanada
      • 5.060 $
      • 9. Nov. 2014
    • Weltweiter Bruttoertrag
      • 1.265.872 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 9 Min.(129 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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