Killers

First, it has to be said that this film is brilliantly shot. The cinematography really is exquisite, and the whole film's aesthetic reminds me of the TV show Hannibal, in that it uses a slot of slow-motion and classic musical pieces as well as looking very elegant despite a lot of disturbing content and gore. The directing here is fine, the screenplay has some holes though. The performances are quite strong too, and really do seem to elevate their script's material. As a whole, this is very bloody and pretty horrifying, would not recommend it to the squeamish, but as a film, it's a fine one, if even very flawed at times. Seek it out.

KILLERS is something different, a hard-hitting and explicitly violent serial killer outing made as a co-production between Indonesia and Japan. It's a film of two halves, one that tells two separate story lines that gradually merge before meeting up at the climax.

The initial storyline is a Japanese-based tale about a guy who goes around murdering beautiful young women in the most vicious way imaginable. Even worse, he uploads footage of his crimes to the Internet for other users to enjoy. This is in the same territory as THE CHASER or I SAW THE DEVIL, absolutely disturbing viewing without dwelling on needless protracted torture or the like. Needless to say it's gripping, with subtle acting and a mature approach to the story.

The second storyline is set in Indonesia, and brings to mind the world of THE RAID and its sequel; a couple of actors from those films feature prominently. It involves a journalist who fails to bring down a crime boss and soon finds himself driven into his own murky world of vigilante violence. The film's heart is present in the form of the likable Oka Antara, a guy who goes on a dark yet gripping journey.

The storyline is unpredictable throughout, only becoming predictable for the violent climax. But for the most part it's exemplary: dark, harrowing, exciting, the sort of wide-reaching storyline that can only be told through cinema screens. The reason it's so good is that it focuses on the psychology of the killers, which makes this much more than another boring slasher. It's outstanding, in fact.

This is not a critique to other people voting for this movie. This is me trying (hopefully succeeding too) to be funny. And all because of the Distributors and their insistence on making this or better connecting this to "The Raid". Obviously you can connect many movies with each other by producers, effect people and more (see 6 degrees of Kevin Bacon if you haven't heard of that). But this has nothing to do theme wise (or otherwise) with the Raid.

To wrap your head around that fact, you do have 2 hours. And while there is a lot happening, it's the ending that will stay with you (for better or worse). The movie is pretty violent (maybe one connection to The Raid) and very convoluted too. This is either a good or a bad thing, depending on your taste. One thing it definitely is, is strange

this is not a bad movie at all,but it has too much flaws to be a great movie. when i first see the movie backdrop,it sounds very bloody and macabre-ish,but it turns out wrong. this movie is too violent and bloody for mainstream audiences,but too soft for slasher hardcore fan. its like somewhere in the middle. i think mo brothers wanted to disturb the audience by its story rather than the killing scene itself. to me its like a drama movie with serial murder spice in it. don't get it wrong,its good and refreshing since I've never seen things like this in local box office and pretty rare in Hollywood,but Mo Brother failed to hold the tension,this movie gives you a good chills and fun discussion after watching it but obviously far less powerful than Snowtown, (an Australian serial-murder drama,most disturbing movie I've ever seen). i think k.kitamura and o antara saved this movie,their acting skill is top notch and the major high light in this movie!,and im glad im gonna watch this duo again in the raid 2! :D

Following two storylines that gradually become entwined, 'Killers' represents another calculated effort from Timo Tjahjanto and his brother: a dark psychological thriller that follows a serial killer and a journalist and their murky psyches that lead to their violent actions.

Nomura is the charismatic but vicious psychopath who targets women, kidnaps them, and brutally kills them in a myriad of ways on film, then posts his kills online for the disturbing pleasure of voyeurs. Bayu is an ambitious journalist with issues of his own, and soon his dark side will be unleashed after encountering Nomura's footage online. So begins a descent into bloodshed for Bayu, who's vigilante crusade unlocks grimy secrets while sending him down a path that almost feels like his true calling as he begins to interact with Nomura in more ways then he's comfortable.

Despite the subject matter, the Mo Brothers are keen to keep a focus on their narrative and central characters. They understand what to show the audience, and what not to show, when to show it, and vice versa. This prevents the violence from becoming gratuitous for the sake of it, keeping the murderous acts horrifying and not nauseating for the inclination of viewer intensity.

The story runs of steam towards the end, unable to sustain its carefully maintained momentum in the home stretch, but its an entertaining ride nonetheless. The tone is dark, the kills are bloody, and the line between right and wrong is crossed and re-crossed. It's a film that looks at the nature of violence, the catharsis of controlled torture, and saddles the viewer with plenty to contemplate as the story careers towards an inevitable showdown between two very unique yet ultimately villainous killers.

7.5/10