I'll Be Right There

I stopped watching when she started carrying the bike upstairs while all the other bikes were, wisely, outside the house. I thought nothing good could come of such a movie and gave up. After all, you want to see smart behavior, even if it's labeled as comedy. For the same reason, I don't watch silly Adam Sandler movies as I know his pants often fall down. Do not waste your time ,to se the gym exercise. Do not fall for the good actress as often they make mistake too. If the director would told me to carry the bike two flights up , I would refuse. Thus put on the old but good movies with Gene Hackman instead of this.

Hey folks, I'm adding my voice to the chorus of positive shout outs because this movie is special. I caught it at last year's NBFF and it was a standout. Quirky and funny, leavened with real moments of parental angst and regret. This is a really original piece of filmmaking that's a touching tribute to all those single moms desperately trying to hold a family together. It's about when to hold on and when to let go and how hard it is to do both. Edie Falco really lets it all hang out as Wanda, the mom who gives and gives and gives with no boundaries. You all know someone like this. (My 2nd eldest cousin is soooo like Wanda.) And this movie gives Wanda the room to show how you get to a place like this with her son Mark (Charlie Tahan) and daughter Sarah (Kayli Carter), both "takers" who don't seem to know better, but really do. Mark is especially angst-inducing, especially if you're a parent whose dealt with someone like him. (No spoilers, but I'll let you guess what his issue is.) Matching Edie Falco in the "letting it all hang out" dept. Is Michael Rappaport as Marshall, one of Wanda's admirers who is goofily self-aware and gives the film a honest edge. I could go on about this movie, but suffice to say, this film fits like a well-worn pair of stained sweat pants and will get you right in the feels. Kudos to writer Jim Beggarly, director Brendan Walsh, producer Peter Block, editor Aron Orton, composer James Righton, DP Aaron Medick. Plus costumes, prod design/set decor. Go see it when it finally comes to an art house near you.

I just have to say WOW. Found this by chance and decided to give it a watch bc I LOVE Edie Falco and the trailer sucked me in. I love finding hidden gem movies but honestly, this movie REALLY deserves proper advertising. I'm not here to give a breakdown of the movie as the trailer does it justice. I'm here to say that REGARDLESS of your age, what you've gone through or are going through, this movie hits home. It's funny, "real life" LOL funny, sweet, REAL, beautiful. Very full circle of emotions. I don't want to give to much away. If you are close with your family, functional OR dysfunctional, this is a treat.

Just saw this at Annapolis Film Festival and want to watch again immediately. This intelligent, witty, and pitch-perfect character study follows Wanda (Edie Falco), a woman who will drop everything to help out a family member... And lately, they just all seem to need way too much help. The title, "I'll Be Right There" perfectly sums up her character. Impressively, the film does not seek to reduce this type of person, and we all know someone like this, or ARE this person.

This film will give you a lot to reflect on, no matter where you fall on the scale of being a 'Giver' (If you're a 10, chances are you're not only neglecting yourself but also enabling bad behavior and making other people more dependent on you... If you're a 1, chances are you are so afraid of getting used that your relationships suffer).

This is a movie for adults, putting this question of "How much helping is too much?" at center stage. Edie Falco makes you feel the exhaustion and the worry, and keeps the audience from judging her choices, which constantly surprise. She is not an idea. Her character has layers of specificity and many sides that aren't apparent right from the start. This kind of storytelling is a delicate soufflé - and it flies in the face of a lot of pressure for screenwriters to amp up conflict and and give the audience big emotional signposts.

Based on reading the summary, I was expecting a different kind of film, one that had an agenda to criticize this kind of helicopter parenting and the way it can yield floundering, helpless adult children.

This is certainly a subtext of the story - How does Wanda's enabling behavior affect those around her? But Jim Beggarly's script in the hands of director Brendan Walsh has so much more on it's mind.

There were times early on where I felt resltess - "Where is this movie going?" A few scenes, including an amazing monologue by Jeannie Berlin as Wanda's mother, seem take their time and don't have a clear impact on the scenes that follow. By the end, it's clear that every lived-in moment, all the random details of Wanda's chaotic week, have created a tapestry so rich that it invites true reflection of very adult problems that we often never vocalize to people around us, even though they are central to our daily ups and downs.

I can imagine some people having life-changing conversations if they were to watch this movie with a sibling, a parent, or their own adult children.

Truly sublime filmmaking. It doesn't announce itself as important, or push buttons to get your emotions flowing. I hope it finds a devoted fans regardless. I count myself as one.

Wanda (Edie Falco) is always there for her needy family. Her mother is diagnosed with leukemia but unlikely to die from it. Her pregnant daughter is getting married, but her ex-husband is withdrawing his half of the money. Her son keeps complaining about her to his therapist who promptly quits on him. Her family keeps calling on her and she keeps answering.

The movie could do something more to drive the drama and narrative. In many ways, Wanda is just moving from one scene to another and they are all essentially the same. She is being burdened with everybody else's problems. It's a little funny but repetitive. This may work better if she is running around all day preparing for the wedding. That would allow the story to have a cohesive plotline. More than anything, this shows Edie's great acting abilities in doing simple work.