20 Tage in Mariupol

As heart wrenching a film as you're ever likely to see; you will be overwhelmed with disbelief that in the 21st Century the sights and sounds captured by Mstyslav Chernov's camera and microphone can actually take place; that innocent children, women and men can be forced to endure such torment and turmoil, by an aggressor who has no concern for the rules of engagement during times of conflict, and is clearly targeting the most vulnerable citizens of a city that's been battered and beaten continually by munitions of destruction, where even the hospitals are open season for razing. Not long ago it was Syria, For Sama, and there is a common denominator.

If you are a human being alive in 2024 and living in a civilised country, this is mandatory viewing. If your government is blocking aide to Ukraine, get on the phone to your representatives every day, make noise, donate what you can to approved organisations (Red Cross, etc), demonstrate (peacefully), wear the colours of Ukraine, and NEVER let anyone forget what is happening there.

For two years I wear a pin with the Ukraine colours every day, and strangers come to me and shake my hand, or share a "Slava Ukraini"! With me.

What is currently happening with funding from the richest countries in the world drying up for internal political reasons is the biggest sin I have witnessed in my lifetime.

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My family moved out of Mariupol in mid-2021. We lived in between the Drama Theater and maternity hospital, across from the University. We sometimes sat outside at Coffee Racer cafe next to the hospital, drank coffee, and watched people strolling along Miru Ave.

My mother stayed behind in Mariupol. Despite the ominous warnings, nobody really expected a full-scale invasion with bombs and artillery. She lived directly across the street from hospital #2, which is where the filmmakers hid through much of the movie. In fact, her burning apartment building is the opening shot of "Day 16". The area all along Kuprina St, adjacent to the hospital and small church, sits at the very western edge of the city, which took the brunt of the attacks approaching from Crimea direction.

After surviving the initial bombings and attacks, Mom had to drink, cook, and clean herself with water from a well adjacent to shallow graves of her neighbors. Survivors chopped up furniture to burn for cooking. It was truly medieval in every way possible, and intentionally so. After 73 days trapped, she made it out by a miracle of good luck, but not before first going through Bezimmene filtration camp.

None of my family will watch this movie except me. Everything is too close and too familiar. One thing the movie does not show is how vibrant and thriving this same city had been prior to 2/24/22. It seems surreal to see your old comfortable neighborhood get intentionally destroyed on international news. To be honest, the Russians were so jealous of Mariupol that they tried to murder it. They cannot get away with this.

This is a story that absolutely needs to be seen and heard - without any sugar-coating - as painful as it may be.

It is very difficult to watch this movie. The worst thing is that it covers less then 1% of the horrors that happened in Mariupol. When the russians launched a full-scale invasion of Ukraine, they spared no shells and destroyed everything in their path. They destroyed entire cities, killed thousands of civilians and children. This is a real genocide of the Ukrainian people. I hope karma catches up with them. I hope the world society will do something to stop the bloody aggressor - the russia.

It is impossible to watch this movie and remain indifferent. It's very scary and it's very sad. I couldn't hold back tears the whole time I was watching the movie. I wish this had never happened, but unfortunately it is a reality, it really was. And it continues to this day.

I saw this in a well-attended cinema screening just the other day. I can't recall a film having the impact this one did. At the end credits - silence. No one said a word and slowly filtered out. Its difficult not being effected by this film, as it confronts the viewer with the sort of hard-hitting stuff that the news generally air-brushes out. Its pretty much the exact opposite of comfort viewing - this film confirms not only are things bad but they are probably a lot worse than you imagined them to be.

As the title indicates, this is a ground level view of events in the Ukrainian city of Mariupol in the first 20 days of the Russian invasion. A disembodied voice-over relates details and an ominous soundtrack magnifies certain moments but mostly, the footage speaks for itself. The basic set-up has journalist Mstyslav Chernov stay behind to film events as the horror of war escalates on a daily basis. From Chernov's position, we are put directly into the war zone and are confronted with the civilian experience. To this end, we are forced to see the terror and suffering that these innocent people are forced to endure on account of a war initiated for utterly disingenuous reasons. While this is clearly a film about the Ukrainian situation and the sheer wrongness of the Russian invasion, it also will get you thinking that it is also about war in general, as these shocking moments are happening all over our world as part of various military conflicts. We can become desensitised to this and our news reporting is often far too sanitised, allowing us to more easily disconnect. Its films like this one which approaches war in the opposite way and ensures the viewer has no easy escape.