Zwei Detektive arbeiten zusammen, um einen Serienmörder zu Fall zu bringen, der auf beiden Seiten der Texas-Chihuahua-Grenze operiert.Zwei Detektive arbeiten zusammen, um einen Serienmörder zu Fall zu bringen, der auf beiden Seiten der Texas-Chihuahua-Grenze operiert.Zwei Detektive arbeiten zusammen, um einen Serienmörder zu Fall zu bringen, der auf beiden Seiten der Texas-Chihuahua-Grenze operiert.
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People involved in creation of remakes or based on series / movies often forget that they don't have or need to do it in the first place if they don't possess the true material and right script / storylines for doing so, being capable to do justice to the often bright original version and its exclusive and right atmosphere.
We have a series that fails on all accounts in regard to the original, shouldn't have been named The Bridge and shouldn't have been (falsely) based on the awesomly successful Swedish-Danish version and production.
To wrap it up in one sentence, a forgettable series with latin vibes and culture, best put back on the shelves and have a restart of the nostalgic Bron/Broen.
We have a series that fails on all accounts in regard to the original, shouldn't have been named The Bridge and shouldn't have been (falsely) based on the awesomly successful Swedish-Danish version and production.
- It lacks the cold, rightly done, grimmy, menacing and dark atmosphere and vibe of the original
- It lacks the brilliant diamond-like play and portrayal of the original female lead investigator that won't be mimicked or surpassed for a long long time. With all respect, Diane Kruger doesn't pull off an epsilone of that.
- It lacks the very good cast and acting of the original
- It has an awful and bizarre opening sequence soundtrack, not being of interest and not contributing to the show
- It has a messed up script and story with lots of fillers, blood and (unsuccessful) violence depicting the American-Mexican mishmash
- To its credit: It has some good acting, mainly by Demián Bichir (Marco Ruiz) and Eric Lange (Kenneth Hastings)
- To its credit: It has some entertaining values letting it flow mindlessly before your eyes, episode by episode, until its jumbled ending
- To its credit: Very good for practising the Spanish language and idioms
To wrap it up in one sentence, a forgettable series with latin vibes and culture, best put back on the shelves and have a restart of the nostalgic Bron/Broen.
First of all it's not possible for me to compare this series to its original Danish version because I didn't see it. Most of the time the original versions are better but honestly for this one I don't really care because this show is good enough for me to be well entertained. And I am sure that the Danish/Swedish conflict could not be compared to the American/Mexican conflict. And that's just the point that makes this series highly enjoyable. The whole connection that two different detectives from different countries have is a delight to watch. Diane Kruger (as detective Sonya Cross) puts down a good performance playing her character with Asperger Syndrome. Demian Bichir (as detective Marco Ruiz) is perfect in his role, trying to keep his integrity as much as possible in an environment where corruption rules. The plot has enough twists to keep you intrigued. A good show for those who like crimes and mysteries.
A woman's body is found on the bridge between El Paso and Juarez on top of the border. Sonya Cross (Diane Kruger) is a cop from the American side and Marco Ruiz (Demian Bichir) is from the Mexican side. They are forced to work together. Lieutenant Hank Wade (Ted Levine) is her supervising officer. Charlotte Millwright (Annabeth Gish) owns a ranch at the border and finds a tunnel on her property. Daniel Frye (Matthew Lillard) is an American investigative reporter on the edge.
The first season is mostly about one serial killer investigation. It's somewhat boring. I don't buy Kruger's performance. I like Bichir's performance much more. It moved fairly slowly and unconvincingly. Millwright's storyline never really connected. Then the show changed right before the end of season 1. It added quite a few weird characters. The best one is Eleanor Nacht (Franka Potente) as the unemotional disturbed hired killer. The second season is definitely crazier, and weirder. It feels almost random as the show gets wilder. At least, it gets more interesting. With the show changing over the two seasons, it feels unstable and never really settled down. I do find some of it very interesting.
The first season is mostly about one serial killer investigation. It's somewhat boring. I don't buy Kruger's performance. I like Bichir's performance much more. It moved fairly slowly and unconvincingly. Millwright's storyline never really connected. Then the show changed right before the end of season 1. It added quite a few weird characters. The best one is Eleanor Nacht (Franka Potente) as the unemotional disturbed hired killer. The second season is definitely crazier, and weirder. It feels almost random as the show gets wilder. At least, it gets more interesting. With the show changing over the two seasons, it feels unstable and never really settled down. I do find some of it very interesting.
While in the original TV series Sofia Helin gives an outstanding, sometimes funny, always compelling portrait of a police detective challenged with Asperger syndrome, her US counterpart takes out most of the fun by making her personality quite unbelievable.
The same goes for Demian Bichir. His complex character of the Danish Cop in personal troubles becomes the caricature of Latino clichés similar to the perception the US has about their southern neighbor as a whole.
The crisp design of this former superb Scandinavian TV series turns into a the the kind of blunt, boring, mediocre, dark mash of cop series that swamp TV sets world wide.
If you have the possibility, see the superb original to appreciate what TV can do.
The same goes for Demian Bichir. His complex character of the Danish Cop in personal troubles becomes the caricature of Latino clichés similar to the perception the US has about their southern neighbor as a whole.
The crisp design of this former superb Scandinavian TV series turns into a the the kind of blunt, boring, mediocre, dark mash of cop series that swamp TV sets world wide.
If you have the possibility, see the superb original to appreciate what TV can do.
Geez. Most people clearly have no clue what people on the autism spectrum are like. Sonia cross has what is formerly known as aspergers-now it's reclassified as a form of ASD-autism spectrum disorder. As someone who deals with this, I can say that Diane's performance is SPOT on. The first episode may have been a little shaky-but after that it's all good. I also want to point out that further in the series you do see her character get emotional-and I've seen people complain about that, because they claim it's "innacurate". It's not. People on the spectrum are prone to meltdowns and sometimes innapropriate emotional reactions. This can easily happen when it's something that's emotionally connected to them. Diane does a great job with this role.
Wusstest du schon
- WissenswertesShowrunner Elwood Reid said that they have a specialist 'autism consultant' (Alex Plank) for Diane Kruger's character, Sonia. He is on set and will comment on every script and episode.
- PatzerSonia's Bronco has Texas Exempt (Government Agency) plates. Since she owns it (it was her dead sister's) and it is not a department-owned vehicle, it would have normal civilian plates, not government plates.
- VerbindungenFeatured in Chelsea Lately: Folge #7.122 (2013)
- SoundtracksUntil I'm One With You
(Theme Song)
Written and Performed by Ryan Bingham
Courtesy of Axster Bingham Records
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- Laufzeit43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 16:9 HD
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