IMDb-BEWERTUNG
6,4/10
15.948
IHRE BEWERTUNG
Eine Bande bewaffneter Räuber findet einen sicheren Hafen in einem abgelegenen Dorf voller Hexen - nur um dem Bizarren, Unerwarteten und Okkulten zu begegnen. Können sie sich selbst und den ... Alles lesenEine Bande bewaffneter Räuber findet einen sicheren Hafen in einem abgelegenen Dorf voller Hexen - nur um dem Bizarren, Unerwarteten und Okkulten zu begegnen. Können sie sich selbst und den Rest der Welt vor der nächsten Hexenapokalypse retten?Eine Bande bewaffneter Räuber findet einen sicheren Hafen in einem abgelegenen Dorf voller Hexen - nur um dem Bizarren, Unerwarteten und Okkulten zu begegnen. Können sie sich selbst und den Rest der Welt vor der nächsten Hexenapokalypse retten?
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 18 Gewinne & 29 Nominierungen insgesamt
Gabriel Ángel Delgado
- Sergio
- (as Gabriel Delgado)
Lucía de la Fuente
- Bruja Joven
- (as Lucía González Fuente)
Empfohlene Bewertungen
Witching and Bitching is the latest insane film from Álex de la Iglesia. His last effort was the bonkers violent clown madness that was The Last Circus. This film probably falls a little short of that one overall but it shares the anarchic comedy with violence template pretty closely. Like that film too, this one does lose steam a bit in its final section where it goes for a big ending, which loses sight of what made it good before a little. This is a pretty minor criticism though because on the whole this movie proves again that Iglesia is always someone who delivers something a bit left-field, unconcerned with the niceties of political correctness. The story has thieves on the run from a badly staged crime. On their escape route, they find themselves in a mysterious village in the Basque country where they are soon captured by a coven of witches.
As is common for Iglesia, this one starts out with a great, attention grabbing credit sequence where we are presented with images of witches and evil women throughout the ages. It takes a bit of a nerve to show a picture of notorious female killers such as Myra Hindley juxtaposed with former UK Prime Minister Margaret Thatcher! After seeing that, well you can't say you haven't been warned. The opening heist is pretty hilarious, with the criminals dressed up as street artists and mascots. It's both funny and successfully pulse-pounding and certainly gets things off to a great start. Once the characters meet the witches, the film moves from being a crime-comedy into a horror-comedy, with a focus always on the humour. The witches themselves make for the most interesting characters in the movie, with Iglesia regular Carolina Bang being the standout as the seriously gorgeous biker-witch – she smolders the screen every time she appears. This section of the film focuses on lots of macabre humour and ends with a horde of witches gathering in a cave in anticipation for the arrival of their queen, who is a giant monstrous being. Like I said earlier, this whole finale in the cavern is less interesting than what has gone before – when things get too big and effects-driven you feel Iglesia himself loses a bit of interest too. But overall, this is another very enjoyable, crazy movie from this Spanish maverick.
As is common for Iglesia, this one starts out with a great, attention grabbing credit sequence where we are presented with images of witches and evil women throughout the ages. It takes a bit of a nerve to show a picture of notorious female killers such as Myra Hindley juxtaposed with former UK Prime Minister Margaret Thatcher! After seeing that, well you can't say you haven't been warned. The opening heist is pretty hilarious, with the criminals dressed up as street artists and mascots. It's both funny and successfully pulse-pounding and certainly gets things off to a great start. Once the characters meet the witches, the film moves from being a crime-comedy into a horror-comedy, with a focus always on the humour. The witches themselves make for the most interesting characters in the movie, with Iglesia regular Carolina Bang being the standout as the seriously gorgeous biker-witch – she smolders the screen every time she appears. This section of the film focuses on lots of macabre humour and ends with a horde of witches gathering in a cave in anticipation for the arrival of their queen, who is a giant monstrous being. Like I said earlier, this whole finale in the cavern is less interesting than what has gone before – when things get too big and effects-driven you feel Iglesia himself loses a bit of interest too. But overall, this is another very enjoyable, crazy movie from this Spanish maverick.
Years ago I saw Alex de la Iglesia's film, Accion Mutante, and I really liked it, despite the poverty-row budget. It had interesting, though unsympathetic characters, whose antics were fun to watch and an amazing artificial world full of surprises.
Witching & Bitching is an absolutely terrible title for a movie. I blame de la Iglesia's unfamiliarity with English. In any case, it is clear from the start that Mr. de la Iglesia's style in this film is the same as Accion Mutante. He has his signature whacked-out, borderline insane, outside-the-law bunglers, alongside seemingly minor characters that turn into major pillars of the plot line. He has his lame running jokes that rarely work, but are somehow comforting nonetheless, and, just like Accion Mutante, the movie has enough plot twists for three or four more conventional films.
Accion Mutante kept you surprised every minute. Witching & Bitching (man, I HATE that name) can't do quite as well, because the title, as well as the title screens both give away the fact that, at some point in the film, witches figure prominently. I was thrilled by the fact that the film managed to mingle fairy-tale witches with earth-goddess shenanigans.
Some of the scenes were spectacular. Many directors, when they get money, don't seem to know how to spend it to get the best results. But de la Iglesia sure did. You got to see every penny on the screen, and as a result, this movie was, in my opinion, superior to my beloved Accion Mutante.
I love the way that his films attack both the status quo as WELL as the revolution. He subverts the subversives. His witches are (obviously) aggressively feminist, but it is clear that if they controlled more of society, the world would not be a better place.
If you've not seen Accion Mutante (which probably most people haven't), then perhaps the closest "type" of movie to Witching & Bitching would be something by Terry Gilliam, or perhaps City of Lost Children. If you like that kind of anarchic, fantasy semi-comedy, this might be for you.
Witching & Bitching is an absolutely terrible title for a movie. I blame de la Iglesia's unfamiliarity with English. In any case, it is clear from the start that Mr. de la Iglesia's style in this film is the same as Accion Mutante. He has his signature whacked-out, borderline insane, outside-the-law bunglers, alongside seemingly minor characters that turn into major pillars of the plot line. He has his lame running jokes that rarely work, but are somehow comforting nonetheless, and, just like Accion Mutante, the movie has enough plot twists for three or four more conventional films.
Accion Mutante kept you surprised every minute. Witching & Bitching (man, I HATE that name) can't do quite as well, because the title, as well as the title screens both give away the fact that, at some point in the film, witches figure prominently. I was thrilled by the fact that the film managed to mingle fairy-tale witches with earth-goddess shenanigans.
Some of the scenes were spectacular. Many directors, when they get money, don't seem to know how to spend it to get the best results. But de la Iglesia sure did. You got to see every penny on the screen, and as a result, this movie was, in my opinion, superior to my beloved Accion Mutante.
I love the way that his films attack both the status quo as WELL as the revolution. He subverts the subversives. His witches are (obviously) aggressively feminist, but it is clear that if they controlled more of society, the world would not be a better place.
If you've not seen Accion Mutante (which probably most people haven't), then perhaps the closest "type" of movie to Witching & Bitching would be something by Terry Gilliam, or perhaps City of Lost Children. If you like that kind of anarchic, fantasy semi-comedy, this might be for you.
Bankrobbers getting caught up in witch coven, sounds simple. But it's not, the permanent level of absurdism, intertwined with serious discussions on love and parenting, the effects and makeup, the production, make this all a work of art. If you like spanish absurdistic theater this movie is for you.
That's all that should be said but... I'll say a bit more.
After pulling a jewelry store heist, a group of men find their route of escape leading them to an encounter with witches. It is nothing short of a rollercoaster ride that is hard to lose interest in.
I thought this has some great and pretty funny, moments. Comedy horror isn't really something I usually find much interest in but after watching What We Do In The Shadows, which I love, I wanted to see if I could find any other films that might be just as good. This is a film that kept showing up so I decided to check it out.
Horror comedy is tricky. You can twist things up a bit to add humor but if you go too far, it ends up being a cheese- fest. While this gets close to that fine line, it never went so far that it made me want to walk away from it. That's good so, I feel they got it right with this.
The acting is good, it is filmed and scripted well. Some of the special effects were the only issue I had but once again, it wasn't so bad I wanted to stop watching.
I say watch it if you like horror comedy.
After pulling a jewelry store heist, a group of men find their route of escape leading them to an encounter with witches. It is nothing short of a rollercoaster ride that is hard to lose interest in.
I thought this has some great and pretty funny, moments. Comedy horror isn't really something I usually find much interest in but after watching What We Do In The Shadows, which I love, I wanted to see if I could find any other films that might be just as good. This is a film that kept showing up so I decided to check it out.
Horror comedy is tricky. You can twist things up a bit to add humor but if you go too far, it ends up being a cheese- fest. While this gets close to that fine line, it never went so far that it made me want to walk away from it. That's good so, I feel they got it right with this.
The acting is good, it is filmed and scripted well. Some of the special effects were the only issue I had but once again, it wasn't so bad I wanted to stop watching.
I say watch it if you like horror comedy.
While I did like Angelina Jolie in Maleficent, there is a witch right here, that I'd die for. All puns and jokes aside though: This is a comedy and it does start with a Bang (not Carolina, a literally one) and does not stop from there. It works because it is funny, but in an adult kind of way. No joke or poking fun is too low to go there (and while I'm not a fan of "toilet humor", there is one here, that I think is really good and nicely shot).
It is predictable obviously, but the actors make the whole thing work and you will have "sacrifices" that have to be made (no pun intended), for the inevitable outcome. The effects are really good and while you might argue about characters and their moods, this all get "explained" ... at least in a fashion, that is sufficient enough for a comedy
It is predictable obviously, but the actors make the whole thing work and you will have "sacrifices" that have to be made (no pun intended), for the inevitable outcome. The effects are really good and while you might argue about characters and their moods, this all get "explained" ... at least in a fashion, that is sufficient enough for a comedy
Wusstest du schon
- WissenswertesThe exteriors for the opening "heist" scene was filmed is Puerta Del Sol. The director said it was one of the most difficult things he ever had to film, because Puertra Del Sol is in a 'totally central location', impossible to build a set for and recreate, and could not be shut down temporarily for filming. He said they had to make it a "guerilla shoot" as far the exteriors (and some brief interiors). The store that offers to "Turn Gold Into Cash" that is robbed during the heist is an actual store, and the real store-front was used.
- PatzerAfter José, Antonio and Eva are seating on the couch, José stands before Eva, but on the next shot, they stand together.
- VerbindungenFeatures Noche de fiesta (1999)
- SoundtracksBaga biga higa
written by Mikel Laboa
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Die Hexen von Zugarramurdi
- Drehorte
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Box Office
- Weltweiter Bruttoertrag
- 7.422.695 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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