The Happy Prince

Rupert Everett was born to play Oscar Wilde, at least the older Wilde, (Everett is now 59). I'd already seen him play Wilde on stage, magnificently, in David Hare's "The Judas Kiss"; now he has written and directed the film "The Happy Prince" which deals in large part, (it's mostly told in flashback), with the period after his release from Reading Gaol. He, of course, takes on the role of Wilde once again and gives the kind of performance that should get him an Oscar of a different kind.

This is no vanity project but one full of passion and love of his subject. He gives us an Oscar that is vain, glorious and in the throes of the most terrible pain; this is an Oscar warts and all. He dominates every frame of the picture but has also assembled a superb supporting cast. Both Colin Morgan as Bosie and Edwin Thomas as Robbie Ross are splendid but so too are Emily Watson as Constance, Colin Firth as Reggie Turner, John Standing as his doctor and Tom Wilkinson as the priest who gives him the last rites. These may amount to nothing more than cameos but what glorious cameos they are. This is an actor's piece and no mistake.

However, for a work that is primarily literary and for a first-time director Everett also displays a very keen visual eye. This is a handsome period piece but far from a stuffy one. Everett manages to capture the flavour of Oscar's rise and fall beautifully. Here is a film that is heartbreakingly sad and strangely uplifting at the same time, a real testament to Wilde's genius, (it's certainly the best Wilde movie to date), and one of the best LGBT-themed films of recent times. Unmissable.

All credit to Rupert Everett for bringing to life his story of Wilde's final years following his exile from England after his release from prison.

The film is never less than interesting and often fascinates but it suffers because Everett cannot fully live up to his decision to play the lead, write the script and helm the picture. He's best when acting but even this falters in some scenes with Bosie that are distinctly undercooked. The script in parts needed a tighter edit and there's only so much reflected light in the camera that you can put down to cinematic meaning making and artistic licence. Sorry Rupert - just too little butter over too much bread I'm afraid.

However, the film is never less than distracting and Everett successfully makes Wilde the man that he was: At once irritating, outrageous but always to be loved. His performance of Wilde incited many emotions in me but I always returned to compassion.

Worth a look!

"I'm dying beyond my means" Rupert Everett wrote, directed and stars in this visit to the life and fame of Oscar Wilde. Though the film has strong moments the manner of relating this view of Wilde's latter days is somewhat jumbled by the preponderance of French dialogue, strange insertions of the story The Happy Prince as related by Wilde, and somewhat clumsy use of flash-forwards and flashbacks that take the focus of the film's message of how Wilde dealt with his sexuality.

The film suggests the untold story of the last days of brilliant writer Oscar Wilde who in the last part of the 19th century succumbed to his sexual proclivities in homophobic England, where homosexuality was punishable by imprisonment, his prison time, and the striving to find his place upon release from prison. As the synopsis states, 'In a cheap Parisian hotel room Oscar Wilde (Rupert Everett) lies on his deathbed. The past floods back, taking him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance (Emily Watson), the ensuing reprisal of his fatal love affair with Lord Alfred Douglas aka Bosie (Colin Morgan), the warmth and devotion of Robbie Ross (Edwin Thomas), who tried and failed to save him from himself, and constant friend Reggie Turner (Colin Firth). Travelling through Wilde's final act and journeys through England, France and Italy, the transience of lust is laid bare and the true riches of love are revealed. It is a portrait of the dark side of a genius who lived and died for love. A touching moment takes us off guard as Father Dunne (Tom Wilkinson) offers last rites at story's end.'

Rupert Everett is impressive in his complete submersion in the character of Oscar Wilde. The supporting cast is also very strong. There seems to be a disconnect between the concept and aim of the film and its execution: it wanders a bit much but is still full of entertaining and touching moments.

A solid biopic about Oscar Wilde with a terrific Rupert Everett in the leading role. A great transformation not only physically but also his whole mechanisms as an actor are totally redefined. I would not be surprised if his performance as legendary poet and playwright Oscar Wilde will actually get him Oscar attention next year. Its definitely a performance they soak up and adore. The film itself was fine, but nothing to write home about. I had some troubles with Rupert Everett's direction actually. It could have been better set up and the narrative was a bit weird at times. Performance wise it was not only because of Everett's undoubtedly great performance good. Emily Watson shines as his estranged wife but I had hoped she would have more screen time as she really lived that character and although the screen time was limited she really shined in all of her scenes. Colin Firth was good as well and took care about some comedic relief in a at times too dry biopic. The score was good and the cinematography fine - offering a lot of beautiful sceneries. Definitely worth to check out for the performance and if you are a fan of Wilde himself as they depict him and his work and language just well.

This was an absorbing tale largely because I hadn't a clue about Wilde's last days. The acting was excellent, each actor delivering a completely believable naturalistic turn. Despite the great support acting if the lead, Rupert Everett ( almost unrecognisable) hadn't been so completely absorbing it could have been dire. He was remarkable, managing the multiple tones and moods Wilde goes through. A tale of sadness and joy and redemption. Such an interesting movie.