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The unusual thing about this story is that it is about a woman between two people; not two lovers as one might expect but her boyfriend and his ex wife with whom they are friends and this ex wife cannot stop dishing the former husband her current friend is dating.

Another dilemma this woman is facing is the fact that her current boyfriend whom she has come to really like, is 'flabby' as she refers to him and on this matter I am pleased that Hollywood is raising this issue. Do overweight people deserve to be loved? This woman clearly was very hesitant due to the fact that he is overweight and could not fully express her affection becoming torn in the process between the poison spouted by his ex wife as well as expecting her circle to approve of him.

Interesting, intelligent and heart warming would perhaps be a fitting finale to the great James Gandolfini.

When I see a film and are still thinking about the characters the next day, I know I liked it."Enough Said" is one of those films..

A quality script that the all star cast brings to the highest level. The dialogue is so subtle, intimate and at times evasive that I could easily see the work on a stage. It has a modern day Pinteresque quality to it! The bitter sweet note is that as James Gandolfinos' last role, before his untimely death, it is his best. It seems like he was just starting to feel his potential as a diverse actor and "Albert" is a character we have never seen him in. Julia Louis- Dreyfus continues to amaze us with her portrayal of "Eva", a California single mom masseuse. I have always enjoyed her work especially in "Veep" but I think we will be delightfully surprised in the future with the range of characters she creates. Catherine Keener and Toni Collette who I would watch and listen to read a phone book, round out the cast. Go see it if you are in the mood for a "grown-up" film. Enjoy!

'ENOUGH SAID': Four and a Half Stars (Out of Five) James Gandolfini (in one of his last film roles) co-stars with Julia Louis-Dreyfus in this romantic comedy drama film written and directed by Nicole Holofcener. Holofcener also helmed such critically acclaimed movies as 2010's 'PLEASE GIVE', 2006's 'FRIENDS WITH MONEY' and 2001's 'LOVELY & AMAZING'. This film also co-stars Catherine Keener (a usual player in Holofcener's movies), Toni Collette and Ben Falcone. I think it's one of Gandolfini's best and most likable performances and Louis-Dreyfus has never been better or more lovable as well. Fans of honest and real romantic comedies should be more than pleased.

Julia Louis-Dreyfus stars as Eva, a divorced massage therapist who is not looking forward to her daughter, Ellen (Tracey Fairaway), going away to college. She goes to a party with her friend Sarah (Collette), and Sarah's husband Will (Falcone), and meets Albert (Gandolfini). Albert is a divorced father who's also not looking forward to his daughter, Tess (Eve Hewson), moving away for school. Eva and Albert hit it off and begin dating, despite the fact that Eva is not physically attracted to Albert (due to him being overweight). Eva also starts giving massages to a client she met at the party as well, named Marianne (Keener). The two become friends and Marianne tells Eva a bunch of horror stories about her ex-husband. When Eva learns that her ex is Albert things become complicated as she doesn't know how to tell Albert or Marianne that she knows the other.

The film is funny but in a very real way; I was really impressed with how much the movie felt so true to life. It has a lot to say about attraction and relationships, as well as family and divorce. Eva and Albert's relationship is the driving point of the film and the two lead performances really make the whole thing work. Gandolfini is once again awkward and kind of crude but ultimately very lovable. It's Louis-Dreyfus that really surprised me though. On 'SEINFELD' she was so self centered and unlikeable (like all of the characters on that show, except for Kramer) so it's really refreshing to see her be so adorable. She's really sweet and so is this film; Holofcener gives the movie the perfect touch once again and proves why she's an awesome indie film director. I really liked this movie and think most others will too.

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first of all, i would like to say that i do miss James Gandolfini. his sudden past away indeed made me feel very regretful and sad. this film is perhaps his last swan song but like always sang in a such nice and natural way, making this film a very heart warming film that has become rare and rare in recent years. this film also re-telling us what could be called or categorized as a 'comedy', a 'good' and a 'very good' comedy. what i like most is that when you watched this film, it gave you a very mature, quite realistically down-to-earth feeling. of course, the coincidental relationships between and among these modern day couples or divorcées somehow felt not quite possible, yet at the same time, it also allow you to accept it to be happened possibly. the casting job was top notched, all of them were convincing and likable. there's nothing i could be picky to criticize or cursed, because it's such a nice film that left a very nice after taste when it ended. a very very lovely romantic comedy and most of all, a REAL comedy.

ENOUGH SAID is quite simply wonderful. Its plot is straightforward: a middle-aged woman (Julia-Louis Dreyfus) falls in love with a divorced middle-aged man (James Gandolfini). However the course of true love never runs smoothly, as the woman also becomes friends with the man's ex-wife. This ultimately leads to trouble. Within that straightforward plot, director Nicole Holofcener obtains two absolutely wonderful central performances. Dreyfus doesn't want to fall in love, yet finds herself inexorably drawn towards Gandolfini's shy yet bear-like personality. Physically imposing, he has a basic insecurity both about himself and his relationship with the two women in his life, his ex-wife and his daughter (Eve Hewson). Photographed amid the suburban sprawl of California, Holofcener explores the cracks underlying life behind the closed doors and immaculately manicured gardens. While the plot might seem familiar, the performances redeem the film, which is truly bitter- sweet and spell-binding. This was Gandolfini's last film before his untimely death; it stands as a fitting epitaph to a wonderful actor.