It's Such a Beautiful Day

In a film industry there animated movies are getting more and more advanced, this extreme surprise shows up on Netflix. What a beautiful film this is.

Don Hertzfeldt, a director I had never heard of until this day tells the story of a man named Bill, who struggles to put together his shattered psyche. All this is done with very simple, but heartwarming drawings mixed with some live action moments.

Like Mary and Max (2009), this animated feature relies heavily on the narrator, who's voice is the only one you hear. We listen to simple stories about life itself, with some very dark humor intended. You'll laugh, you'll cry, but most of all you'll only spend 62 minutes of your life on something that was quite clearly worth it...

I haven't seen a film as masterful as Don Hertzfeldt's It's Such a Beautiful Day that I had to watch it twice in two days in a long time. Comprised of three short films, of which were released from 2006-2011, for an hour long feature. It details the life, perspective and ancestry of Bill, a nondescript stickman who suffers from deliberating mental illness. Although it has a minimalist animation style, with simplistic pencilled-in stick figures and fractured splotched split screens contrasted with live action footage, Hertzfeldt manages to dig deep into the bleakest caverns of the psyche of the human condition, whilst also pointing out its silver linings. Even though it's obviously painstakingly animated, there's a liberating stream-of- conscience style with Hertzfeldt's omnipresent and omniscient narration.

Despite Bill's erratic state of mind, ostensibly from his family history, he's an incredibly relatable character from his fears, dreams and insecurities. The film is so on point that it's hard to shake a disorientating sense of anxiety from watching it due to its existentialism. The film is a remarkably abrasive experience from its density, firing off small vignettes of Bill's life in just a few seconds at a time, paired with an unnerving use of classical music. But with its absurdist take on life, the grounded sense of humour comes from its irreverent and idiosyncratic observations of trivial social faux pas. However, the only aspect that holds the film back is that it gets too nihilistic at times especially during the family flashbacks without purpose, often forgetting the theme of the title.

What's most powerful about the film is the way it approaches mortality. Among all the morbid cruelty of life, it manages something deeply poignant and profound in its casualness. It suggests death as a dumb, awkward stupid moment and in its irony it finds comfort. The final passage explores the consequence of immortality taking a common fantasy on a grand scale. The unbridled creativity, insight and ambition of Hertzfeldt is unparalleled. Both hilarious and gut-wrenching in equal measure, it's a thoroughly inspirational film as Hertzfeldt probably made this on one desk maybe in his bedroom. I implore everyone to spare an hour of their life to watch this. I'll definitely be watching It's Such a Beautiful Day many, many more times.

9/10

Some films don't leave you for days after you watched them. You actually feel like they will always be within you for your whole life, and they kind of do. This has been one of those films for me. I started watching it with no idea what is was about or what to expect and so it took me to a lovely, passionate, exceptional journey.

It's one of these few films that actually makes you think after the last scene, which was by the way a remarkable one to end the film with.

It speaks to the heart, the mind and the soul in such a simple, beautiful way. I so loved how it's narrated and how the ideas are displayed. It deserves to be recognized and seen not once, but many times.

This film is amazing. It's a beautiful, philosophical film that leaves you feeling paralyzed after viewing. Every time I watch it, I notice more and more of the great things about this film. The superb effects are even more amazing when you think about how there were no computers used in its filming. This movie feels like the longest hour of your life, but you wish the hour never ends. It is about a man named Bill. It starts of following Bill around with narration by Don Hertzfeldt. Hertzfeldt's narration sounds unconventional and unprofessional, but it adds to the effect of the film. You soon learn that BIll is struggling with some sort of disease never mentioned in the film that affects his mind. Most of the film is split into little windows across the screen, something weird, but original and interesting. All this, plus some darkly funny humor, makes this film not only a great one, but an artistic achievement that will make you do some major thinking about life. This film is perfect.

From his beginnings as the animator of absurdist comedic shorts like "Rejected" and "Billy's Balloon", Don Hertzfeldt's career has always been promising and he has now become one of the finest filmmakers working today, a mature mastermind with a sense of humor that somehow manages to create stunning works of art using stick figures.

"It's Such a Beautiful Day" is a tragicomic combination of fantasy and reality, portraying the life and death of a seemingly normal man named Bill, a relatable extension of ourselves who lives a confusing yet mundane life that seems to have been wasted by year after year of nothing. Featuring a deadpan and often hilarious narration by Hertzfeldt himself, Bill's psychological and physical collapse is portrayed through the unique usage of flashbacks, dream sequences, absurdist gags, surrealist science fiction imagery, etc. All of these fragments of memories and crises and sad moments and happy moments and funny moments and stream of consciousness style musings on existentialist concepts of death and love and life all culminate to form something inexplicably beautiful. This is the story of a fragile man taking place over the course of his most fragile days as life seems to vanish in his socially awkward grasp. Of course, this is not a conventionally sad work, although it IS extremely tragic and heartbreaking throughout, for Hertzfeldt's often dark and occasionally even slightly juvenile and slyly bawdy sense of humor shines through even the most melancholic of moments.

The result of this brilliant philosophical tale is a work of both intellectual and emotional mastery crafted by an underrated and unbelievably talented artist whose works can combine elements of comedy and tragedy and poetry using bland, almost poorly drawn stick figures. This filmmaker and this films are both movie miracles and prove that even in this modern age of repetitive corporate media cinema is not dead and can still be excellent and original!