Joe - Die Rache ist sein

"You pretend to be asleep, but I know you'd cry if I said the wrong thing."

Joe is a powerful and emotional drama that despite being slow grips you thanks to an intense realism and some excellent performances. Many have compared this to last year's MUD perhaps because teenager Tye Sheridan is in both films and they happen to take place in southern America dealing with some trashy characters. I really felt this film was more similar to Jennifer Lawrence's Winter's Bone in mood and tone, since MUD had an underlying romantic theme which this film lacks and you have two young characters that have to face great obstacles in order to sustain their families. With his performance in Joe, Tye Sheridan, has acquired quite an impressive resume despite his young age adding this performance to his work in MUD and The Tree of Life. As the title suggests however, the film benefits from a great lead performance from Cage who plays Joe, a man with a troubled past who gets a chance at redemption when he meets this young kid and becomes a sort of role model for him. This is one of Nicolas Cage's top 5 performances and a return to form for the actor that I grew up loving in the 90's. Perhaps my favorite performance in the film comes from newcomer, Gary Poulter, who plays the abusive alcoholic father. I can't think of a more horrifying villain than the character he portrays in Joe. Director, David Gordon Green, has also had a return to form after his disappointing turns in the comedies The Sitter and Your Highness. He is a very versatile director who received a lot of critical acclaim from his early small indies, George Washington and All the Real Girls, and then he also had success with his first stoner comedy, Pineapple Express. You would never imagine Joe was directed by the same person considering this is such a dark emotional drama.

Joe takes place in the wild South lands of Mississippi where we meet Joe Ransom (Nicolas Cage), an ex-con and heavy drinker who is trying to lay low working as a lumberjack. His life takes a turn when he meets a young 15 year old named Gary (Tye Sheridan) who comes to him looking for a job. Gary is the oldest son of a homeless family who suffers abuse from his alcoholic father, Wade (Gary Poulter). Wade spends all the money in booze and beats Gary on a regular basis. Joe's protective instincts come to play when he takes a liking for Joe who he tries to help. Despite having a lot of friends in the small local town, Joe also has made some enemies due to his heavy drinking and constant trouble with the law, and despite how much he tries to restrain himself from hurting others, seeing Gary being constantly abused awakens his anger towards his abusive father.

The characters in this film have a lot of depth and the realism with which they are portrayed by the actors is shocking at times. Sheridan gives a similar performance as that of Lawrence in Winter's Bone, Nicolas Cage is outstanding as well in his restrained role, and Poulter is so terrifying that he makes everyone's father look like a saint. The film has a haunting atmosphere and the drama is so rich that it is hard to remain emotionally detached to the story. It is a powerful and honest drama, one of the best from 2014. It's one of those rare emotional character studies that doesn't feel manipulative and never hits a false note. Cage reminds us why he was such a success in the past and I'm glad to see him back in form after a terrible batch of films.

This is one of the darkest, bleakest films I have seen in a long time. All characters, without any exception, are unhappy souls, surviving in a grim world, unable to improve their lives, prone to an almost genetically determined urge to mess things up.

The image of rural America this film paints, is almost like that of a third world country. Most men have a cigarette in one hand and a bottle in the other. Dysfunctional families live in decaying shacks, without money or food. Violent dogs are barking everywhere. Disagreements are settled by fistfights or, in some cases, by bullets. The only community centres are a grocery store and a whorehouse. Homeless people are killed for a few dollars and a bottle of liquor.

The central character is Joe, an outstanding role from Nicolas Cage. He is a loner, living on the edge of society, earning a living by poisoning trees so that they can be removed legally. He hires workers on a daily basis, one of them being a 15 year old kid who regularly gets beaten up by his alcoholic father. They get to like each other, but when the boy seeks Joe's protection, things get out of hand.

The main characteristic of the film is the gloomy atmosphere, emphasizing the desolate hopelessness. The cinematography is stark and bare, with only the soundtrack adding some effect. The acting is very effective. Above all the part of the boy's father is worth mentioning. It is played by a local homeless man, who apparently died a few weeks after shooting was finished.

Some reviewers compared 'Joe' tot 'Mud'. An obvious similarity is Tye Sheridan, who plays the same sort of role in both films, as a young kid who befriends an older man. But to me, 'Joe' had much more in common with 'Winter's Bone'. This film was also set in rural America, with Jennifer Lawrence as a teenager trying to keep her dignity in a world of violence and dysfunctional families.

Joe (2013)

Where our children turn when their parents let them down is one of the most troubling areas for fact and fiction both. Nicolas Cage's checkered career doesn't diminish his strong, heartfelt performance here as Joe, leading a group of workers in the deep woods of some Deep South state doing illegal tree killing. But that's just backdrop, because a teenager, Gary, comes along looking for work, seemingly just from some patch of these rural woods or one of the little backwards towns nearby.

Joe has issues with violence and alcohol, but he's a truly good person deep down below all the conflicts and bad judgments, and he learns that Gary has an abusive father and troubled family. And he gradually gets involved. As this intersection grows, we learn more about Joe's world in the town, about some other guys who have it out for him, and about his sense of honor. It's that kind of world where government of all kinds, including the police, is considered unnecessary to the point of being bad, and instead people have a kind of independence that is sometimes admirable and sometimes pure belligerence.

That's the part of the movie I liked much more than I expected, and was what I took away above all—the portrayal of a kind of life and a kind of people, told with an odd kind of honesty that works.

It doesn't just reside there, however. The plot becomes highly dramatic, even sensational, as some of the shifty characters get motivated to get really violent. There is even a point when it gets so hairy for Joe he does something unthinkable until now—he calls the cops. You'll see, it's an odd turning point. So this vengeance and violence make the plot have teeth, I suppose, and it's fine, but I actually sense another movie that didn't get made here that was toned down two steps and had all these elements and yet kept the focus on the real grit.

And there's Gary, who is a pretty decent kid somehow (his father is about as bad as fathers can get, but his mom had some influence, I guess). We can finally see how a kid can escape a family horror and move on, while growing up and becoming a decent person, maybe another Joe, which oddly enough the world needs. It's worth watching just for all these things. Give it twenty minutes to develop, and it'll click.

David Gordon Green, who's versatile career has swung from the sublime ('Snow Angels' & 'Undertow) to the completely absurd ('Pineapple Express' & 'Your Highness'), has swung back once again with this adaptation of Larry Brown's bleak novel, 'Joe'. The thriller follows the lives of country drifters surviving on the fringes of modern America's mid-west. The title character, played by Nicolas Cage, is a man with a troubled past and a short temper that has found a respectable - if teetering - balance in life. When he hires a young drifter, played by Tye Sheridan ('The Tree of Life' / 'Mud') as a day-laborer and tries to take the boy under his wing, that balance begins to tip when the boy's vagabond father becomes jealous of his income and his friendship with Joe. This is a film about fighting against your own nature and, though his more serious roles are often overshadowed by his over-the-top gonzo-ness, this is, by far, Cage's most subtle success to date. Don't worry though, he still gives the camera 'crazy-eyes' at least once.

Nicholas Cage still has got it! The man can still act, he only needs a good screenplay and a decent director.

The good: solid acting performances in a bleak, hardhitting, true to life story about going down the drain.

It's a slowburning story, but a REAL one and however depressing it might be, it is touching as well.

Recommended for the arthouse movie fans.