Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.Die Fortsetzung von Joes sexuell diktiertem Leben vertieft die dunklen Aspekte ihres Erwachsenwerdens, Besessenheiten und was dazu führte, dass sie in Seligmans Obhut war.
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In "Nymphomaniac: Vol. II", there is a lot of graphic sex. The sadomasochism is quite shocking and raw. There are many occasions when I was very surprised by how far the actors and actresses would go. How she descends into a pitiful state is sad. The second half of the film takes a turn into exploring another side of Joe's sexuality. Actually, "Nymphomaniac: Vol. II" explores almost all common sexual minority behaviours - it is almost an eye opener - and in some cases eye closer.
"Nymphomaniac: Vol. II" is a bit too extreme for my taste.
Previously it put emphasis on 'sensationalism', whereas this time around the focus is more on the "visual" side of it or rather the degree of depravity & cynicism that lurk beneath the surface!
I almost got startled when it momentarily switched to a 'medical exhibition', that whole scene (you'll know what I am referring to, if you have seen the movie) made me uncomfortable, mind you, I'm generally desensitised to distasteful stuff owning to dozens of repulsive features I have borne witness to. But that one sequence tested my tolerance! There are not many films out there I can give the same compliment to!
The attributes that the general population will view as 'pornography' is the actual gritty realism of the Joe's life - nymphomania. If one has any sympathy for a type of disease or an insatiable need (an addiction), they will come to understand that this movie seems to explore addiction from the perspective of each character. The addictions that shape life as well as the absence of these needs entirely as one character seems to demonstrate - the question that remains in the end is that how far can one woman allowed to take her needs in a male dominated society?
Each character has their own value in the nymphomaniac's life and changes and shapes her personality to what it becomes in the end. I urge you all before writing distasteful reviews that fuel only some type of parental guidance (this is not a movie for kids obviously) or claiming that this film is porn, to actually take the time to see a deeper meaning within the characters and their dialogue even though it is overshadowed with quite a bit of sex...
What's missing most is the interaction between the two lead characters: sex addict Joe and her asexual rescuer Seligman. In the first part, their conversation was like ping pong: they exchanged stories and experiences - hers of a sexual nature, his about all kinds of things. The links and similarities between their seemingly different lives made the film so original and attractive.
In the second part however, it's mostly Joe who tells the stories. Seligman is reduced to a minor part, that of the patient listener. Only at a few occasions he really contributes something to the conversation, but after one of his stories, Joe remarks: 'I think this is one of your weakest digressions'. After that, he lets her do the talking.
Even more than in the first part, Von Trier explores all kinds of (sexual) taboos. There's paedophilia (on which Joe has rather original but very wise views), interracial sex, sado-masochism, and all kinds of humiliation. In between, Von Trier also gives us his unorthodox thoughts on motherhood and feminism.
At several occasions, it's clear how we hear Von Trier speak through the words of his protagonist. There's a nice exchange of arguments about political correctness between Joe and Seligman. He thinks the word Negro shouldn't be used, out of respect for a part of society. She thinks that not allowing the use of certain words, is equal to forbidding certain thoughts. Political correctness is hypocrisy, she thinks. Coming from a man like Von Trier, who has committed his life to the combat against political correctness, this is a clear statement. The same goes for the scene where Joe, after having decided to attend a self help group for sex addicts, accuses the group leader of being a member of some sort of obscenity police. This is a clear message to all narrow-minded people who described 'Nymphomaniac' as porn, before having seen one second of it.
Because Von Trier so clearly has no respect for what society considers decent or proper, I was amazed by Seligmans feminist speech at the end of the film. He comforts Joe by pointing out that her behaviour as a nymphomaniac would probably be applauded if she had been a man. That a woman cannot dedicate her life to limitless sex, is proof of society's double standards. Of course this is true, but it sounds strange after so much scenes in which women are being degraded.
After having seen Nymphomaniac part 1 and part 2, I am really curious about the director's cut. Is it just more explicit sex? I hope not, because showing genitals is clearly not what makes this film great. It's everything else that should make you want to go and see it.
Wusstest du schon
- WissenswertesCharlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.
- PatzerIn the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.
- Zitate
Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.
Seligman: That's unbelievable!
Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.
Seligman: No matter how much I try, I can't find anything laudable in pedophilia.
Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.
- Crazy CreditsNear the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."
- Alternative VersionenThe director's cut adds roughly 57 minutes of footage, expanding some of the subplots.
- VerbindungenFeatured in Film '72: Folge vom 19. Februar 2014 (2014)
- SoundtracksThe Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
Performed by Mads Hock
Written by Johann Sebastian Bach
Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)
© Zentropa Music
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Details
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- Herkunftsländer
- Offizielle Standorte
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- Auch bekannt als
- Ninfomanía (vol. 2)
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Box Office
- Bruttoertrag in den USA und Kanada
- 327.167 $
- Eröffnungswochenende in den USA und in Kanada
- 74.978 $
- 6. Apr. 2014
- Weltweiter Bruttoertrag
- 4.934.965 $
- Laufzeit
- 2 Std. 4 Min.(124 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1