Mit eiserner Hand

This is AT LONG LAST a true Spanish series, the best ever for me, though I admit not have seen so many of them. But at least, it is ten billions times better than the CASA DEL PAPEL junk, garbage crap destined to all kinds of audiences, under and over fifties housewives, truck drivers, convicts, budding young executives, teens.... Crap. This series is gritty, bloody, taut, rough, tough, not for sissies. I LOVE IT !!!! And that's the first time I see Sergi Lopez handling a machine gun or simply acting in a crime flick. I particularely recommend the fifth episode where you watch the most terrific knife - fist- fight of all times for me, grittier than any other filmed stuff, even Asian movies from the seventies. This scene between Sergi lopez and another character is purelly outstanding. So realistic.... And this series, which the plot takes place in Barcelone harbor, among giant containers, this series looks very likke another one, from France, and called DE GRACE, but taking place in LE HAVRE harbor, another crime drama involving a family, with a patriarch and his sons.... But DE GRACE was less crime than drama, there was no undercover cop scheme, unlike this one, which is an authentic mafia crime series. In both TV shows you also have many flashbacks, concerning the family story. And the partriarch character here, with the iron hand, is the equivalent of Olivier Gourmet's role in DE GRACE. And I don't know if you have noticed, but both actors - Gourmet and this Spanish actor - HAVE THE SAME EYES !!! Not face, BUT EYES, same glance. Please try to check by yourself. Not face but eyes. What a coincidence....

Pros: Intriging concept. Mafia-like family controlling the port, with people trying to take over the throne, the backstabbing, the betrayals, the side deals, etc. So initially you get the idea of this being a Spanish version of Rome Suburra......except the execution is no where near the Italian counterpart.

Writing. There are so many scenes involving someone calling somebody's name or saying 'stop'. Way to many. Just irritating.

Very few 'real' conversations. Instead, it was people reciting individual sentences to progress the audience to the next scene. 'I am going to take our daughter and drive her to school' or 'I am going to call my brother on the cell phone and invite him to lunch tomorrow' are example of statements made to inform the audience what the character will do next, instead of natural conversation.

Direction. The shaky cam, multiple edits within one scene, face close-ups, loud music during action...all the necessary tricks to decieve the audience that more is going on. The fight scenes are choreographed so badly that one person actually had a knife over their head bringing it down to stab someone, I almost stopped watching from that scene alone. People would all have guns but for some reason forgot they had guns and fight hand-to-hand for no reason at all.

Ex Machina.....for a city with almost six million people, there appears to be only one coffee shop, one restaurant, one alley, one police station and only one side of the port because people kept running into each other by coincidence, throughout the series.

I liked the concept: gangsters running the port in Barcelona, with some family drama and internal tensions. The actors were good. At first, it wasn't trying to be too clever.

As the episodes wore on, the bad writing kept decreasing the enjoyment for me, until I positively disliked watching the last two episodes. I kept watching hoping it would redeem itself, but it only degenerated into implausible subplots and gratuitous diversions.

Others have pointed out some of the poorly written scenes, but it's even worse than that: the timelines don't even match up. Miki will head out in his car at night and then arrive in broad daylight, even though we know the two places are not that far apart. Other times things are happening with characters that are clearly meant to have happened before other scenes. I'm not talking about the flashbacks, which are also annoyingly overdone and distracts from the main storyline, but at least they make it clear when it's a flashback.

With only slightly better writing, this could have been a good watch. As it is, I recommend skipping it.

Do not get me wrong: it is still mediocre.

Just, compared with the usual low quality, and the terrible acting and scripting of Spanish thrillers, is probably the best show of latest years.

The show benefits from a high budget. Sceneries, the port, the ships, resources. All this contributes to a solid staging and a professional appaerance.

The action scenes are well done, specially comparing with other Spanish productions. Still quite amateurish, but I think not because the way they filmed it and the actors and extras done it; it is a planning problem: writers and directors have no idea how weapons work, how people behave in close range combat, and so on.

Eduard Fernández is an extraordinary actor and nailed it. His performance is largely the best in the show, and he single handedly saves the entire show. He is gritty, dark, complex. And, overall, the actor is very natural: the way he speaks, the way he moves, he is very credible in the role of the port kingpin.

We cannot say the same of the other parts. And it is a common problem in non-comedy Spanish shows: from plain bad acting to overacting, people not talking the way people talk in Spain, expelling from their mouths poor or ridiculous dialogues.

Another problem is the lack of attention to detail. It is not fault of actors or production, but writers. It is like that scene which begins with a cargo ship navigating and a caption that says "Pacific Ocean". Suddenly, a speed boat with somali pirates or alike appears from nowhere. In the Pacific ocean. Quite a leap for somali pirates. The subsequent action in the attacked ship could have been really good, as they had the resources to do it. What they lack is attention to detail, knowledge of stuff necessary to giving it a little credibility and the classic overconfidence of writers in their own knowledge.

The lack of professionalism in the depiction of police work, how drug dealers and sicarios work, how weapons should be used, and even the incorrect geography, takes the shine off what could have been a great show.

The show is plagued with all these things; together with the bad acting (aside of the extraordinary work of Eduard Fernandez and a few small parts) and very poor dialogues, makes watching it a bit tiresome and difficult to suspend disbelief.

Iron Reign (2024) is one of the most gripping and surprisingly underrated series of the year. From the very first episode, it pulls you deep into a world of crime, power, and family loyalty. The storytelling is intense, fast-paced, and filled with twists that you never see coming. Each character is well-crafted, especially the lead who perfectly balances strength and vulnerability. The atmosphere is dark but rich, and the cinematography beautifully captures the tension in every scene. What makes it stand out is how unpredictable the plot is-you constantly feel like anything can happen. Despite its quality, it hasn't received the attention or rating it truly deserves. Iron Reign is a hidden gem worth watching.