Three of Us

Three of Us is simple, straightforward, and realistic storytelling done right. The plot isn't pathbreaking given there are recent examples worth referring to, but it's the film's picturesque Konkan setting, soothing soundscape, and lovely performances that make it memorable.

It helps that the director in Avinash Arun takes precedence over the cinematographer, as he's not only able to treat us to beautiful frames, but also able to tell a moving story about someone looking to reconnect with their past, with the likelihood of forgetting it all again. Shefali Shah makes even the gentlest of smiles and glances mean something more in a performance that warrants every bit of attention it gets. She's already on a fantastic run lately, and I'm sure she'll keep delivering solid work.

Jaideep Ahlawat backs her up in a wonderfully written supporting role (with a spectrum of emotions), and he carries the poetic demeanor with consummate ease. Kudos to the man for having taken on roles that bring out the versatility in him - An Action Hero, this, and Jaane Jaan immediately come to mind. All these characters are demanding in different ways, and they're all safe in Jaideep's hands.

Swanand Kirkire is also endearing and sweetly relatable in the role of Shefali Shah's husband, and during their low-key exchanges, there's an irresistible next-door charm to them. While the use of music/score is commendable in certain portions, what I truly want to appreciate is the use of ambient sound. There's a scene with Shah's character sitting at a park in Mumbai, the city sounds in that particular scene evoke the feel of tidal waves, and it acts as a precursor for when the couple actually visit the Konkan coast.

Some scenes feel slightly rough around the edges, especially one where the husband-wife conversation displays signs of heat (but is defused shortly after) in the pre-final act, along with the one at the hut with an elderly woman. On the other hand, there are some absolutely brilliant stretches of writing and acting. The ferris wheel sequence is symbolic of the circle of life. It's true; the older we get, the yearning for home, and the opportunities to reconnect with childhood friends & memories keeps getting stronger. Also, I like how dementia isn't the film's centerpiece, although its undercurrent is felt throughout.

Shailaja is diagnosed with dementia and she requests her husband Dipankar to take her on a vacation to Vengurla where she had spent few years of her childhood. There lies some beautiful memories and a painful past which Shailaja wants to revisit before time runs out for her and this might help her find the Shailaja whom her husband also doesn't know about. This is her chance to stop and look back at the life she had leave behind.

I thought I signed up for an emotional journey which it was but the pay off in the end, simply made this magic. No wonder I yearn for these dramas where one explores the real human emotions. Such a profound way to handle the characters here, not just the main character of Shailaja. I loved how it doesn't shy away in letting Dipankar to speak out at a crucial moment and the scene is not escalated for dramatic impact but does enough to showcase their relationship.

The film truly hit me hard at the giant wheel scene and even the follow up scene with Pradeep and his wife as she asks about a bribe, so beautifully handled. Standout performances truly made this a special watch and each characters have been etched with such care. With all that happens in that trip, coming back to Shailaja asking "what if I forget Bharat?", to just present the life moves on and like Shailaja and her loved ones accepting her predicament, there isn't much to do.

I will truly cherish watching this though I do regret for taking my own time to watch it.

This film was made with a very heart-touching and gentle observation of human relationships. It takes perspective on experiences of loss, trauma, and healing. The lighting and angles in this film are very natural. Every frame speaks to the character's emotions...

Mesmerizing performances by Shefali Shah, Jaideep Ahlawat and Swanand Kirkire. The expression on Shefali's silent face is so powerful that you can understand what she wants to say. Jaideep Ahlawat, one of the finest actors of Bollywood, his every gesture, his expression, his every line with brilliant editing is extraordinary to read. You may feel that every relationship cannot be described in words...Especially the poetry recited by Jaideep is so impressive that the entire film becomes poetic...

The natural and instinctive understanding portrayed by Sarika , Pradeep's wife (Kadambari Kadam) demonstrates the strength of the finest bond they share as a husband and wife...

"Tomorrow will only come when today is played out"

""No one remembers their daily life...We forget as time passes,we change" Are the most valuable takeways to watchout for...

It's the most devastating tale about the human condition & yet so hopeful & positive.

I've had my heart broken a million times through the movie yet ended up thoroughly loving it .

I'll remember it for the sparkle in Shefali Shah's eyes. They are empty and expressive at the same time. She is one of the finest actors in Hindi cinema.

I'll also remember it for Jaideep Ahlawat's smile. His calmness and body language makes him completely suitable for romantic roles.

Together, these two power house actors are a delight to watch on screen.

Ably supported by Swanand Kirkire in the quintessential role of the husband who cares and respects his wife. There's one conflict scene for him in which he forces a fight with his wife. He is fantastic in this heart-wrenching scene. As also throughout the film.

There's not one high-pitched dialogue in the entire film. Everything is subtle and understated.

The Ferris wheel scene in the final act is film-making at its absolute best.

I feel this is Director and Cinematographer Avinash Arun's best work, yet. And, he already has a repertoire of brilliant work. The cinematography is simply breathtaking. He's also contributed to the screenplay alongwith Omkar Achyut Barve and Arpita Chatterjee. It has a beautiful background score by Alokananda Dasgupta, which is only used sparingly giving lots of scope for silent moments.

In this slam-bang, life-in-quick cuts world of movies this film is refreshingly different and stands apart. It is poignant and without any of the usual cliches.

But it may not appeal to everyone.

It is an experience to be appreciated on the big screen. Three of Us is worth every rupee spent.

I have been waiting for this one too release on OTT for the longest time since 2022. And boy, what pure representation of cinema this is. Absolutely a gem. And I wonder how Shefali nails it every freaking single time. No drama, no loud dialogues, only pure acting with her eyes and expressions. Beautiful. Shefali is One of the finest actors we have today.

A perfect cast, very delicately directed and the cinematography is just beautiful, every frame is a masterpiece. Soothing and warm. The small town vibes, the beaches, and the sounds. Makes a way right through the heart and comes out as tears.

A must watch. And real cinema after ages!! Great job.